The Stop Button
blogging by Andrew Wickliffe
Category: 2022
-

“The Orville” has had great episodes and middling episodes this season; there haven’t been any bad episodes, and there haven’t been any just good episodes. It’s entirely fantastic, or it’s relatively bland (for “Orville,” so still well-written, acted, directed, just not a zowee). This season finale—and current series finale—is a wowee zowee; directed by and…
-

As the end of season three approaches, “Evil” seemingly does a soft reset and closes off two big outstanding story arcs. The mysterious, demonic fertility clinic–which the gang discovered, I think, in the first season and have been waiting seasons to resolve–might finally be done. And then Li Jun Li’s maybe reincarnated Jesus, a Chinese…
-

I never watched “Ally McBeal,” but is a dream episode something it might have done? I wonder if it was better suited for the diversion than “All Rise.” Though… even when “Rise”’s cast has been wanting in terms of performances, they’ve always been amiable, so having them play various absurd roles in Simone Missick’s dream…
-

Regular artist Max Sarin is back this issue, which strangely doesn’t really matter. I guess when you’re trying to fit an existing animation style, who’s doing it doesn’t make much difference. Though the issue’s also… underwhelming for a penultimate entry. I’d come to terms with Eat. Bang! Kill. not being able to do too much…
-

Once again, I don’t know how “The Orville” gets away with it. A lesser show would be entirely undone by the strange John Debney score. It’s bombastic and enthusiastic but altogether over-the-top. Despite Domino being a not-even-loose remake of Episode VII, ending with a combination Deaths Star and Starkiller Base homage (the latter already being…
-

In addition to “Evil”'s most acute religion observation in the entire series, this episode is also an Aasif Mandvi episode, which gets it all sorts of goodwill. It’s also got a handful of concerning developments, principally Kurt Fuller falling in with Michael Emerson. Fuller decides he’s going to write a book about seeing the demon…
-

So, even after going through a whole episode to close off the Sean Blakemore arc—he’s Simone Missick’s law school love, and he’s around again; it’s causing feelings, which are always awkward because Blakemore and Missick haven’t got any chemistry together. Returning guest star Ronak Gandhi does a great job pretending he’s in the middle of…
-

Midnight Blue is less an extended regular episode than a combined two-parter or even an “Orville” TV movie. It’s entirely dependent on previously established subplots and story details—going back to season one of the show—but it’s also completely self-contained. It’s an incredible hour and a half. Jon Cassar directs, contributing his best work on the…
-

It’s a solid issue. There’s some decent but repetitive character development for Ivy. She realizes Harley’s impetuousness annoys her, gets mad at Harley, sulks, reconciles in time for a superhero fight. This time she’s angry they got busted crashing uninvited at someone’s house. It’s very too impetuous girlfriend stuff, with some extremes. See, they’re crashing…
-

It seems like it’s been a while since “Evil” has done a “modern technology will ruin our lives” fear-mongering episode. Or maybe it’s just Algorithms fully integrates “Evil”’s streaming status (f-bombs galore) with the format, making it feel like the epitome of the sub-genre. This episode’s about TikTok and how it ruins everyone’s life. The…
-

It’s not hard to pinpoint what’s wrong with Jurassic World Dominion, the inglorious (hopefully) end of a twenty-nine-year-old franchise. Director Trevorrow does a bad job directing, he and co-writer Emily Carmichael do a bottom-of-the-barrel job with the script, the actors all seem contractually bound and miserable (even the new additions, with one exception), and Michael…
-

I’m not sure last issue’s protracted Catwoman cameo really put Eat. Bang! Kill. off-track as much as behind, but this issue more than makes up for it. Nightwing’s constant butt shots alone get the series back its goodwill. Harley and Ivy are in Blüdhaven for a date night. It started with a rest stop, which…
-

I’m not sure if this episode’s the best “Orville” of the season, but it’s definitely the best constructed. The script—credit to David A. Goodman, who’s written “Orville” in previous seasons; this episode’s his first “New Horizons”—is magnificent in every respect. There are four perfectly balanced plots. First, the Orville is on a diplomatic mission to…
-

“Ms. Marvel” wraps up with its inevitable MCU third act finish, with Iman Vellani teaming up with her friends to save Rish Shah from the racist Damage Control agent (Alysia Reiner, who seems strangely unconcerned with the type-casting). Reiner starts the episode explaining it’s not just brown people she doesn’t like; it’s teenage brown people…
-

The sad thing about this episode is Matthew Kregor’s direction is good. The episode starts with Mike Colter getting called to his first emergency crisis intervention; a building collapses, and he’s there to talk to the Catholics. He doesn’t remember his collar; everyone thinks he’s a cop; it’s fairly amusing despite the grim circumstances; it’s…
-

Last season we got a plot about Wilson Bethel’s relationship with Lindsey Gort getting unsteady as college crush Ryan Michelle Bathe started hanging around. It got very soapy. This season, it’s Simone Missick’s turn. And it again involves Bathe. She’s in L.A. (for the first time this season) with her new beau, Sean Blakemore. Blakemore…
-

While director Sharmeen Obaid-Chinoy continues to have action scene problems, the rest of the episode’s direction is so spectacular it doesn’t matter. There are only a couple minutes of superhero action, with the rest being child-missing-in-crowd stuff. Obaid-Chinoy’s perfectly fine with the latter; it’s just the superhero stuff. Last episode left Iman Vellani stranded in…
-

So, before getting started with the episode itself, I just want to say it’s a very good episode, with excellent direction from Sarah Boyd, a great script (credited to David Reed and Logan Ritchey), and fine performances from most of the cast. There aren’t any bad performances. Well, maybe Cameron Crovetti as Antony Starr’s superpowered…
-

I was expecting a lot more from a time-traveling romance episode written by Seth MacFarlane. “The Orville: New Horizons” seems to be focusing on a character an episode, sometimes a character and a half, but usually a character. There are nine principal cast members. There are ten episodes. They should get to everyone (it’s going…
-

“Evil”’s original conceit was a supernatural procedural. Hot priest-to-be Mike Colter, hot-but-appropriately-aged psychiatrist Katja Herbers, and funny and cute tech guy Aasif Mandvi investigate cases and prove they’re either not supernatural, or their solution gets left up in the air, but the danger abates. It’s changed over the seasons, though this episode leans in heavy…
-

Batman ‘89 ends far better than it should, but still disappointingly. Writer Sam Hamm doesn’t go for an action-packed Batman finale, instead letting Bruce Wayne do the final showdown, which ought to emphasize Billy Dee Williams’s Harvey Dent, only doesn’t. It very strangely reduces Michael Keaton’s Bruce Wayne material as well. Hamm seems to know…
-

It’s J. Alex Brinson’s first murder trial—as a public defender—and he’s up against jogging pal and former mentor Wilson Bethel, and Simone Missick’s their judge. I like how at some point, “All Rise” just stopped worrying about Bethel and Missick being besties and let her hear his cases. Missick, of course, was Brinson’s judge when…
-

Despite primarily being a setup for next episode’s season finale, this episode of “The Boys” gets a lot done, and most of it’s excellent, with the occasional exceptional. It gives Karl Urban another great acting showcase, even though he’s stuck in a nightmare where he’s entirely reactive. Great direction from Sarah Boyd; it’s her first…
-

Until now, “The Orville: New Horizons” has never felt aware of its own literal limitations. It’s the last season (for now, they keep saying, for now), and A Tale of Two Topas feels like show creator and episode credited writer and director Seth MacFarlane getting something done before the show’s over. All they need to…
-

Sharmeen Obaid-Chinoy is not an action director but in an okay enough way. This episode’s mostly well-directed; Obaid-Chinoy just doesn’t know what to do with the first superhero fight or the chase scene. But, the chase scene works out. There’s the chaos aspect, and it being Iman Vellani’s first Bond movie chase scene through exotic…
-

This episode ends with an odd, incomplete feeling. There’s no oomph to any of the storylines, and the resolutions are all put off until next time. There’s not even a cliffhanger, just Katja Herbers and Andrea Martin not being shitty to each other. It feels like a long episode cut up, but it also feels…
-

This episode’s a downer. I kept waiting for it not to be a downer, only it keeps getting worse for pretty much everyone. But it’s also a very familiar kind of “All Rise” downer episode; it’s bittersweet and about how these people are just trying to do the good thing in impossible, structurally broken situations.…
-

Gently Falling Rain came out on June 23, 2022. One of its briefest plot points would play differently if it had come out on June 24, 2022. The episode compares and contrasts future cultures; there’s the Union (the Federation), inclusive, diverse, progressive, and there is the Krill. They’re a combination of Romulan and Klingon, but…
-

Herogasm might be the best “Boys” episode. I can’t remember the previous seasons well enough, but it’s an exceptional hour of television with a phenomenal script (credit to Jessica Chou). It’s Chou’s first credit on the series, which makes the episode even more impressive as the episode concludes some long outstanding story arcs. It also…
