Battle for the Planet of the Apes (1973, J. Lee Thompson), the extended version

I actually had some hopes for the Battle for the Planet of the Apes, the last film in the series, mostly because J. Lee Thompson did such a good job directing the previous entry. Except for not knowing when he’s getting boring, it doesn’t seem like the same J. Lee Thompson directed both films, however. Battle for the Planet of the Apes is not the worst film in the series, since there’s not much worse than Beneath, but it’s still bad. Real bad. On one hand, it’s stupid and poorly written. On the other, there are some visible signs of conceptual failings. The script never provides a believable ape society, nor does Thompson know how to shoot the scenes between the apes. If one were so inclined, he or she could sit and list all of the film’s contradictory items, but I can’t imagine why a person would want to.

Most visibly missing is Paul Dehn, who concocted the story, but two of Roger Corman’s screenwriters (and not John Sayles) wrote the actual script. Gone, therefore, are Dehn’s well-written conflicted human beings. There are no regular human beings anymore since the film takes place immediately following a nuclear holocaust, but the screenwriters (John William and Joyce Hooper Corrington) don’t even manage to get any decent human conflict out of the film. Not even for the apes, who are center-stage, much like Beneath. Austin Stoker shows up as the human and he’s fine. I remember thinking he was doing rather well considering the film’s cheapness and silliness. Roddy McDowell’s in this one again and he’s not even acting anymore, just doing an act. Even his facial mannerisms are sloppy. Paul Williams probably gives the best costumed performance and Claude Akins the worst, though Akins’s gorilla is so poorly written (and unbelievably conceived), it’s not all his fault. The most embarrassing performance award goes to John Huston, who introduces and closes Battle from the future (of the future).

Since Battle is so long and boring (partially due to Thompson’s poorly paced action scenes, but mostly because it’s so uninteresting), the viewer’s mind has some spare time while watching and I spent mine wondering who the film’s makers intended to enjoy it. Obviously, Planet of the Apes has a following, but this film is so different from the other films in style, I just couldn’t figure it out. I mean, that little hope I had disappeared the moment John Huston showed up (the first shot). Had I been seeing this film in the theater in 1973, I would have gotten up and walked out. Maybe laughed a little first.

Battle for the Planet of the Apes is a bad idea, poorly written, poorly directed, filmed. Poorly produced too. If the writing or the directing had been all right, the film might have been somehow interesting (like the previous entry, Conquest). However, without any help, it’s just an oddity. It’s not even bad enough to be a “must see,” like Beneath. It’s just bad and there, like a TV show you’ve never heard of rerun at four o’clock in the morning.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by J. Lee Thompson; screenplay by John William Corrington and Joyce Hooper Corrington, from a story by Paul Dehn; director of photography, Richard H. Kline; edited by Alan Jaggs and John C. Horger; music by Leonard Rosenman; produced by Arthur P. Jacobs and Frank Capra Jr.; released by 20th Century Fox.

Starring Roddy McDowall (Caesar), Claude Akins (Aldo), Natalie Trundy (Lisa), Severn Darden (Kolp), Lew Ayres (Mandemus), John Huston (The Lawgiver), Paul Williams (Virgil), Andrew Knight (Mutant on Motorcycle), Austin Stoker (MacDonald) and Bob Porter (Cornelius).


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