Tag: Giorgio Moroder

  • The NeverEnding Story (1984, Wolfgang Petersen), the international version

    For most of The NeverEnding Story, director Petersen’s ability, the special effects, and active lead Noah Hathaway keep the whole thing going. It’s a gorgeous looking film, with great photography from Jost Vacano and exceptional editing from Jane Seitz. Hathaway’s character, a boy warrior, gets a fantastic characterization–simultaneously sensitive and brave–he’s a fantastic protagonist. Except…

  • Electric Dreams (1984, Steve Barron)

    Electric Dreams is a very strange film. And not just because it’s about a computer brought to life by champagne and electric fire. Not even because said computer has the voice of Bud Cort. It’s strange because it has no interest in having a conventional narrative structure, both in terms of the screenplay and the…

  • Over the Top (1987, Menahem Golan)

    Mundanely terrible Rocky rehash but with arm wrestling, dead moms, deadbeat dads, truck driving. And a Stallone (who also co-wrote with Stirling Silliphant) completely detached from all the picture’s machismo. Boring and bad in every way. Stallone’s terrible with onscreen son, David Mendenhall, who’s also terrible. Technically speaking, the film’s bad too. The direction, editing,…

  • Flashdance (1983, Adrian Lyne)

    Even though it’s terrible, Flashdance at least sticks with protagonist Jennifer Beals for most of the film. She’s a steel worker who dances at a club and starts dating her boss (at the steel mill, not the club, which is actually a bar). For a while, director Lyne and screenwriters Thomas Hedley Jr. and Joe…

  • Cat People (1982, Paul Schrader)

    Cat People is so brilliantly made, often so well-acted, it's surprisingly those elements can't make up for its narrative issues. Screenwriter Alan Ormsby has a big problem–he's got to turn his protagonist from a victim to a villain to a victim. Sadly, he and director Schrader choose to employ the lamest technique possible towards the…

  • Let It Ride (1989, Joe Pytka)

    I wonder how Let It Ride would play if it were competently made. Pytka’s not a terrible director, but he’s not any good either. His mediocre composition is undone by the absolutely atrocious song choices for the soundtrack. The film would probably be better with no changes other than that track excised. Not that Giorgio…