Miss Fisher’s Murder Mysteries (2012) s02e10 – Death on the Vine

The show’s hit a nice stride lately; this episode’s rather good, with little in common with the previous two other than Ashleigh Cummings’s detective skills continuing to develop. Otherwise, the setting is all different—Essie Davis has drug Cummings out to a vineyard (after telling her they were going to a farm but didn’t want to tell her about the wine) to meet a new client. Only the client’s dead when they get there and everyone in town is giving them the cold shoulder and worse.

Even more concerning is the local law enforcement (David Field) seems to be covering up evidence and whenever Davis tries to call him on it, he threatens her. Though the whole town is threatening them, complete with snakes hidden in their room and guns getting stolen.

It’s very tensely executed, Davis and Cummings far from home and their regular supporting cast. Davis calls and gets Nathan Page to head out—it’s a rural town—before they’re able to get the investigation going properly.

Almost complicating the investigation is the victim’s brother, James Saunders, being unhelpful to the point he’s suspicious. Everyone in the town—save maybe kindly doctor Geoff Morrell and his daughter, Ramona Von Pusch—is hostile. Hotelier Geneviève Picot is terrifying.

So lots of rural empty night tension and scares—excellent direction from Catherine Millar. Even when Page arrives, it doesn’t seem like Field is going to let the big city copper make any difference. Very interesting to see Page’s authority ignored.

Meanwhile, Hugo Johnstone-Burt has decided it’s time to propose to Cummings and is trying his best to make it romantic—with Page’s help—only Cummings sees it as Johnstone-Burt doing a slapdash job of investigating. It’s real cute, real funny. This episode’s the second time I’ve noticed Chris Corbett’s credit as writer; he’s doing a rather good job.

The acting—from Field, Picot, Morrell, Von Pusch, Saunders, Davis, Page—is particularly excellent.

Also there may be another Phryne Fellow but it’s unclear how far things went when Davis was stomping grapes….

Miss Fisher’s Murder Mysteries (2012) s02e09 – Framed for Murder

I’m not just interested this episode because it’s all about the silent movie industry; it’s right at the transition to sound, which means we’re in the late twenties and Black Tuesday is approaching. I’m terrified what it’s going to mean for “Miss Fisher.” Especially when you consider this episode is all about one of Essie Davis’s investments, childhood friend Hamish Michael’s Australian movie studio.

Michael’s trying to keep the local film industry going even though the Americans are trying to takeover. Craig Hall’s the potential investor from the United States; he’s the most problematic thing in the episode because his American accent is bad so it’s hard to take him seriously.

The leading man on Michael’s historical epic ends up murdered and so Davis is investigating as investor, not as private detective. Means she gets to do things like take over directing when she wants to take over directing. It’s awesome. Also a smooth way to get her and Nathan Page working together for the first time in a few episodes without tension.

Well, without professional tension. There’s still personal tension, thank goodness, and the first Phryne Fellow in ages.

The movie studio setting gets everyone involved, from Ashleigh Cummings’s movie trivia helping solve the case (she also proves herself a more diligent investigator than beau Hugo Johnstone-Burt, which is concerning but not surprising) to Travis McMahon and Anthony J. Sharpe having to fill in as actors.

Chris Corbett’s script is geared to be amusing, but the guest stars help a lot. Constantly suspicious Michael is adorable, as is script girl Jane Harber, who’s got a photographic memory. Richard Sutherland’s funny as the asshole director and James Beck turns out quite good as the American actor slumming in Australia.

Stephanie King’s fine as the leading lady but doesn’t have a lot to do.

More than enough excellent support to make up for Hall.

And the action-packed resolution is dynamite; great direction from Peter Andrikidis.

Miss Fisher’s Murder Mysteries (2012) s02e08 – The Blood of Juana the Mad

Depending on the setting, there are certain predictable reactions from Miss Fisher (Essie Davis) as well as from “Miss Fisher,” the show; for instance, this episode takes place at a medical university—where Dr. Mac (Tammy Macintosh) teaches—and involves the rich male students (and the male teachers) harassing an exceptional female student, Andrea Demetriades. So it’s going to be a bit of a downer because 1920s, privilege, institutionalized sexism and so on.

Except not so much here, because Demetriades’s character is able to surmount the obstacles. Yes, she and Davis have to convince Nathan Page Demetriades isn’t seeing conspiracies in the shadows—or, rather, is seeing conspiracies in the shadows—but Page’s only slow to get onboard because he’s still working out his feelings about working with Davis.

Davis, for her part, is more than happy to drag and push Page towards the obvious conclusion—he’s never going to have a better partner.

We also get to see the sexism Macintosh has to endure professionally, whether it’s discreet and from a supportive colleague (Lewis Fitz-Gerald) or weaponized from a prick colleague (Nicholas Hope). Not to mention the blue blood students get to harass female student and teacher alike without fear of repercussion. William Ewing’s great as one such odious little shit.

The murder involves not just the dead body, but also missing manuscripts and skulls—which gives Davis a great Hamlet reference at one point—and secret agents, which turns into a subplot for Page to work through mostly on his own.

The resolution is a little rushed—the murderer’s motive doesn’t get the four minutes it needs in the first act to resonate later, but it’s understandable because it’d make not just the murderer reprehensible, it’d make most of the rest of the supporting cast complicit in some very bad thoughts.

But thanks to Demetriades, who’s excellent as well as an excellent Phryne protege (Ashleigh Cummings doesn’t get anywhere near as much to do as usual but she’s great with Demetriades, who ends up staying at Davis’s house for a bit), and the intentionally paced Page and Davis subplot, it’s delightful. Eventually.

Miss Fisher’s Murder Mysteries (2012) s02e07 – Blood at the Wheel

Even if the subplot of this episode weren’t Nathan Page deciding he can’t remain friendly (friendly plus) with Essie Davis given her dangerous lifestyle and isn’t going to ask her to knock it off because Page’s non-sexism is one of the most winning parts of his personality… it’d still be a very depressing episode.

The episode opens with a woman (Annie Stanford) speeding in her motor car and crashing due to sabotage (my wife pointed out it’s like watching Cruella de Vil drive) and we then find out she’s a race car driver for the Adventurers’ Club Davis funds (for like-minded women). Stanford and mechanic Rachael Blake were going to race in a local tournament, run by proudly sexist pig David Roberts, who’s not just going to try to keep women out of racing, he’s running for office on the platform of not letting women drive at all.

So while there’s that gem at the top of the organization, there are also the other male racers—Rohan Browne, the victim’s brother, seems okay but gets more and more suspicious as things progress—and there’s creep ex-lover of the victim Shaun Goss, who starts and stays suspicious. Great scene with Davis facing off with Goss during her investigation.

Tammy Macintosh shows up to help Davis with the investigation and, for that moment, it feels like the Dr. Watson Davis never needs (but may if Page is really breaking their working relationship—and is willing to take the hit to his professional fulfillment). There’s also some fantastic stuff for Ashleigh Cummings, who doesn’t just assume a more direct role in private investigating, she also has to get over her fear of driving.

However, beau Hugo Johnstone-Burt doesn’t want her to get over that fear and is positively threatened by all these women—Davis, Blake, but particularly Blake’s teenage daughter, Nikita Leigh-Pritchard)—knowing more about cars than him. Unfortunate but great characterization.

The resolution is complicated and tragic, the investigation to get there is quite good… it’s a very heavy episode with all the patriarchy and weaponized misogyny in play. And the Page subplot, which simmers throughout, positively scalds in the epilogue. Great performances from Davis and, in particular, Page on it.

It’s one heck of a soft cliffhanger.

Miss Fisher’s Murder Mysteries (2012) s02e06 – Marked for Murder

Confession: I had no idea what they were talking about with footy. I assumed Australians played football—as in association football—but it looks like a big American football. My wife thought they were talking about rugby. But apparently there’s Aussie rules? Or footy?

The episode’s about two footy clubs and their hooligans and a dead player. We see the player hanging in the cold open, specifically his very hairy butt. Turns out he had just changed teams, which meant he had more haters than the usual player would. But even some supporters of his team—like Nathan Page—think the victim was an opportunist. Though it turns out said victim, Benjamin Rigby, switched teams because Page’s ex-wife’s cousin and lover (Daniel Frederiksen) bribed him to make the change.

It’s a fine episode with lots for all the characters—Hugo Johnstone-Burt goes from being an unthinking footy supporter to having to consider that support, Travis McMahon comes to realize Page can’t be all bad if he supports the right team, Ashleigh Cummings shows she actually listens to Johnstone-Burt’s nonsense. We get some more of Page’s ex-father-in-law boss (Neil Melville) being a snake (he likes the wrong team after all). And we finally get to see Page’s ex-wife hang out with Miss Fisher. There’s a lot of fun in the episode, but there’s never any more tension than when ex-wife Dee Smart and Essie Davis are alone. It’s nearly nerve-racking.

Though there might be more tension in the scene where Page very subtlety asks Davis to stay and watch a match with him. It’s basically their first official date. Particularly cute because Davis has a character detail about why she gave up footy supporting in her youth.

Excellent supporting performances from the team captains, Damien Garvey and Robert Morgan. It’s a complicated resolution to the mystery but well-handled and acted. Though it does feel a little like they tried to do an episode for the boys.

Miss Fisher’s Murder Mysteries (2012) s02e05 – Murder à la Mode

It’s kind of a Dot (Ashleigh Cummings) episode. At least more of a Dot episode than the show’s ever had before. Not only does she get a real subplot with beau Hugo Johnstone-Burt, who’s very taken with the outfits he sees around a fancy dressmaker’s (at least the ones modeled on half-French model Freya Stafford), but she also gets a personal style arc. And she gets to be dotted on in the dressmaker’s salon; not just champagne but an evening gown of her own.

The mystery involves the investor of the saloon turning up dead and pretty much everyone there being a suspect. Cummings and Essie Davis are there shopping, which makes it convenient when Davis has to get investigating. Nathan Page and Johnstone-Burt show up quick and the initial investigation is Page and Davis together. Lots of flirting on the crime scene this episode. Quite delightful.

So the victim, Heather Lythe, has a philandering, much younger husband, Mark Leonard Winter, who’s a suspect and appears to be carrying on with Sibylla Budd, who designs for the salon but sister Heather Mitchell has the final word on everything. Then there’s seamstress Tessa Lind who might also be carrying on with Winter or doing something else entirely. Lots of fashion, lots of intrigue.

There’s also a bit of fun for Travis McMahon and Anthony J. Sharpe, who find themselves tasked with intercepting Lind’s something else entirely in an amusing sequence.

Davis has a lot of fun shopping for the clothes and selling Cummings on the idea of caring about clothes, which writer Kristen Dunphy is able to turn into a rather nice C plot. There’s so much mystery, so many avenues Davis and Page end up investigating before they get to the right one. Everyone’s trying to pull something over on everyone else as it turns out. Or they’re confused about what someone else is pulling over on them.

The final resolution is one of the better reveals the show’s had in a while, particularly because it gives Davis a worthy adversary. You actually worry about her in the suspense sequences instead of being sure she’ll be able to prevail. There’s an X factor to the villain here and it takes a while for all the be revealed. Along the way, lots of danger.

It’s a particularly interesting investigation episode, with Cummings getting something more a big plus.

Miss Fisher’s Murder Mysteries (2012) s02e04 – Deadweight

One upbeat (enough) “Miss Fisher’s” was apparently all they could take because this one is a very, very sad one. It’s all about a boxing troupe and the damage done on the community because of it. The community in question is the young poor men who spend their time in street gangs. Constable Hugo Johnstone-Burt is trying to teach the boys to box to get them out off the street. And does it without much encouragement. It ends up being a pretty good episode for Johnstone-Burt, who’s always around, always likable and often funny, but rarely charged with much on his own.

Not supportive comrades include boss Nathan Page and girlfriend Ashleigh Cummings; Essie Davis is a boxing fan and presumably not just because it involves sweaty fit men. She has a great flirtation throughout the episode with potential Phryne Fellow Chris Asimos, a Greek boxer who knows just how to treat a lady… or so Davis thinks. Funny not dangerous (which is weird, actually; everyone’s a suspect except Asimos).

Johnstone-Burt’s prize student, Mark Coles Smith, comes under investigation when one of the other gang is killed and it seems to also tie into the case of a dead police officer. Coles Smith is boxing at the exhibition to make money for mom Rachael Maza, who Davis tries to befriend and help but Maza’s got her secrets. The other gang is led by shitty little racist Scott Smart, who just hires bigger guys to fight Coles Smith.

Brett Swain and Glenda Linscott run the boxing exhibition; they’re both excellent. Maza’s excellent. Coles Smith is pretty good and you’d never guess he’s twenty-six playing seventeen or whatever. Some great material for butler Richard Bligh this episode and a nice little cameo from Tammy Macintosh.

Page gets very little to do—at least until the (momentarily) joyous epilogue—other than tell Johnstone-Burt the boxing is a bad idea and Davis he doesn’t want to investigate any cops. So it’s nice when he’s got the epilogue scene; especially since Davis has had Asimos distracting her most episode. “Miss Fisher’s” needs its Phryne and Jack, after all.

Miss Fisher’s Murder Mysteries (2012) s02e03 – Dead Man’s Chest

Last season, “Miss Fisher’s” went out of its way not to have detective Essie Davis happen into mysteries solely because she’s a rich White lady in the 1920s. Though… I mean, it sort of did. But this episode makes no attempt to contrive a reason to get Davis involved in the Julia Blake’s mystery. Davis and her household—aunt Miriam Margolyes, companion Ashleigh Cummings, ward Ruby Rees—are going to the beach on holiday. When they get there, Blake’s household—where they’re staying—is in abject disarray. The servants have disappeared, leaving kitchen boy or whatever Reef Ireland to manage the whole house.

So, of course Davis brings in Richard Bligh to whip things up into shape because Stately Fisher Manor isn’t a place, it’s a state of mind. But even though the mystery conclusion—involving stolen coins—and its villain aren’t the best, it’s a great episode. It’s a bunch of fun watching Davis butt heads with yokel copper Tony Rickards—great moment after Davis brings in Nathan Page (and Hugo Johnstone-Burt, which makes for a cute scene or two for he and Cummings) and Blake asks Davis to bring her handsome friend around (meaning Page) and Davis is momentarily confused. It’s extremely charming.

The whole episode, as it concerns Page and Davis, is extremely charming. They investigate the case together, sneaking around, never particularly concerned because they’re old hats at the mystery thing by now and just enjoying themselves. It’s like a working holiday. Very cute.

Davis gets a good showdown with the villain too, though there are a confusing amount of suspects.

Excellent, unexpected arc for Margolyes, which figures in to some of the mystery resolve, and Rees is adorable making eyes at Ireland. Also adorable is when Cummings has to tell Davis to chaperone her. Dan Wyllie plays Blake’s son, who’s a potential Phryne Fellow for a while… even though he’s still Perry Heslop.

Oh, and Travis McMahon gets a fantastic bit as a drunk. Bootlegging figures into it all too. And temperance movements. It’s a whole bunch of plot, but Ken Cameron’s direction moves through it rather well.

Delightful episode… maybe, given the resolution and the stakes, the most delightful “Miss Fisher’s” to date.

Miss Fisher’s Murder Mysteries (2012) s02e02 – Death Comes Knocking

If this episode of “Miss Fisher’s” doesn’t have the highest body, it definitely feels like it has the highest. People get killed off throughout the runtime—and before it, actually, in flashback. The episode opens with a séance, which is automatically awesome just thinking about Essie Davis going off about séances. It’s almost a surprise she’s participating, but it turns out she’s hosting the medium (Julie Forsyth) at Aunt Prudence’s request. Everyone, including me, is surprised to discover Aunt Prudence (Miriam Margolyes) is into the spiritualist stuff.

Margolyes wants the psychic to help Teague Rook get over his World War I PTSD; Rook is Margoyles’s died in the war godson Billy Smedley’s best friend, who also carried dying Smedley off the field at the Somme. Rook is now married to Kate Atkinson, who’s Smedley’s widow, and even has his valet, John McTernan. Margoyles wants Rook to get an official commendation before he dies; the mustard gas just took a while to finally get him. Except Rook doesn’t think he deserves it. He thinks he shot Smedley, not saved him. But he can’t remember.

Hence psychic Forsyth.

Compared to the war veteran stuff—because even though it doesn’t come up every episode, the main and supporting cast of “Miss Fisher’s” are all veterans. Davis, Nathan Page, Travis McMahon, so almost half the regular cast. And this time there are the guest starring veterans: Rook, Jonny Pasvolsky as Forsyth’s manager, Nicholas Brien as a former stretcher-bearer. The Great War looms over these characters, haunting them all in different ways. It’s very nicely done by writer Ysabelle Dean and director Ken Cameron this episode. Davis’s performance in particular is fantastic.

Because once the first body drops, Davis and Page find themselves having to solve the battlefield mystery and figuring out how it relates to the present day murder and then the second one.

Along the way, Davis has time for her first Phryne Fellow of the season, Pasvolsky, who proves quite soulful once Davis convinces him of the “sanctity of the boudoir.” Good performances this episode from McMahon—who still doesn’t like conscientious objectors, which gets in the way of his investigating on Davis’s behalf—and then Rook. Rook does rather well.

There’s also a good combination of scares and laughs for Ashleigh Cummings, who finds the whole séance business disturbingly un-Catholic, as well as some wonderful scenes with Page and Davis. The show’s very intentionally toying with their chemistry at this point, rather delightfully.

Miss Fisher’s Murder Mysteries (2012) s02e01 – Murder Most Scandalous

Season Two starts off with a bunch of flashy character reveals, with finally meeting Nathan Page’s ex-wife (Dee Smart) not even being the main one. Very prim, very proper, very Catholic Ashleigh Cummings’s sister, Anna Bamford, is a sex worker and works in a brothel where one of the girls has just turned up dead. So Bamford hires Essie Davis to investigate, with Davis not realizing the victim was found dead in a locked room with anti-sin copper Neil Melville, who survived.

Turns out Melville is Smart’s father.

And Page’s ex-father-in-law.

“Miss Fisher” does an amazing job with the pro-sex worker stuff, giving Cummings a great couple scenes throughout as she processes the information. It makes up for Davis’s episode long Hispanophile arc, which has her going from learning the tango at the beginning of the episode to impersonating a Spanish exotic dancer when she goes undercover at Bamford’s brothel.

The accent is a lot.

Though Davis has been supremely unproblematic so far in the show, so giving her an “mkay” character detail like this one is long overdue given she’s still an infinitely wealthy White woman in the 1920s.

The mystery is better than the resolve, which is nowhere near as interesting as a locked room mystery, a hypocrite bureaucrat suspect, and a madam’s blackmail stash.

Davis’s gets a cool Catwoman sequence where she has to climb up to get to the stash room, then has a fight scene with madam Belinda McClory. Oh, and there’s also Davis doing a fan dance, unintentionally to most of the supporting cast, shocking Cummings and sensationalizing Hugo Johnstone-Burt.

What also stands out about the resolution is it seems more like there’s season subplot building with is-he-or-isn’t-he suspicious Melville and then a creepy young, buff priest, Lyall Brooks, not to mention Page getting attacked on the street by thugs left unidentified.

Maybe the most impressive thing about the episode is how well it defers Davis and Page’s chemistry, post-divorce—Smart’s already engaged again, which solves the moral dilemma—and there are some great Phyrne and Jack chemistry moments throughout. But where it’s all going is a left for another day… and episode.