Some (2004, Chang Yoon-hyun)

I love genre-breaking. It doesn’t happen much in film. Something like Blade Runner mixes genre, but little ever really breaks the genre mold anymore. I mean, the American romantic comedy has been around since in 1938 with The Cowboy and the Lady. I’ve seen strict genre films from Korea and I’ve seen loose ones (comedies with severe dramatic turns, for example), but Some sticks out. It’s kind of cute and light-hearted, but never comedic, but still violent and dark. I suppose it’s like an early color Hitchcock, which were still fun, but somebody could, conceivably, die.

More surprising is that Some has a huge gimmick. A huge precognition gimmick. I don’t know how well the film would have worked without the gimmick, because by the time it was fully defined, I was already wrapped up in it. The two leads are great and elicit concern early on–through extreme peril, another Hitchcock method–and I was already committed to the film, so I just let the gimmick pass. I’m not advocating such gimmicks, but the gimmick doesn’t run Some, even though it… kind of does. The film’s focus is on its characters and their immediate danger, not the gimmick, which makes the film an example of a gimmick working (to some degree, the film still only gets a one, I mean, it’s a cute, light-hearted cop movie set in twenty hours).

Not surprisingly, however, Some is from the writer of Il Mare, which failed because it got too wrapped up in gimmick. I guess she’s gotten better. I mean, I support this film even in light of its stupid teenager gangster subplot… but that’s probably just because the acting is so good.

Leave a Reply