Dark Horse Presents 53 (August 1991)

It turns out all I need to like Homicide is a good artist. I think Arcudi fashioned the story to fit Morrow’s sensibilities, but it’s easily the best dialogue Arcudi’s written on the series. Morrow really shows how important an artist is in making a mediocre (at best) script work.

Geary’s got a single page again. It’s a little more profound than usual and not entirely successful.

Paley’s got a crazy cat strip and it’s simply lovely. She breaks the comic strips panels and lets loose this swash of ink. Even with Morrow in the issue, it’s the best art, just because she’s doing so much on each page. It’s a great comic.

Not great (or good) is the Biggers, Brooks and Johnson entry, Earth Boys. It’s two wasted pages.

As for Sin City? The only thing worse than a regular Sin City entry is one where Miller does filler.


Sin City, Episode Four; story and art by Frank Miller. Secret Places of My Shameful Past; story and art by Rick Geary. Kute Kitty Kartoon; story and art by Nina Paley. Earth Boys, Wheel to Power; story by Cliff Biggers, Brett Brooks and Dave Johnson; art by Johnson. Homicide, The Creep; story by John Arcudi; art and lettering by Gray Morrow. Edited by Randy Stradley.

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