Okay, so I’m a little confused.
How the hell is this film unknown? It’s just now coming out on DVD, but I’d never heard of it until I read something for a film class (six years ago) about Arthur Penn. Penn didn’t survive the 1970s (and it’s not all Target‘s fault). Somehow, his films remained known to people of that era and to decent film watchers, but not to film snobs. (I’m defining these particular film snobs as the folks who don’t know they made movies before Mean Streets, you know, the Tarantino school). What the hell?
The Missouri Breaks features one of Jack Nicholson’s best performances. It’s a ‘holy shit’ good performance. Brando’s good too, though in a playful way. He never lets us in to the character, but there’s the moment, watching both of them in this film, where you stop and say, “That’s acting right there.”
As for Penn’s direction… It’s amazing, I mean, come on. The guy’s a superstar. Also of particular note is the John Williams score, which is from when John Williams was still something special.
The Missouri Breaks is so good, I could go on and on. Instead, see it and find out for yourself.
Directed by Arthur Penn; written by Thomas McGuane; director of photography, Michael C. Butler; edited by Dede Allen, Gerald B. Greenberg and Stephen A. Rotter; music by John Williams; production designer, Albert Brenner; produced by Elliot Kastner and Robert M. Sherman; released by United Artists.
Starring Marlon Brando (Robert E. Lee Clayton), Jack Nicholson (Tom Logan), Randy Quaid (Little Tod), Kathleen Lloyd (Jane Braxton), Frederic Forrest (Cary), Harry Dean Stanton (Calvin), John McLiam (David Braxton), John P. Ryan (Si), Sam Gilman (Hank Rate), Steve Franken (Lonesome Kid) and Richard Bradford (Pete Marker).