Tag: Peri Gilpin
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The episode opens with a lengthy setup for the eventual A plot, getting most of the B plot out of the way in an early chunk. Both Daphne (Jane Leeves) and Niles (David Hyde Pierce) are upset; she’s mad at her boyfriend for ditching her on their anniversary weekend to go to Vegas (we learn…
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I wanted a Roz (Peri Gilpin) episode, and for my sins, they gave me one. Frasier Loves Roz is not a bad episode. It’s a mediocre episode to be sure, but it’s not bad. It’s problematic because writer Suzanne Martin can’t decide whether or not to do easy body shaming jokes, or homophobic ones, or…
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It’s time for the seasonal Bebe (Harriet Sansom Harris) episode and it’s another fantastic one. I keep looking at Harris’ IMDb page because her never winning an Emmy for this part has got to be a mistake. She wasn’t even nominated, yet she’s so good. But we don’t know right off Harris is going to…
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Police Story is a standout episode—and writer Sy Rosen’s sole “Frasier” credit—from the very start. It’s a moving car shot with Kelsey Grammer and Peri Gilpin, where Gilpin’s getting ready in the back seat and getting Grammer to speed because they’ve got to get to her date on time. It’s a fantastic sequence and going…
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At first it seems like Crane vs. Crane is going to be a Martin (John Mahoney) versus his snobby sons episode, as it opens with David Hyde Pierce going on about how he’s going to be on Court TV testifying in a competency hearing for an old lumber baron (Donald O’Connor) whose son is trying…
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Chess Pains is Rob Greenberg’s first solo script credit—and Gordon Hunt’s first episode directing—but it feels like a familiar (good familiar) “Frasier” mix, albeit right down to Peri Gilpin getting a filler subplot. Gilpin’s getting her hair cut and has nothing to talk to her stylist about; it’s just there to give Kelsey Grammer something…
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This episode’s got an outstanding last scene, which basically makes up for the rest of it. And the last scene is outstanding because of David Hyde Pierce as a showcase for his mix of physical and dialogue comedy, nothing else. It’s a bit of a deus ex machina just because Hyde Pierce hasn’t had anything…
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Look Before You Leap is one of those exemplar “Frasier” episodes. It’s just the regular cast, it’s just the regular sets, and it’s perfect situation comedy. The episode starts with Kelsey Grammer taking Eddie the dog for a walk, which should’ve forecasted everything being off since Grammer abhorring the dog is one of the show…
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Is the “member of the Italian-American social club” visits a WASP-y sitcom a trope or just does seem like a trope? I feel like every sitcom with a sufficient number of episodes is going to to get to it eventually… at least when you still could make Godfather and GoodFellas dialogue references. Not sure anyone’s…
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Shelley Long is a very good guest star for “Frasier.” She irritates John Mahoney in a particular way he’s never been irritated before and it leads to some great expressions from him and some great one-liners too. Long’s also really good with David Hyde Pierce; they’re both snobs but he wants to be more of…
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I miss guessing when an actor will be directing an episode based on their character going out of town for the show. The episode opens with Kelsey Grammer rushing through one last call to the show—my “Frasier” ears are broken because I had no idea it was Jodie Foster and I tried on this one—before…
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The episode begins with Jane Leeves in bed with boyfriend Tony Carreiro, having slept in, and her antics trying to get him out of the apartment unseen. Since she’s not up to referee John Mahoney and Kelsey Grammer, they’re already bickering with one another. There’s a nice layering to the plot threads, which all come…
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It’s the first Kelsey Grammer-centric episode in a while, with Grammer realizing he doesn’t have any friends outside his family and ending up stuck with annoying new bestie Griffin Dunne, who Grammer can’t dump because Dunne’s in a wheelchair and what if Dunne thinks it’s about the wheelchair. Kind of wants to turn ableism inside…
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I thought this episode was the season finale but, no, it’s not even halfway through the season. As Kelsey Grammer realizes he’s still pining for station manager Mercedes Ruehl (they’ve behaved since their on-air tryst) and commits to doing something about it, Ruehl is accepting a transfer to Chicago. They’ve both been fantasizing about each…
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I really wish I were keeping some kind of track of “Frasier” episodes. I’m half-assing the watch-through. I wasn’t sure if this episode was the first “Frasier” Christmas or not, but it turns out its the first one where we get the Crane family having Christmas onscreen. And find out John Mahoney is a Christmas…
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Despite some very silly—and funny (well, not really Paul Mazursky’s call, it’s Paul Mazursky after all)—opening shenanigans, it quickly turns into a very dramatic episode. The opening antics involve station “Star Trek” nerd Patrick Kerr—weird how Paramount self-advertised its properties in the nineties—organizing a petition to get an homage to Peri Gilpin on “Trek.” It’s…
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The episode opens at the coffee shop and it stands out because it’s the first time this season there’s been a coffee shop scene. Kelsey Grammer and David Hyde Pierce have a quick scene post “previously on” to talk about Grammer’s “tawdry” romance with boss Mercedes Ruehl. Ruehl then shows up, so exit Hyde Pierce,…
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Mercedes Ruehl’s really funny. She’s been good on “Frasier” before and the casting is working out great, but this episode she’s occasionally really, really funny. Like they must’ve had this episode in mind when casting the part because she and Kelsey Grammer’s back and forth yelling is next level phenomenal. They’re yelling because Ruehl’s frozen…
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It’s an apartment episode, very much an apartment episode; such an apartment episode, the apartment plays a vital role in the plot. The episode opens with the obligatory radio station scene, giving Peri Gilpin a chance to reminisce about the great cheese state of her birth with a caller (Brooke Adams) to Kelsey Grammer’s utter…
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Mercedes Ruehl is back, initially as a quick foil for David Hyde Pierce and Kelsey Grammer. Hyde Pierce is visiting Grammer at work—there’s a brief, welcome Peri Gilpin eye-roll in Hyde Pierce’s direction—and they run into Ruehl. She quickly shows them both up, which is hilarious, and then seems to disappear–“Frasier” has these outstanding pivots…
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After a couple professional episodes where John Mahoney and Jane Leeves are interactive scenery, Martin Does It His Way is an apartment episode. There’s a radio station setup—with some great work from Kelsey Grammer and Peri Gilpin—establishing Grammer’s aunt has died and he’s leaded to the lawyer’s to talk about the estate. Cut to after…
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The episode opens on David Hyde Pierce in couples therapy—Milo O’Shea plays the counselor—are we finally going to get an appearance from Maris. And if we’re not, what are we getting in compensation. We get Kelsey Grammer. It’s a “Crane Brothers” team-up episode, complete with a list from dad John Mahoney to remind everyone of…
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There are a couple big “it was the nineties” moments in the episode. Though, I haven’t watched sitcoms regularly in over a decade so maybe they’re still doing whole main plots about men (in this case Kelsey Grammer) not being able to work for women (here his new station manager, Mercedes Ruehl). But I’m fairly…
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Dark Victory has three writers—Christopher Lloyd, Linda Morris, Vic Rauseo—except Morris and Rauseo are a team and Lloyd is a solo guy usually so the disjointed flow makes sense. It’s the season finale, it’s got to get to some kind of season finale moment, except it’s a sitcom and it doesn’t have a cliffhanger. I…
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The Innkeepers is a great sitcom episode without necessarily being a great “Frasier” episode. It’s a really good “Frasier,” with the entire cast doing a great job—they just aren’t asked to do very much. John Mahoney spends a bunch of the episode doing his irate thing even after it isn’t making things funny anymore. He…
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Agents in America: Part 3 doesn’t seem like it’s going to be a very big episode, but then the last third or so is very big scale. The first two acts(?)—see, I probably should have learned the structure of sitcom plots, I’m sure there’s proper terminology—but the first two-thirds is mostly at the apartment. The…
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Writer Chuck Ranberg and Anne Flett-Giordano turn in one of the instant “Frasier” classics. It involves the show’s reliable standards—Maris jokes, the radio show, David Hyde Pierce’s physical comedy–and hits spectacular heights with all three, but most impressively the Hyde Pierce stuff. The episode ends with a fantastic sword fight with Hyde Pierce versus Brian…
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I really wish I was keeping track of what “Frasier” writers wrote what kind of episodes, though I do know I wasn’t expecting a Crane boys outing episode from Steven Levitan. Or, at least, I would’ve expected it from other writers first. Levitan wrote an episode first season, but just the one. This episode, Breaking…
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I figured I’d have remembered Don Seigel’s name from last season, if only for it confusing spell check, but I didn’t. I should have. His episode last season was great. This one’s pretty great too; it’s another SeaBea Awards episode, with Kelsey Grammer and Peri Gilpin sure they’ve got a chance this year if only…
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It’s a quintessential “Frasier” if only because it plays with some very familiar, very ingrained snob tropes. Writers Elias Davis and David Pollock did another episode earlier this season—and The Club is their final contribution to the series, unfortunately—and have a great handle on the characters. The successful “guest” writers (i.e. not also an exec,…
The Stop Button 