The last time I tried to watch Near Dark, I failed miserably. This time I suppose I made it through the running time–I think that still image at the end is supposed to be some profound statement–but not all of my brain cells made it with me. They abandoned ship as the film progressed.
The only conceivable reason I can come up with for Near Dark‘s popularity is its mid-1990s rarity. It was a reuniting of memorable Aliens cast members and it wasn’t readily available on video–there was an old HBO Home Video release and I’m not sure it got another release until DVD. There was a laserdisc too, I believe, and it went for a lot on eBay (even pan and scan).
Bigelow doesn’t direct it poorly. She’s definitely mediocre, but her direction is far more competent than her script. Apparently she and Eric Red were going for a modern Western. They fail miserably, sort of because Bigelow–as a director–lets that analog be so quiet. Tim Thomerson searching for his “abducted” son is a Western, but it’s not if the main character is the son (a trying really hard Adrian Pasdar).
Lance Henriksen, Jenny Wright and Thomerson are good. Bill Paxton’s bad, like he’s Hudson doing a hick vampire impression. Jenette Goldstein and Joshua John Miller are both atrocious.
Near Dark‘s one of Tangerine Dream’s better scores and it does have great special effects.
But those don’t save it from being incredibly stupid.
Directed by Kathryn Bigelow; written by Bigelow and Eric Red; director of photography, Adam Greenberg; edited by Howard E. Smith; music by Tangerine Dream; production designer, Stephen Altman; produced by Steven-Charles Jaffe; released by De Laurentiis Entertainment Group.
Starring Adrian Pasdar (Caleb Colton), Jenny Wright (Mae), Lance Henriksen (Jesse Hooker), Bill Paxton (Severen), Jenette Goldstein (Diamondback), Tim Thomerson (Loy Colton), Joshua John Miller (Homer) and Marcie Leeds (Sarah Colton).