I have a confession to make with Night Moves. I first started watching it when I was fifteen and home sick from school. I wanted to see Knight Moves with Christopher Lambert and I got this one instead. I liked Gene Hackman (or said I did) so I started watching it and I turned it off. Why?
Because fifteen-year olds are stupid.
I don’t know how I rediscovered it. I had the old Warner Home Video laserdisc, pan and scan from the early 1980s with the bubbles around the picture on the cover (f you know, you know). That must have been before film classes at college, so the only thing I can think of is Arthur Penn. I saw an Arthur Penn film on AMC (back when it was good) and went after his other stuff. At this period, I was buying laserdiscs film unseen. Blind buying. People do that with DVDs and DVDs cost $10. LaserDiscs cost a lot more. It’s possible I got the Night Moves laser on sale somewhere….
Night Moves is probably Arthur Penn’s best film, unless The Missouri Breaks is better than it looked from the moments I saw (I have it coming, right now, from Nicheflix, actually). That’s a big deal when you directed Little Big Man. I just realized I have watched Night Moves lately (2001). But this time is the first widescreen. Oh, so beautiful.
In the old days (2001), I’d have to tell you to find a good video store and still hope they stock Night Moves. With DVD, I don’t have to. You can just see it.
I’m still trying to figure out what happened to Jennifer Warren. She was in Night Moves and Slapshot and then did TV movies. She’s a great actress. Odd to appear in two of the more important American films of a decade and then nothing. Susan Clark’s in Night Moves too. Susan Clark is really good (no, I never watched “Webster.”) And as for Eugene Hackman. He’s become–edging out Dustin Hoffman–my choice for the finest actor the 1970s ever birthed. I know it’s cheating, I know Hackman and Hoffman started in the 1960s, but still….
He’s simply astounding. See Night Moves.