Okay, here’s a hint: if your choice of titles are Blind Horizon and Black Point, go with Black Point. Black Point isn’t a good title for Blind Horizon, which might be an impossible-to-title film, actually, but Blind Horizon has nothing to do with the film. There are no poignant horizon shots and Val Kilmer isn’t blind in it (though I assumed he was).
Blind Horizon is a decent little film though. I had, of course, hoped–given Neve Campbell and Kilmer in the film–I’d get a family drama. Instead, Blind Horizon is an amnesia thriller. Since it was Val Kilmer and I rarely eighty-six a Val Kilmer movie (it’s happened, though, it’s called Hard Cash), I stuck with it. Certain aspects of the film are incredibly predictable–it’s a thriller, after all–but there are also some nice moments and some nice twists that I didn’t get until I sat to consider them.
Sam Shepherd’s in it and he’s good (but Shepherd’s always good, he just plays the same guy) and Amy Smart’s really good in it. Though I’ve seen a couple films she’s acted in, I try to avoid her films like the plague. But she’s good. Actually, Blind Horizon has a lot of nice performances, particularly Noble Willingham–who you’ve seen before, but never in a role like this one. Fortunately for the film–which makes no sense whatsoever–these strong performances carry everything through.
I still want a Kilmer/Campbell family drama. It’d be nice.
Directed by Michael Haussman; written by F. Paul Benz and Steve Tomlin; director of photography, Max Malkin; edited by Quincy Z. Gunderson and Alain Jakubowicz; music by Machine Head; production design, Richard Hoover; produced by Tucker Tooley, Randall Emmett, George Furla, Heidi Jo Markel and Vincent Newman; distributed by Lionsgate Films.
Starring Val Kilmer (Frank), Neve Campbell (Chloe), Sam Shepard (Sheriff Kolb), Noble Willingham (Deputy Cash), Amy Smart (Liz), Gil Bellows (Dr. Conway), Giancarlo Esposito (J.C. Reynolds) and Faye Dunaway (Ms. K).