Minimum Wage 2 (February 2014)

295169 20140205141907 largeMinimum Wage is sort of like a sitcom where none of the people are particularly attractive or particularly funny. They aren’t actually funny with each other. It’s like if you had a sitcom with a bunch of Newman clones and they never told any funny jokes.

Obviously, Fingerman’s not just going for humor. He’s got a statement he wants to make about marriage, divorce, hippies, metal, Uzbeks and maybe video games. Not video games. Something else is in there. The Internet, maybe.

Some of the pages are paced really well, some of the details are slightly amusing. What’s strange is how Fingerman moves his character through this endless supporting cast. He hangs out with his main friends, then his girlfriend, then some other friend, then some other friend, then the girlfriend again. Maybe if the protagonist was mildly interesting.

Oh, Fingerman’s got the guy’s internal monologue down.

It’s just trite.

CREDITS

Writer and artist, Bob Fingerman; publisher, Image Comics.

Minimum Wage 1 (January 2014)

Minimumwage1 review 1Bob Fingerman sure does like holding on to a joke. The opening joke in Minimum Wage has one of the protagonist’s friends making joking advances on him. One of his male friends. Fingerman beats the joke with a stick, not just killing the funny in it–there isn’t any to start–but also looking desperate.

Except once that opening sequence–the lead, Rob, going out to a night club after breaking up with his wife and moving back home with his mom–once it’s over, Wage gets a lot better. Fingerman does go so much for actual jokes as he does for mood and tone.

The art’s fully realized, even if it’s just Rob sitting around on dating websites. The opening missteps seem like someone trying too hard. The rest is someone being very assured and chill.

Wage works out. It might even go somewhere interesting… if Fingerman lets it.

CREDITS

Writer and artist, Bob Fingerman; publisher, Image Comics.