Most of this is very lame. Lee Bermejo’s opening story, for example, featuring a revisionist take on Robin’s training… very lame. Beremjo goes for tough and real, then ends on a bad joke.
But it’s nothing compared to Damion Scott’s entry, which has Bruce Wayne’s internal narration a hip hop song. Even if one likes Scott’s art, there’s nothing to like about the idiotic narrative.
Marv Wolfman’s story–with Riccardo Burchielli doing a fine job on the art–has Batman trying to save a wrongly convicted death row inmate. Is it a familiar character? Like one who had this same story told in a graphic novel in the nineties? Who edits this?
The Rian Hughes future one is dumb. It’s supposed to be funny. It’s not.
Then Paul Dini and Stephane Roux turn in a truly fantastic final entry. Shame the rest of the stories aren’t a tenth as good.
CREDITS
Rule Number One; writer and artist, Lee Bermejo; letterer, Carlos M. Mangual. Hall of Mirrors; writer and artist, Damion Scott; letterer, Dezi Sienty. An Innocent Man; writer, Marv Wolfman; artist, Riccardo Burchielli; letterer, Taylor Esposito. Namtab: Babel Comes to Gotham; writer, artist and letterer, Rian Hughes. Role Models; writer, Paul Dini; artist, Stephane Roux; letterer, Jared K. Fletcher. Editors, Camilla Zhang and Mark Chiarello; publisher, DC Comics.
I’m having a hard time buying the Rocketeer as Captain America. The first story, from Tom Taylor and Colin Wilson, sets Cliff up as an official U.S. military superhero. It makes no sense. Especially not fighting giant robots. But the story’s good anyway. Taylor structures it well and Wilson’s art is great. Very effective work.