Evil (2019) s02e13 – C Is for Cannibal

I desperately want to read the market research on “Evil.” While the show cops out on the Catholic Church being an international rape cabal, its relationship with Catholicism is complicated. Intentionally complicated, like there’s one team in the writers’ room who goes anti-Catholic and then the other team who goes pro. I wonder if they’re the same teams who do the Bible’s true and Bible’s not. This episode seemingly acknowledges a whole bunch of supernatural only for it may be to not. But the most significant swings aren’t even about the demons. They’re all very human concerns.

Hence the subject, as revealed in the title: C Is for Cannibalism. The episode answers many outstanding questions, including a brilliant twist reminiscent of the “Shield” finale. It raises more issues for next season, including the old “children in danger” trope, which “Evil” has been avoiding lately. It actually wasn’t; it turns out they just weren’t telling us about all the danger children were in offscreen.

As a season finale, it sets “Evil” up, once again, for a big season with a lot of twists and fallout. Some shocking reveals and shocking turns. But all of them could’ve been introduced and established earlier in the season and hurried some of the arcs, whereas the season actually lost its arc the further it went. Maybe Rona? Certainly not in “Evil” itself; their Earth escaped the pandemic. But maybe it affected availability and so on. Next season “Evil” will finally really get going. How can it not….

Which is a familiar sentiment about the show–it’s got to get going now, right?

It’s an extremely well-directed episode—by Alethea Jones—about med student Taylor Trensch, who gives a hard-to-resist craving to eat human flesh. Hence the title. It takes place on campus during Hell Week, so there are all sorts of scary red herrings. Jones directs the hell out of it, no pun. Hope she’s back next season.

The episode also resolves Mike Colter’s ordination subplot, with some surprises and an awkward cast party where shitty Church boss Boris McGiver hangs out with Christine Lahti, Aasif Mandvi gets to be adorable, and Kurt Fuller and Andrea Martin have a fantastic scene.

The cliffhanger changes the show a lot, but nothing the cast can’t handle. I’m looking forward to Season Three more than I looked forward to Season Two (not sure I looked forward to it at all), but I still don’t think they’re going to pull it off. Not unless they tighten up their plotting next season.

Evil (2019) s02e12 – D Is for Doll

I’m getting more and more curious about what happened to “Evil: Season Two.” Something clearly happened. Because Mike Colter all of a sudden gets his becoming-a-priest arc back, complete with Leon Addison Brown returning (from eight or so episodes ago) as the Black reverend who’s trying to convince Colter to give up on the Catholics. It’s also a big return to “Evil” minimizing the Catholic Church literally being an international child rape cabal while emphasizing the number of assholes who work for the Church. It’s a bizarre take.

The supernatural mystery this episode is a haunting at guest star Ato Essandoh’s house. Essandoh (Alfredo from “Elementary”!) is barely in the episode. He’s only in it a little more than Elijah M. Cooper as his son, who’s the actual target of the ghosts. Essandoh and Cooper are only there to introduce an evil doll into the episode. An evil doll and some weird water damage. The former links up to Katja Herbers’s home plot, while the latter leads to Colter questioning his priestly decisions again.

Lots of priestly questioning. And even though there’s some resolution to it—with both sweet and ominous scenes for Colter. While he’s got friends’ support of the priest thing, nun Andrea Martin is trying to get him into the robe as soon as possible because they need to fight some capital E “Evil” next season. Michael Emerson’s fake redemption scheme is starting to come to light.

The Herbers home plot has daughter Brooklyn Shuck babysitting a kid (Zachary Golinger) with his own scary doll, and she ends up stealing it. Or does she?

Some significant developments in the plot for Kurt Fuller, who tags along with the team on their investigation this episode because he wants to write a book on the paranormal Church investigators. Fuller’s real good. He’s got some very dramatic scenes. He’s also got some intentionally unsurprising ones, as he finds a way to annoy the team members one-by-one while they try to work.

The biggest plot–and potentially most momentous for the show’s future-—is Christine Lahti hanging out with weird, evil rich guy efficiency expert Tim Matheson. Matheson’s got plans for Lahti; some of them make her uncomfortable, which is a little odd given her arc over the last few episodes. It’s like she escalated, then they forgot and took her down a few notches. Presumably next episode—the season finale—will have major cliffhangers for her. It’s kind of Lahti’s show at this point. No one else’s plotline is anywhere near as consistently compelling.

Also, Herbers isn’t doing great with her character’s newly zen demeanor. It doesn’t come off insincere; it comes off shallow.

But it’s a good episode, especially for one with so much rampant Catholic whataboutisms. They intentionally and forcibly pshaw child rape at least twice.

Evil (2019) s02e11 – I Is for IRS

There are a few enormous, series-changing swings in this episode. It starts right at the beginning, a montage set to Andrew Bird’s song, Fake Palindromes (I Shazamed it to see if it was an original song since the action fits so closely); the montage ends with one of the regular cast apparently murdering someone. Doesn’t matter the rest of the episode; it’s just all in a typical day at “Evil.” The other big swings come at the end of the episode, which turns out to be—seemingly—a conclusion to the arc Katja Herbers has been on all season.

She, Mike Colter, and Aasif Mandvi are investigating a new church of Satan for the IRS (the Catholic Church does favors for the IRS, which leads to a handful of muted wry remarks about the Church being a pedophile land-grab operation but a lot less pointed than usual; maybe Paramount+ finally got their Standards and Practices division in order). The church is a thinly veiled riff on the actual Satanic Temple, but instead of fighting for women’s rights, the “Evil” version just uses Satanic mumbo jumbo to score chicks and sell t-shirts. Gus Halper plays the frontman disbeliever—his character’s name is Graham Lucian, which is close enough Lucian Greaves ought to make a t-shirt mocking the show—and John Sanders is the creepy believer Satanic preacher who threatens people.

Except when Colter clearly shows the church brochure to “in league with Satan” Michael Emerson, Emerson freaks out. So hopefully, if Sanders comes back as threatened, it’ll be to Emerson exacting whatever. I really hope they don’t team them up.

The investigation is mostly an excuse for Herbers’s arc to wrap up with the assistance of good-looking sexual predator Halper and for “Evil” to have a few half-naked women in the episode. And for Herbers, Colter, and Mandvi to talk a lot about financial technicalities. Catholic boss man Peter Scolari (it’s hard to imagine what the show would be if Scolari weren’t such a twerp) doesn’t want them giving the IRS a thumbs down on the Satanists for religious reasons; instead he wants them to get the thumbs down for secular ones. It’s ever unclear if “Evil” realizes the commentary it’s making on the Catholic Church, especially when Herbers and Mandvi are so clipped in their pushback.

The second big swing is going to involve a great scene between Herbers and Colter, maybe one of Colter’s best in ages—remember when he was going to have a subplot this season about the Catholic Church not caring about Black people, and then they dropped it—even though the new normal it helps set up is on unstable footing. “Evil” manages to make having a familiar character be a vicious murderer less shocking than Herbers actually wanting to spend time with her husband, Patrick Brammall. Brammall, despite having gone from a Mount Everest climbing guide to a Colorado truck company owner, still manages to be a hipster cultural appropriator; it’s sort of impressive.

There are some good scenes with Kurt Fuller (though he’s now playing Brammall and Herbers’s marriage counselor even though they said he wouldn’t be because of conflicts of interest) and Christine Lahti. Emerson has a bunch to do, but it’s unclear how much is acting and how much is editing.

It’s a strange episode, and there are only a couple more this season, so they may not have time to do anything but shake more things up. If so, it’ll be a disservice to otherwise rather solid second season. Fingers crossed.

Evil (2019) s02e08 – B Is for Brain

“Evil” has definitely hit the part of the production run when they knew they were streaming only. The F-bombs come in dialogue and not in voiceover or inserts. And Katja Herbers’s journey to wherever gets to be a lot more intense. Well, maybe. I don’t know; would CBS have let them do cross-shaped burns on her belly she likes rubbed to pain during gagged, animal mask sex? When the season was still in its obviously made-for-broadcast television episodes, Herbers was plotting to step out on absentee husband, Patrick Brammall (who’s a much better part of the show when we’re not supposed to like him because he’s a buzzkill). Does standards and practices prefer marital Szechuan strawberry or extramarital vanilla?

Anyway.

This episode is about Herbers, Mike Colter, and Aasif Mandvi investigating Cornell University scientist Michael Esper’s new project. He’s made a “Heaven helmet” by accident, and the Vatican wants to know if they should investigate. Now, Cornell’s a private university, and it’s unclear why Esper is willing to do whatever the Vatican wants but… whatever. The point of the experiment is actually brain-mapping, but it turns out it makes subjects have lucid heaven dreams. Colter thinks the Vatican wants it because it’ll help believers. Herbers and Mandvi think they want it so they can brainwash people with science-y stuff.

All that stuff is first act and finale fluff. The meat is Herbers, Colter, and Mandvi imagining the afterlife or whatever.

Except none of them have that vision. Instead, Mandvi has one about his mom and Islam, which works but gets dropped once the episode gets on to spicer possibilities for Colter and Herbers. See, Herbers is still hung-up on Colter whether she admits it or not–or so therapist Kurt Fuller, making a welcome return, observes–and having Brammall back isn’t making it any better.

Meanwhile, Colter’s trying to figure things out with the help of badass nun Andrea Martin, who also has a great standoff with Michael Emerson.

Plus, there’s some great Christine Lahti facing off against constant disappointment of a son-in-law Brammall.

While “Evil” hasn’t shed all of its network procedural, and maybe it’s moving towards its streaming future, it’s definitely finding its footing in the evolution. The show’s tied a bunch of knots it’s going to have to unravel; it still looks very much like a network procedural—James Whitmore Jr.’s direction is acceptable—but its momentum isn’t slowing.

Terrific acting from Herbers and Mandvi this episode. And Martin, of course.

Evil (2019) s02e03 – F Is for Fire

This episode opens with an added for Paramount+ (presumably) bit of nudity as Katja Herbers has a sexy dream out of a “Red Shoe Diaries” commercial. That superfluous nudity, plus Herbers dropping an f-bomb in what seems again to be ADR, is how “Evil” is upping its game from broadcast to streaming. And while those additions aren’t helping the show—and just make it seems silly (though Herbers’s “I’m so horny I could die” subplot this episode is pretty silly)–“Evil” continues its strongest uptick maybe ever. Could “Evil” actually end up being something good?

It’s only got another ten episodes to figure it out (while I’m very hesitantly positive about the show’s creative potential, its renewal potential seems absurdly low—but no, they just renewed it for Season 3). But what if “Evil” just ends up being a bunch of people acting varying degrees of absurdly evil? Like Herbers. Herbers is showing some decidedly evil traits this episode. Ditto mom Christine Lahti, who uses a lot of manipulation and subterfuge to reinsert herself in Herbers’s life.

Of course, with everyone acting evil—or at least getting excited at the possibility of it (culturally Muslim Aasif Mandvi letting his sex demon, voiced by Ciara Renée, costume-acted by Ashley Edner, convince him his Christian friends are dissing his background while taking out her retainer for business time)—it gives poor Mike Colter even less to do. Last season was all about Herbers getting hot and bothered at the idea of Colter. Now Colter just disappears when not needed—after a good opening where he explains the show premise to new cast member Andrea Martin (playing a nun in his parish who he doesn’t think can know foreign languages because she’s a girl)—because he’s no longer the object of Herbers’s lust. It’s a bummer for Colter… but seems to be a plus for “Evil” overall.

Though the show could’ve gotten more milage out of dueling exorcisms. The case this episode is Matilda Lawler, a nine year-old fire starter. She lives with foster parents Ben Rappaport and Zuleikha Robinson. Rappaport’s Catholic, Robinson’s Muslim, so you know they didn’t get Lawler from Catholic Social Services because mixed marriages but—right after Mandvi and Renée’s tête-à-tête—the foster parents decide to exert their respective faiths and demand both a priest and imam for the exorcism.

You’re just waiting for someone to say the other one’s not real. Of course, since in “Evil,” religions are apparently all real (and Wyze Cams are not, because tech expert Mandvi can’t get a webcam to try to catch Renée, he instead hooks his phone up to something), Colter steps in to suggest the exorcism off.

Those scenes could be better, but thanks to Lahti’s arc, Kurt Fuller’s fun, steady turn as Herbers’s psychiatrist, and great direction from Frederick E.O. Toye—though truly terrible editing from Edward Chin—it all works out.

Maybe “Evil” really is finding its stride.

And also maybe not. But I’m more invested in the show than maybe ever before.