I thought movies about giant monsters fighting were supposed to be exciting, but apparently not. I haven’t seen King Kong vs. Godzilla in maybe fifteen years and now, this time, I watched the original Japanese version. Frighteningly, it’s only seven minutes longer, so I imagine the Americanized version is boring too. The main problem with the film is its stupidity. It’s supposed to be a comedy, except Honda Ishiro’s direction doesn’t take humor into account. Honda’s direction doesn’t take a lot of things into account–like coverage or shot continuity, but whatever. He visibly doesn’t know how to shoot for 2.35:1 here, filling the middle of the frame with action; the film is VHS safe twenty-five years before anyone else was worried about it.
To compensate, there’s a lot of stuff with the lame people in the story. A pharmaceutical company captures King Kong to be their corporate mascot and there’s all these people who run around–with high level military access apparently–and they’re mostly useless. The boss, who’s doing a Groucho Marx impression, is mildly amusing, but the lead is real broad. The romantic male lead (interested in the lead’s sister), played by Sahara Kenji is actually all right. So is Hirata Akihiko (who died in the original Godzilla, playing a different scientist). He’s actually the funniest, walking around, spouting off useless commentary. The scenes where people bet on the outcome of the fight are lame.
I couldn’t tell what was wrong with the movie until I realized no one got hurt. Both King Kong and Godzilla destroy trains, but there are no victims. They destroy houses, they stomp things… no one gets hurt. The tone isn’t light, it’s stupid.
Another technical problems involve the music–it’s terrible, especially when Honda fills the running time with montages of Godzilla trap preparation–and the sound design. The sound design’s just incompetent.
No movie called King Kong vs. Godzilla was going to be good, but there’s usually something amusing about Godzilla movies (from my cursory reading, it seems like the dubbed, Americanized version might be a cleaner cut). Honda’s repeated failures throughout really make the original Godzilla even more of an achievement (and shock).