I unintentionally watched the Roger Ebert cut of Kate & Leopold. I originally saw it at a sneak preview with the plot intact. Ebert saw it around the same time and threatened to complain or whatever if they didn’t cut it.
It works all right, but the original cut is available on DVD. I thought that version is what I’d be watching.
But it wasn’t.
It’s a perfectly fine romantic comedy.
Hugh Jackman and Liev Schreiber are way too good for it. Schreiber’s performance is fantastic, of course. Jackman’s continuing his development into this romantic leading man–that role never really took off for him. His most popular role, for female audiences, is Wolverine. That Wolverine movie, over half the audience opening weekend was female.
It seems kind of natural to stick him in a Meg Ryan movie . . . I guess. Except this one’s a post-Russell Crowe Ryan movie, after she’d lost her luster.
It’s amazing how little work goes into making her a character, other than her being Meg Ryan. It’s upsetting–comparing Innerspace Ryan to this film–it’s this watered down version.
Mangold does a good job directing. His script’s long, with too many characters.
All the acting’s good except Bradley Whitford, which is because they cast him as a nasty Adventures in Babysitting Bradley Whitford role . . . only after he was Josh Lyman Bradley Whitford, which doesn’t make any sense.
Breckin Meyer’s good in it.
It’s fine. One should, if possible, see the director’s cut.
But it is long.
Directed by James Mangold; screenplay by Mangold and Steven Rogers, based on a story by Rogers; director of photography, Stuart Dryburgh; edited by David Brenner; music by Rolfe Kent; production designer, Mark Friedberg; produced by Cathy Konrad; released by Miramax Films.
Starring Meg Ryan (Kate McKay), Hugh Jackman (Leopold), Liev Schrieber (Stuart Besser), Breckin Meyer (Charlie McKay), Natasha Lyonne (Darci), Bradley Whitford (J.J. Camden), Paxton Whitehead (Uncle Millard), Spalding Gray (Dr. Geisler) and Philip Bosco (Otis).