American Gothic (1995) s01e13 “Resurrector” [1996] D: Elodie Keene. S: Gary Cole, Lucas Black, Brenda Bakke, Sarah Paulson, Nick Searcy, Jake Weber, Tina Lifford. Guest star Greg Travis asks Cole to help turn his radio career into a television one. Except the TV folks don’t want Travis’s wife (Irene Ziegler), despite her doing all the work on their show. How ever can Travis free himself… Meanwhile, Black starts trouble trying to get Paulson’s spirit back. The continuity’s rocky, but acting solid. Especially Searcy.

American Gothic (1995) s01e14 “Inhumanitas” [1996] D: Bruce Seth Green. S: Gary Cole, Lucas Black, Brenda Bakke, Sarah Paulson, Nick Searcy, Pat Hingle, Tim Grimm. Strong episode about Paulson finally attacking Cole head on. Cole’s improper relationship with town pastor Hingle figures in, as does (to a lesser extent) Cole’s attempt to corrupt local attorney Grimm. Black’s around (and is excellent as ever) but he’s somewhat superfluous except as the de facto pawn in Paulson and Cole’s supernatural battle. Lots of retconning and reveals.

Beacon 23 (2023) s01e01 “Corbenic” D: Daniel Percival. S: Lena Headey, Stephan James, Natasha Mumba, Stephen Root, Wade Bogert O’Brien. Mining-based future sci-fi derivative with mineralogist with a secret Headey crash landing on space lighthouse keeper with a secret James’s lighthouse. There’s a nice bracketing technique to gin up suspense and Headey’s a strong lead in a middling effort. James might not be up to the task. Decent production values also help.

Beacon 23 (2023) s01e02 “Wreckers” D: Daniel Percival. S: Lena Headey, Stephan James, Natasha Mumba, Wade Bogert O’Brien, Paulino Nunes, Marnie McPhail, Jaeden Noel. Better than last episode even with some thin guest star performances. Headey is really good in a lead part (even this one), as it turns out she’s got some big secrets. No time to reveal them though, because she and James have to team up to fend off space pirates. Or are they? James is better, which also helps.

Beacon 23 (2023) s01e03 “Why Can’t We Go On as Three?” D: Daniel Percival. S: Lena Headey, Stephan James, Natasha Mumba, Wade Bogert O’Brien, Sandrine Holt. Somehow, Holt arrives from a spaceship to have a fight scene with James. The fight’s the only action, with the rest a maudlin play about Holt, James, and Headey. Holt forces them into a love triangle, except it’s also a big secret reveal episode, so things go sideways. Headey’s great. The episode’s often thin, but she’s so good.

Beacon 23 (2023) s01e04 “God in the Machine” D: Erskine Forde. S: Wade Bogert O’Brien, Barbara Hershey, Eric Lange. Flashback episode reveals the show’s space magic context we’ve been missing. Also, repairman-with-a-secret Lange arrives on the beacon (a hundred years before the series’s time). Can station keeper Hershey figure out his agenda while having a weird Motherboy relationship with AI O’Brien? O’Brien’s more obnoxious than usual, and Lange’s thin. Hershey tries her best.

Beacon 23 (2023) s01e05 “Rocky” D: Oz Scott. S: Stephan James, Lena Headey, Natasha Mumba, Bo Martynowska, Stephen Root, Wade Bogert O’Brien. There’s another ship on its way carrying danger for James and Headey. While they wait, we get the story of James vs. Root for control of the beacon. Lots of narrative devices–flashback, video playback, hallucinations, dream sequences. Then there’s a big leap for the cliffhanger. Can it land? Who knows. James’s best episode and Headey’s great too.

Beacon 23 (2023) s01e06 “Beacon Twenty Three” D: Oz Scott. S: Wade Bogert O’Brien, Carolina Bartczak, Marc Menchaca, A.J. Simmons, Sydney Ozerov-Meyer, Matilda Legault. It’s another flashback episode. Beacon AI Bogert-O’Brien recounts the story of the magic rocks to space terrorist Menchaca. Bogert-O’Brien’s the least annoying he’s been to date, and eventually nearly good. Bartczak’s solid as the first beacon-keeper. Simmons and Ozerov-Meyer less so as later ones. Nicely directed, compelling. The show’s hit a stride. Maybe.

Beacon 23 (2023) s01e07 “End Transmission” D: Greg Beeman. S: Stephan James, Lena Headey, Natasha Mumba, Wade Bogert O’Brien, Marc Menchaca, Jess Salgueiro, Daniel Malik. It’s slightly too busy with extraneous guest stars, but this episode ties together the previous six, revealing which flashback episodes were most important (maybe). Menchaca returns (because there’s always got to be a new visitor) ten years after his last appearance, knowing more about Headey than she knows about herself–until now. Great performance from Headey, as usual.

Beacon 23 (2023) s01e08 “Adamantine” D: Tessa Blake. S: Stephan James, Lena Headey, Natasha Mumba, Eric Lange, Marc Menchaca, Jess Salgueiro, Daniel Malik. The season closes with some slips thanks to Salgueiro and Malik, who get more to do and do nothing with it, and the script, which dumps in overdue ground situation by the ton. Returning guest star Lange finally ties everything everything together, but no context for the stakes. The show’s herky-jerky plotting kicks it in the pants here.

Beacon 23 (2023) s02e01 “Godspeed” [2024] D: Kevin Sullivan. S: Stephan James, Lena Headey, Natasha Mumba, Eric Lange, Marc Menchaca, Jess Salgueiro, Daniel Malik. Exit Headey? Exit the entire cast except James? The second season premiere plays more like a series finale, completing and postscripting every potential cliffhanger. It’s a very interesting move (especially if they mean it). But how would you know you’re even supposed to expect another episode? So many questions. Series best performances from Salgueiro and Lange, if they matter.

Beacon 23 (2023) s02e02 “Purgatory” [2024] D: Lewin Webb. S: Stephan James, Natasha Mumba, Tara Rosling, Robinne Fanfair, Aldrin Bundoc, Noah Lamanna, Hannah Melissa Scott. Imagine traveling the galaxy without a care only to discover bureaucracy is still a thing. After ending the show (sort of) last episode, this one focuses on AI Mumba’s ominous debrief. But what does James have to do with it? The episode’s stylish and enthusiastic, even when unsuccessful. And Mumba–who’s never gotten anywhere near this much–is outstanding.

Beacon 23 (2023) s02e03 “Iris” [2024] D: Angel Kristi Williams. S: Stephan James, Natasha Mumba, Ellen Wong. The show’s uptick flattens–at least for the first half of the episode, which introduces an entirely new character: another beacon-keeper, played by Ellen Wong. All of her initial character development is about being a girl in love with her penpal. It picks up when she goes to rescue James (as does Wong’s performance). Some rough going though.

Beacon 23 (2023) s02e04 “Berth” [2024] D: Erskine Forde. S: Stephan James, Natasha Mumba, Bo Martynowska, Noah Lamanna, Ellen Wong. Truly strange mishmash of an episode where James and Wong bond over mechanical crisis, while Mumba fends off evil AI Lamanna. Very herky-jerky but it mostly works thanks to Wong, Mumba, and James. The show’s also introducing lots of space magic, but in bits and pieces so it can keep kicking the can. Helps Wong is so good.

The Big Door Prize (2023) s02e01 “The Next Stage” [2024] D: Steven K. Tsuchida. S: Chris O’Dowd, Gabrielle Dennis, Josh Segarra, Sammy Fourlas, Djouliet Amara, Damon Gupton, Ally Maki. The episode jumps back to Maki’s story, revealing how and why she came to town (before the series started), then deals with last season’s cliffhanger. It’s a “same-night” follow-up, which is successful, but it still has a dawdling problem. The timing’s off, especially for O’Dowd and Dennis. But solid. With strong performances from everyone at this point.

Crashing (2016) s01e01 “Episode 1” D: George Kane. S: Damien Molony, Phoebe Waller-Bridge, Jonathan Bailey, Louise Ford, Julie Dray, Adrian Scarborough, Amit Shah. Often very funny kick-off to the series about a group of almost thirty-somethings caretaking a hospital (which is left too unexplained). Waller-Bridge (who also writes the show) is the latest addition, visiting best friend Molony; they have more-than-friends chemistry. Where does that leave his fiancee, Ford? Sometimes repetitive jokes, but still a fine start.

Crashing (2016) s01e02 “Episode 2” D: George Kane. S: Damien Molony, Phoebe Waller-Bridge, Jonathan Bailey, Louise Ford, Julie Dray, Adrian Scarborough, Amit Shah. Not as uproarious as the first episode, but lots of good character development (and still lots of laughs). Ford gets Waller-Bridge a job at her work, then immediately regrets it and tries to sabotage her on the first day. Meanwhile, Bailey drags Shah out of work on what seems to be a whim but maybe not. Super good.

The Equalizer (2021) s04e04 “All Bets Are Off” [2024] D: Solvan Naim. S: Queen Latifah, Tory Kittles, Adam Goldberg, Liza Lapira, Laya DeLeon Hayes, Lorraine Toussaint, Mike Epps. Epps guest stars as a convict who can help Latifah and Kittles try to rescue his old partner from bad guy Elliot Villar. Epps easily walks away with the episode, even when he’s a little broad, and the script is even more so. There is some good emoting from Kittles and an earnest, if melodramatic, teen drama arc for Hayes.

The Equalizer (2021) s04e05 “The Whistleblower” [2024] D: M.J. Bassett. S: Queen Latifah, Tory Kittles, Adam Goldberg, Liza Lapira, Laya DeLeon Hayes, Lorraine Toussaint. Multiple guest stars pop up in this action-packed episode: Lapira’s brother (Alain Uy) comes to town with a league of assassins in pursuit. Good thing Lapira is a crimefighter. Meanwhile, Toussaint’s got romance problems with Gloria Reuben, Kittles worries dad Danny Johnson will be a deadbeat granddad, and CIA HR is after Latifah and Donal Logue. The pacing helps.

Last Week Tonight with John Oliver (2014) s11e04 “March 10, 2024: State Medical Boards” [2024] D: Paul Pennolino. S: John Oliver. After some concerning election coverage, the main story looks at state medical boards and how they’re a racket. Doctors covering for each other on complaints, plus ignoring their due diligence when giving new licenses. As usual, it turns out self-regulating is just a way to facilitate graft. Not all doctors, of course; just twenty thousand or so.

Last Week Tonight with John Oliver (2014) s11e05 “March 17, 2024: Student Loan Debt” [2024] D: Paul Pennolino. S: John Oliver. Oliver tackles student loans and the lack of reform. It’s one of the technically not broken (well, still sort of) Biden achievements and the show gives it a decent trumpet. It reminds of the old Oliver, trying to arm people for family gatherings. Except this time it’s to prep talking to neo-libs.

Last Week Tonight with John Oliver (2014) s11e06 “March 31, 2024: Food Delivery Apps” [2024] D: Paul Pennolino. S: John Oliver. Fascinating deep dive into food delivery apps, post-Rona, with all sorts of interesting history about their backgrounds as tech startups. In terms of communication, might be the best episode this season. Also “helps” the apps are so worker-hostile they’re obvious supervillains. Plus some good pre-feature laughs during the news.

Last Week Tonight with John Oliver (2014) s11e07 “April 7, 2024: Death Penalty” [2024] D: Paul Pennolino. S: John Oliver. Really heavy death penalty episode with Oliver and the show doing a rare bit of investigative journalism and revealing the lab the U.S. government has been using to make lethal injection doses. It’s an industrial lube shop. Heavy feature about cruel, evil people. But there are two good dessert segments to round it off, for better or worse.

Last Week Tonight with John Oliver (2014) s11e08 “April 14, 2024: Medicaid” [2024] D: Paul Pennolino. S: John Oliver. Oliver covers the horrors of Medicaid: corruption, incompetency, and evil. The opening segment focuses on the Arizona abortion decision, with some great details, so the transition to the feature is bumpy. Once the story focuses on the people affected–and the very obvious people hurting them (medical company CEOs)–it’s outstanding. The final bit’s cute, if long.

Last Week Tonight with John Oliver (2014) s11e09 “April 21, 2024: UFOs” [2024] D: Paul Pennolino. S: John Oliver. After a really good segment white politicians (on both sides of the aisle and gender spectrum) being Islamophobic bigots about Biden nominee Adeel A. Mangi, Oliver does a deep dive into UFOs. It amounts to “someone should be more serious about it” and doesn’t even cover that guy bullshitting dummy House Republicans. Funny episode and clearly for the LOLs.

Resident Alien (2021) s03e05 “Lovebird” [2024] D: Andrew Seklir. S: Alan Tudyk, Sara Tomko, Corey Reynolds, Alice Wetterlund, Levi Fiehler, Judah Prehn, Elizabeth Bowen. Tudyk and guest star Edi Patterson’s romance starts to distract him from his efforts to defeat the evil grey aliens, leading to Tomko and Wetterlund intervening. Their plan involves multiple attempts, each differently hilarious (always showcasing Tudyk and Patterson). Unlike last episode, this one feels like it’s getting the momentum going—lots of subplots getting stirred here.

Resident Alien (2021) s03e06 “Bye Bye Birdie” [2024] D: Nastaran Dibai. S: Alan Tudyk, Sara Tomko, Corey Reynolds, Alice Wetterlund, Levi Fiehler, Elizabeth Bowen, Meredith Garretson. Tudyk experiences his first heartache thanks to girlfriend Edi Patterson (who keeps up with an extra-Tudyky Tudyk this episode) while Tomko and Wetterlund get into a big best friend fight. The episode oscillates between lots of laughs from Tudyk (but also Reynolds) and lots of heart with everyone else (including Reynolds). Really good episode for Bowen too.

Resident Alien (2021) s03e07 “Here Comes My Baby” [2024] D: Brennan Shroff. S: Alan Tudyk, Sara Tomko, Corey Reynolds, Alice Wetterlund, Levi Fiehler, Judah Prehn, Elizabeth Bowen. Great, penultimate episode brings back lots of previous guest stars for cameos while working to resolve many of the outstanding, parenting-related arcs. Tudyk’s alien baby comes back to Earth, Tomko has an arc with her mom and daughter, Wetterlund has one with her parents. Plus loads of comedy. Meredith Garretson’s so good, too, on her abduction arc.

Resident Alien (2021) s03e08 “Homecoming” [2024] D: Robert Duncan McNeill. S: Alan Tudyk, Sara Tomko, Corey Reynolds, Alice Wetterlund, Levi Fiehler, Judah Prehn, Elizabeth Bowen. Packed season finale for a show without a renewal; it brings back lots of guest stars to wrap up almost all the storylines, while setting up a cliffhanger with entirely new stakes. Some great moments for Tudyk, obviously, but also Fiehler, Bowen, and Wetterlund. Oh, and Enver Gjokaj—he’s awesome. Hopefully, they get another season (or just a streaming movie?). Movies might be better.

Spy (2011) s01e01 “Codename: Loser” D: Ben Taylor. S: Dolly Wells, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay, Tom Goodman-Hill, Rebekah Staton. Very divorced dipshit Boyd accidentally gets a job at MI-5. Good setup, especially with Wright as the overachiever asshole son, Baynton as the jerk sidekick, and Lindsay as the super-cool secret agent. Lots of laughs, great timing from Boyd in particular (but everyone else too). Off to a strong start.

Spy (2011) s01e02 “Codename: Tramp” D: Ben Taylor. S: Dolly Wells, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay, Rosie Cavaliero, Rebekah Staton. Starting his new job as a spy, Boyd immediately screws up and finds himself saddled with an unwanted houseguest (guest star Ed Gaughan). Brat son Wright delights in the chaos, while Boyd misses partner Staton’s romantic signals—he’s busy avoiding family therapist Cavaliero, who’s hot for his bod. As before, very funny stuff.

Spy (2011) s01e03 “Codename: Grades” D: Ben Taylor. S: Ed Coleman, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay, Tom Goodman-Hill, Rebekah Staton. So far series peak in terms of character development and acting. Boyd hacks son Wright’s report card to cut him down to size, only to learn some empathy, and start almost flirting with co-worker Staton. Some good laughs for Baynton (who steals the hacking textbook) and Lindsay. The show’s hitting a stride.

Spy (2011) s01e04 “Codename: Bookclub” D: Ben Taylor. S: Ed Coleman, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay, Tom Goodman-Hill, Rebekah Staton. The series jumps into the absurd—Wright running an underground casino for his fellow super-genius classmates, which eventually involves blackmailing headmaster Goodman-Hill. It goes just fine, clearing the bar with ease and grace and the best episode for Wright yet. Meanwhile, Boyd and Staton fumble towards romance. Plus some outstanding Lindsay laughs.

Spy (2011) s01e05 “Codename: Blood” D: Ben Taylor. S: Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay, Rosie Cavaliero, Tom Goodman-Hill, Rebekah Staton. The absurdity continues—as Boyd gets an impromptu promotion after doing Lindsay a favor, Goodman-Hill makes Wright a powerful hallway monitor. The power goes to both their heads, with serious repercussions for one of them and more wholesome ones for the other. There’s a lot of good acting and funny bits, but it’s too rushed; too chaotic.

Spy (2011) s01e06 “Codename: Portis” D: Ben Taylor. S: Dolly Wells, Mathew Baynton, Darren Boyd, Jude Wright, Rosie Cavaliero, Tom Goodman-Hill, Rebekah Staton. The season finale does a very nice turn around—reining in certain types of the absurd while allowing others—and gives Baynton a great showcase. We also get development on Boyd and Staton’s romance. Fine character development progress all around. Wells, Goodman-Hill, and Wright lose their usual focus (but not too much), making room for Staton and Baynton. It’s a good finale.

Spy (2011) s02e01 “Codename: Growing Rogue” [2012] D: John Henderson. S: Mark Heap, Dolly Wells, Miles Jupp, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay. Season two starts a little rockier than it should—Mark Heap replaces Tim Goodman-Hill and the writing’s weird. And new family therapist Jupp is perving after mom Wells, making her far too sympathetic. MI-5 agent Boyd helping Wright out with his student council election is good. And Lindsay’s great. But the rhythm’s a little off.

Spy (2011) s02e02 “Codename: Riding High” [2012] D: John Henderson. S: Mark Heap, Dolly Wells, Miles Jupp, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay. Guest star Anna Skellern plays a too good to be true witness who has to stay with Boyd for protection. Meanwhile, Wright has his own problems with cool kid Frank Kauer. It’s okay enough, but there’s a bit much consolidating supporting cast stuff going on for it not to be concerning.

Spy (2011) s02e03 “Codename: Lie Hard” [2012] D: John Henderson. S: Mark Heap, Dolly Wells, Miles Jupp, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay. So, the episode’s got a couple major “hero sexually harrasses a woman” scenes, some homophobia, and a subplot about Jupp trying to force himself on Wells using his position as her family therapist. It’s not great. Boyd and Wright spend the day together at MI-5, with Boyd trying to hide his real job. Almost okay, that bit. And Lindsay’s good (mostly). Otherwise, yikes, we’re out of ideas.

Spy (2011) s02e04 “Codename: Mistaken Identity” [2012] D: John Henderson. S: Mark Heap, Miles Jupp, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay, Rebekah Staton. Overall strong episode still has Jupp being way too creepy, but it’s toned down. While Boyd and Staton have a chemistry-filled plot about filming an MI-5 TV commercial, Wright tries to figure out how to participate in a father-son trivia contest without his dad. Wright having less to do in his subplot… doesn’t not help.

Spy (2011) s02e05 “Codename: Family Bonds” [2012] D: John Henderson. S: Mark Heap, Dolly Wells, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay, Rebekah Staton. Easy best of the season (so far) has Wells losing her memory and thinking she and Boyd are still together; complications ensue. Also, just before she lost her memory, she found out he’s a spy. So Lindsay’s trying to kill her. Maybe. Baynton and Heap have a whole subplot (it’s Heap’s best episode, too, he’s real good). And Staton gets stuff. SPY’s back?

Spy (2011) s02e06 “Codename: Citizen Lame” [2012] D: John Henderson. S: Mark Heap, Terence Maynard, Darren Boyd, Jude Wright, Robert Lindsay, Rebekah Staton, Lindsay Duncan. Really funny, but also really situational, work-focused episode for Boyd and Heap (no Dolly Wells this episode). Heap’s dealing with a personnel issue, which ties into Wright’s arc. Then Lindsay gets suspended and his replacement, guest star Duncan, turns out to be just as pervy about Terence Maynard as Lindsay gets about Boyd. Again, works out well–great Lindsay episode.

Spy (2011) s02e07 “Codename: Ball Busted” [2012] D: John Henderson. S: Mark Heap, Dolly Wells, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay, Rebekah Staton. Okay but nothing special episode about Wright’s school hijinks with a new headmaster (Marian McLoughlin). She’s out to destroy Heap, who’s still around for story’s sake. Boyd’s arc involves trying to get a date for Wright’s school dance, but obviously he can’t ask Staton. Some good Baynton bits, including a number of songs.

Spy (2011) s02e08 “Codename: Double Oh” [2012] D: John Henderson. S: Mark Heap, Dolly Wells, Miles Jupp, Darren Boyd, Jude Wright, Robert Lindsay, Rebekah Staton. Boyd agrees to take an intelligence exam, betting Wright’s custody on it. He’s assuming he can just send his MI-5 double but the double’s got some problems. Way too much time is spent on Ed Coleman’s sexual predator antics, with some active misogyny from others, too. Far from the worst (or most problematic, I guess).

Spy (2011) s02e09 “Codename: Pulp Friction” [2012] D: John Henderson. S: Mark Heap, Dolly Wells, Miles Jupp, Mathew Baynton, Darren Boyd, Jude Wright, Rebekah Staton. It’s an incredibly slight, silly story about Baynton helping Wright get his book published by telling the publisher Wright’s terminally ill. It’s better than Boyd’s plot about manipulating Staton’s love life to his own advantage with her. Decent acting helps a lot with the thinness, even Boyd being a creep. Baynton and Wright are a good duo, too.

Spy (2011) s02e10 “Codename: Last Scupper” [2012] D: John Henderson. S: Mark Heap, Dolly Wells, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay, Rebekah Staton. Romantic confusion abounds in another slightly broad episode. Boyd gets suckered into helping with Staton’s wedding plans to Terence Maynard, only for Lindsay’s assassination target plot to give him another chance with Staton. Meanwhile, Ellie Hopkins is sick of Wright and Frank Kauer fighting over her so she plans a showdown. The cast is really holding it up at this point.

Spy (2011) s02e11 “Codename: Show Stopper” [2012] D: John Henderson. S: Mark Heap, Dolly Wells, Mathew Baynton, Darren Boyd, Jude Wright, Robert Lindsay, Rebekah Staton. Really nice Christmas special slash season finale wrapping up the show. It didn’t get another season, and it’s fine with it. Great Lindsay performance. Wright is in danger and Lindsay’s leading the charge—during the school talent show. Terence Maynard gets his spotlight and disappoints. He’s fine (and he’s slightly sabotaged), but still never anything more. Lots of good bits throughout, usually movie references.

Legion of Super-Heroes (1980) #270 W: Gerry Conway. A: Frank Chiaramonte, Jimmy Janes, Steve Mitchell. It’s a surprisingly packed issue, starting with the Legionnaires trying to escape a deep sea prison. On the surface, other Legion heroes investigate, getting into fairly regular battles with the Fatal Five. There’s also the interpersonal squabbling because Conway’s lazy with characterization. A decent issue for this creative team; badly done big reveal for the finish though.

Legion of Super-Heroes (1980) #271 [1981] W: Gerry Conway. A: Jimmy Janes, John Calnan, Steve Mitchell. Despite Goodwin’s jarring second-person Dracula narration, Colan and Palmer’s artwork continues to impress, making even the most static dialogue visually captivating. The story involves Drac and a retired fashion model trying to regain her looks with a magic mirror (apparently mentioned in the Stoker novel). Meanwhile, the vampire hunters team up with Scotland Yard. Definitely an improvement over last issue.

Legion of Super-Heroes (1980) #272 [1981] W: Gerry Conway, Marv Wolfman. A: Carmine Infantino, Dennis Jensen, Dick Giordano, Frank Chiaramonte, Jimmy Janes, Steve Ditko. Legion prospect and reformed (teenage, of course) super-villain Blok has now joined the good guys and we get his origin story along with his first official mission. Wildfire’s a dick to him (obviously) until learning the backstory. Blok’s more likable than most of these characters, which helps, and Ditko pencils are always interesting to see.

Legion of Super-Heroes (1980) #273 [1981] W: Gerry Conway. A: Frank Chiaramonte, Jimmy Janes, Rich Buckler, Steve Mitchell. Conway retcons a story thread from a while ago only for it to be to bring back a big bad. We finally find out who drove Brainiac 5 so insane he tried to destroy the galaxy. Apparently, there was only one death and now he must pay. Goofy excuse for a comic. The art’s iffy, the villain’s fun.

Legion of Super-Heroes (1980) #274 [1981] W: Gerry Conway, Jack C. Harris. A: Bob Smith, Frank Chiaramonte, Rich Buckler, Steve Ditko. Kind of cool, kind of bad issue about Ultra Boy not being dead just amnesiac and a space pirate. The Ditko pencils and the Chiaramonte inks clash, but it’s still a very well laid out book. Lots of cheesecake for some reason. And Conway flexing in strange places (women’s grief). Cosmic Ditko is cool too. The book’s very Silvery Bronze.

Legion of Super-Heroes (1980) #277 [1981] W: Gerry Conway, Roy Thomas. A: Frank Chiaramonte, George Pérez, Jimmy Janes. Thomas takes over scripting, and it’s almost an improvement. Conway still has story credit and once the script gets absurdly talky, he’s missed. The Legion saves a sinking ship, which leads to suspense and heroics. Also momentum-killing blathering from Thomas. Then there’s a mystery hero, an absurd villain, and silly stakes. Some very unimpressive art too.

Legion of Super-Heroes (1980) #278 [1981] W: Gerry Conway, Roy Thomas. A: Bruce Patterson, George Pérez, Jimmy Janes. Thomas’s writing is borderline insipid. He’s so weird about writing couples and there are so many couples in the issue. It’s a packed affair. While Grimbor’s energy chains crush the Earth’s atmosphere, Reflecto gets into a fight with the Legion. I’ll bet his secret is disappointing next issue. The Patterson inks are incredible. Sometimes the art’s not terrible.

Legion of Super-Heroes (1980) #279 [1981] W: Roy Thomas. A: Frank Chiaramonte, George Pérez, Jimmy Janes. Time’s almost up for Earth’s oxygen but there’s always time for Thomas to wrap the Grimbor the Chainsman arc. It never stops being a little silly with Grimbor, who’s a blowhard in fetish gear, but there’s decent tension. The art’s not great but there’s occasionally effort. Thomas’s writing is improving, despite being banally obvious.

Legion of Super-Heroes (1980) #280 [1981] W: Roy Thomas. A: Bruce Patterson, George Pérez, Jimmy Janes. Thomas’s writing falls off. His exposition is excruciating. The story has Superboy thinking he’s (presumed dead) Ultra Boy. After a long discussion about the situation, a team travels to the past to investigate. There they find Superboy a wanted man. Boy. He inexplicably messed up a nuclear detonation test. Thin stuff–with two desperate teasers pleading for attention.

Legion of Super-Heroes (1980) #281 [1981] W: Paul Levitz, Roy Thomas. A: Bruce Patterson, George Pérez, Steve Ditko. Superboy continues thinking he’s Ultra Boy thinking he’s Superboy, the Legion hangs out in Smallville, and an old enemy appears out of nowhere to cause trouble. Levitz basically just does half a (very introspective) SUPERBOY comic (with delightful Silver Age-y Ditko and Patterson art), before doing a LEGION one focusing on Phantom Girl. Levitz just saved the LEGION.

Legion of Super-Heroes (1980) #282 [1981] W: Paul Levitz, Roy Thomas. A: Bruce Patterson, Jim Aparo, Jimmy Janes. Scripting from Thomas’s story, Levitz does his best to wrap up the Superboy, Ultra Boy, Time Trapper arc. The resolution’s a bit of a whiff but the rest of the comic is so good it doesn’t matter. The art’s the best Janes has done on the series, with some able help from Patterson. Wonder what Levitz’ll do now.

Legion of Super-Heroes (1980) #283 [1982] W: Roy Thomas. A: Bruce Patterson, Howard Bender, Jim Aparo. Okay-ish secret origin of Wildfire done-in-one. None of the detailed flashbacks explain why he’s a bigoted dick in the present. Speaking of–the inciting incident is him getting aroused by young hotties. Cool? Thomas is back, in his easy best issue (though it’s overwrought); still miss Paul Levitz (the tag promises his return next issue).

Legion of Super-Heroes (1980) #284 [1982] W: Paul Levitz. A: Bruce Patterson, Pat Broderick, Romeo Tanghal. Broderick does detailed future stuff and realistic, mulleted Legionnaires and it does not work with Levitz’s script. But the script’s got more problems than not. They initially seem to be doing a more sci-fi comic, but then it’s silly fake gore, and all the subplots are about the Legion being horny. I’m very sad it’s a Levitz.

Legion of Super-Heroes (1980) #285 [1982] W: Paul Levitz. A: Bruce Patterson, Keith Giffen, Larry Mahlstedt, Pat Broderick, Romeo Tanghal. It feels a little like a Saturday morning cartoon. It’s very sci-fi adventure, not superhero. But everyone’s in their goofy outfits. So cartoonish. The Legion is trying to save a spaceship repair yard. The art does better match the script tone, but neither are great. Levitz’s script is too horny and Broderick’s expressions are dismal.

Legion of Super-Heroes (1980) #286 [1982] W: Paul Levitz. A: Bruce Patterson, Keith Giffen, Pat Broderick, Romeo Tanghal. The feature has some Legionnaires on R.J. Brande’s vacation planet when a villain decides to attack them. Broderick’s pencils are occasionally almost okay. But they always take a major dip. Some good dramatics in the script. Then the backup story is Princess Projectra and Karate Kid on her home world, where she’s got to defend the crown.

Legion of Super-Heroes (1980) #287 [1982] W: Paul Levitz. A: Bruce Patterson, Keith Giffen, Romeo Tanghal. The feature has the Legion in political peril and a leadership crisis. Previously ignoring Lightning Lad’s resignation subplot, Levitz races through here. But the real danger is for the undercover Legionnaires on an ill-advised, unauthorized mission. The backup promises the next big story arc with a mystery villain, but LEGION always does mystery villains. Better art than usual.

Legion of Super-Heroes (1980) #288 [1982] W: Paul Levitz. A: Bruce Patterson, Keith Giffen, Romeo Tanghal. Levitz’s got a nice device for checking on brewing subplots. He intentionally checks on them. It’s very straightforward and helps keep track of all the various Legionnaires’ storylines. The main one this issue has a Legion team saving Princess Projectra and Karate Kid. The art’s a little better too. There’s a lot of good action. Solid issue.

Legion of Super-Heroes (1980) #289 [1982] W: Paul Levitz. A: Bruce Patterson, Carmine Infantino, Keith Giffen, Larry Mahlstedt. It’s mostly a downer issue. Not entirely, but so much of the Legion is lost or injured, it’s not a fun read. Levitz is really putting them through the paces. Chameleon Kid’s ill-fated espionage mission arc gets the most time. Giffen’s pencils (and layouts) are giving the book visual character, even if Patterson’s inks aren’t right.

Legion of Super-Heroes (1980) #290 [1982] W: Paul Levitz. A: Frank Giacoia, Larry Mahlstedt. Strong start to “The Great Darkness Saga.” As the mystery villain plots, the Legionnaires can’t stop his minions from stealing magical artifacts. Fine layouts from Giffen. The art’s better at the action and sci-fi, not so much the frequent soapy talking heads scenes. Also, almost all the male Legionnaires say something sexiest, like Levitz was tallying.

Legion of Super-Heroes (1980) #291 [1982] W: Paul Levitz. A: Howard Bender, Larry Mahlstedt, Rodin Rodriguez, Romeo Tanghal. It’s an interesting issue–Levitz splits the action between feature and backup stories. The feature has the Legion bickering over the election for leader while the mystery bad guy goes after supervillains to drain on them. The election story and the captured enemy get resolved in the backup. The other big change is the art; the backup’s got real personality.

Legion of Super-Heroes (1980) #292 [1982] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. It’s the best issue of “Great Darkness” so far. Levitz and Giffen choreograph these intricate and elaborate fight scenes between the Legion and the Servants of Darkness (the minions). There’re some discoveries and reveals, though the answers are still asking more questions. Levitz manages some character work, albeit patronizing, but the action’s the point. And the plotting. So good.

Legion of Super-Heroes (1980) #293 [1982] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. The penultimate issue and the mystery villain reveal. The Legion also figures out how to defeat the Servants of Darkness–well, some of them; maybe. Lots of good exposition work–Levitz checks in on characters and lets them catch each other up. Good device–keeps the book moving. Great layouts from Giffen. The art’s fine but those layouts are choice.

Legion of Super-Heroes (1980) #294 [1982] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. The “Great Darkness Saga” ends in a mix of LEGION sci-fi done right and Kirby homage. It’s big and bold, with Levitz racing to keep the story on track. It’s like he’s guarding it on the way to the basket. And he never slips. Wonderfully evil Darkseid too. Kirby but scarier. The finale’s rushed, but the epilogue’s strong.

Legion of Super-Heroes (1980) #295 [1983] W: Paul Levitz. A: Dave Hunt, Howard Bender, Keith Giffen, Larry Mahlstedt. Mostly flashback issue with Bender handling the pencils for those pages. Giffen takes it easy in the present. Timber Wolf and Blok watch an old Legion tape. It’s supposed to give Timber Wolf insight into girlfriend Light Lass’s ultimatum. It does not. The art’s bland and Timber Wolf’s a dip. Blok’s great. Not enough to save but close.

Legion of Super-Heroes (1980) #296 [1983] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. Levitz stumbles towards the end but otherwise it’s a very successful concept issue covering the Legion post “Saga.” They have two page adventures, sometimes interconnected. There’s a nuclear explosion and investigation subplot, so the Legion can be a little fascist. Just a little. Lots of righteous fury. And horny Legionnaires as usual. Low okay art but good layouts.

Legion of Super-Heroes (1980) #297 [1983] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. Cosmic Boy goes full fascist instead of the regular Legion-size fascist. He’s after the criminals who nuked his family and he won’t stop until they’re dead. The bad guys not the family. Cosmic Boy choses violence over checking their conditions. There’s some fine writing by the ending stinks. And the art gets way too design-y.

Legion of Super-Heroes (1980) #298 [1983] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. It’s another “all Legionnaires are problematic” issue. They’re sexist, xenophobic, and cause wanton private property damage. Except Blok. He’s okay. He’s on a mission to a mining colony with Wildfire, who crap mouths him, their fellow Legionnaires, the mission, and rhe people they’re helping. All the dudes hate having a lady leader. Iffiest art in a while too.

Legion of Super-Heroes (1980) #299 [1983] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. You know, outside the Legionnaires being testy towards one another, I don’t think there’s any undue hostility. There’s some good action against the space barbarian troll. Invisible Kid is still trying to find Wildfire, unaware of his teammates’ trouble. Plus there’s some light “starfighter” action. Overall, fun enough to overcome overtly patriarchal blather. Then the art’s bland but thoughtful.

Legion of Super-Heroes (1980) #300 [1983] W: Paul Levitz. A: Curt Swan, Dan Adkins, Dave Cockrum, Dick Giordano, Frank Giacoia, Howard Bender, James Sherman, Joe Staton, Keith Giffen, Kurt Schaffenberger, Larry Mahlstedt. Brainiac Five spends the anniversary issue sifting through alternate reality versions of Legions as he tries to save a mystery patient. The guest artists on each reality vary. None are ever particularly standout. It all seems rushed. Levitz does a little work on some of the ongoing threads. And despite Supergirl cameoing, sadly no cutesy for her and Brainy.

Legion of Super-Heroes (1980) #301 [1983] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. Chameleon Boy and his estranged father go to their nightmarish home planet so Cham can get his powers back. They run into trouble with their country-people, who consider them traitors. Then the rest of the Legion is hanging out, but mission assignments let the boys talk about how the female leader is the wrong thing ever. Good grief.

Legion of Super-Heroes (1980) #302 [1983] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. Lighting Lord comes to fight his brother to find out where their sister went. It feels like it takes a dozen Legionnaires to slow him down, but it’s really how Levitz is dragging it out. Then there’s conspiracy suspense with Element Lad and his science cop line interest. Plus more mystery villain reveals throughout, all for the forced cliffhanger.

Legion of Super-Heroes (1980) #303 [1983] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. Brainiac Five and Supergirl turn out to be the excellent pair I was expecting. They’re trying to stop a rogue artificial planet from crashing into a spaceship fleet. They’re not alone, but the other Legionnaires are just filling pages on the mission. Really uneven art this issue. Never very good but often really middling. Nice enough layouts, weak detailing.

Legion of Super-Heroes (1980) #304 [1983] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. Levitz uses his worst plotting device a few times this issue–keep something secret from the reader because it’s unknown to a handful of characters (but not necessarily most of them). It’s all for dramatic effect and always fumbles (here at least). The Legion trainees bicker with the girls cat fighting in lingerie. The art’s getting worse too.

Legion of Super-Heroes (1980) #305 [1983] W: Paul Levitz. A: Keith Giffen, Kurt Schaffenberger, Larry Mahlstedt. The Shrinking Violet mystery no one knew was a mystery until a couple issues ago gets resolved quite nicely here. Despite some yikes machismo from Levitz throughout, it’s a tense, compelling read. The Legionnaires’ investigation takes them unknown and unexpected places, with very strong plotting. And Colossal Boy not being a dipstick for once. Unfortunately, the art’s still sliding.

Legion of Super-Heroes (1980) #306 [1983] W: Paul Levitz. A: Curt Swan, Keith Giffen, Larry Mahlstedt. Wow. It’s all about Star Boy hoping his girlfriend loses her re-election bid for Legion leader because she loves it more than him. Star Boy’s whining his life story to Wildfire as the results come in. The flashbacks have a lot of charm thanks to Swan, even if they’re about an abjectly tepid character. Call him, Narcissism Lad!

Legion of Super-Heroes (1980) #307 [1984] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. Despite the best art in ages, the issue plays busy and rushed. Levitz is kicking off the next epic and the big bad is a religious figure called The Prophet. One Legion team is tracking him (or his energy trail), while another hangs out at his target–an enemy world where the Legionnaires are playing bodyguard. It’s too unfocused.

Legion of Super-Heroes (1980) #308 [1984] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. Besides some quick action, the feature is padding with the new big bad. He got space magic powers after the destruction of his science outpost. Unclear when the religious fanaticism came in. Levitz finds time for the boys to complain about girls not being demur enough. Then the backup is Colossal Boy’s mom being racist to his wife. Neat.

Legion of Super-Heroes (1980) #309 [1984] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt, Mike Decarlo, Pat Broderick. The backup this time is Princess Projectra and Karate Kid’s honeymoon. All these backups just seem like too overdue character development. The feature is more with bad guy Prophet being able to kick all the Legion butt. Yawn. There is some checking in on simmering subplots, but nowhere near enough to compensate for the main event. This arc’s flopping.

Legion of Super-Heroes (1980) #310 [1984] W: Paul Levitz. A: Keith Giffen, Larry Mahlstedt. I hadn’t been expecting much from this story arc and Levitz, Giffen, and company deliver even less. Giffen and Mahlstedt’s art has stabilized. It’s kind of a messy riff on Kirby. Fine if it’s your bag. But the action’s busy for busy’s sake. There’s a big unrelated surprise at the end, which feels like Levitz has just given up.

Legion of Super-Heroes Annual (1982) #1 W: Paul Levitz. A: Bruce Patterson, Dick Giordano, Keith Giffen. Even with some big bumps, Levitz, Giffen, and sometimes Patterson deliver a phenomenal annual. Brainiac Five messes up and an old enemy comes back to wreak havoc, turning HQ against the team. Levitz does it like a disaster movie. Also, he brings back the underutilized female science police officer from ages ago to strong result. It’s an outstanding book.

Legion of Super-Heroes Annual (1982) #2 [1983] W: Paul Levitz. A: Dave Gibbons, Keith Giffen, Larry Mahlstedt. It’s supposed to be Princess Projectra and Karate Kid’s wedding issue but instead it’s all about Dream Girl and her team getting stuck in the past. They go to Ancient Greece and find out the gods are just aliens. Evil ones. Gibbons’s guest art mostly disappoints. His figures are too bulky here. It reads well but it’s lukewarm overall.

Monkey Prince (2021) #6 [2022] W: Gene Luen Yang. A: Bernard Chang. While technically a bridging issue, enough happens it never feels like one. Yang takes the action from Marcus’s new school troubles to Black Manta’s schemes (involving Marcus’s parents), to the Trench, to Atlantis, with a flashback to the Monkey King’s hijinks as well. Oh, and there’s some Darkseid (because Monkey King fought him). Really good Chang art this issue too. So much fun.

Monkey Prince (2021) #7 [2022] W: Gene Luen Yang. A: Bernard Chang. The Aquaman… not guest spot, not crossover—stopover? Anyway, it continues swimmingly. As usual, Yang emphasizes the fun in this arc. Monkey Prince and Shifu Pigsy have to escape Aquaman to recover Monkeys magic staff. Except Black Manta comes looking to start trouble, with his cronies along for the ride. Those cronies are, of course, Monkey Prince’s parents. It’s another good one.

Monkey Prince (2021) #8 [2023] W: Gene Luen Yang. A: Bernard Chang. Awesome resolution to the cliffhanger, with Monkey finally conquering some of his self doubt to save the day. There’s also great payoff with the arc’s supporting cast, very unexpectedly in some cases. Only Yang punts the parents are science goons resolution until later, which is lessening the effectiveness of the arc… and Marcus’s character development.

Monkey Prince (2021) #9 [2023] W: Gene Luen Yang. A: Bernard Chang. Marcus and family head to Metropolis for this arc, but Yang skips through the setup. Instead, the issue opens with the big bad arriving on Earth and killing Marcus’s mom (or does he?). Marcus “discovers” some of his parents’ secrets, leading to him fighting Supergirl to protect them. It’s a rough start, but the cliffhanger reveal is outstanding.

Monkey Prince (2021) #10 [2023] W: Gene Luen Yang. A: Bernard Chang. Yang is able to fit PRINCE into the company-wide crossover without being derailed. It’s LAZARUS PLANET (the crossover). The issue spends little time on it, instead staying focused on Marcus’s experiences—teaming up with Supergirl, fighting villainous granddad, talking to his crush, birthing some clones. The usual. Great double page spreads from Chang.

Monkey Prince (2021) #11 [2023] W: Gene Luen Yang. A: Bernard Chang, Haining. Well, I was sort of wrong about crossover success, sort of not. Monkey does go off to LAZARUS PLANET issues, while Dad and Grandad stay here. There’s some big reveals, with a Justice League cameo in the flashback, but it definitely feels like Yang lost the momentum and had to jump start it going again. It’s high grade fine.

Monkey Prince (2021) #12 [2023] W: Gene Luen Yang. A: Bernard Chang. Yang masterfully pulls off the finish, which opens with some more LAZARUS PLANET debris before recommitting to MONKEY. Monkey discovers the truth about himself—well, from a particular point of view—and goes into crisis just when his friends need him most. Yang sends to think there’s going to be a sequel, but stays non committal. Some fine Chang art too.