About ten years ago, the best independent movies–as Fox Searchlight wasn’t around yet–were coming out of Sony Pictures Classics. Denise Calls Up has disappeared. It’s not out on DVD and the VHS is out of print. Hal Salwen is similarly gone–his last film is available, pan and scanned, on DVD, but the one he made after Denise has never been released. The New York independent filmmakers of the 1990s–the only good independent industry of the 1990s–have mostly disappeared….
Denise is an odd film. It’s structured around phone calls. The film is, watched today, a monument to the call waiting-era, which is now mostly replaced by e-mail. Except a film about a bunch of people e-mailing each other doesn’t allow dialogue, which means there wouldn’t be much for the actors to do. Denise gives its actors a lot to do. I think this film is the first one I ever saw Liev Schreiber in. Schreiber–to some degree–caught on and managed to resist Hollywood crap for a while, always doing smaller work. But this film is also the first place I saw Alanna Ubach, who was around for a minute (particularly Clockwatchers), then disappeared. These two are the only ones I’m going to mention, but everyone in the film is great. I can’t figure out how Salwen got such good performances out of them, given the telephone-only talking nature of the film.
While the telephone-specific elements of the film may or may not be outdated, Denise‘s theme of isolation in American culture is more than valid, probably moreso today. Salwen’s an exceptional filmmaker too–Denise is particularly well-edited and the location manager is my hero–it’s unthinkable that he hasn’t gone on to anything more. I hope Sony gets around to releasing it on DVD, just so more people can see it.