The Eltingville Club 2 (August 2015)

The Eltingville Club #2Is there something better than this issue of The Eltingville Club? Probably. It’s only my second issue of the book and it’s the last one ever. Supposedly.

Hopefully not.

Because this comic, which comes so long after the first I forgot Dorkin was doing another, is worth the wait. Dorkin puts a lot of work into the art. He puts a lot of work into the writing. His visual pacing of the jokes is phenomenal. The only problem with this comic is choking from all the laughter. It might have even hurt at one point, I was laughing so hard.

The issue takes place ten years after the previous one. The club members have all grown up, all developing further into comic fandom thanks to the Internet and life decisions. Questionable ones, usually.

Dorkin does a great job finishing Club. It’s great in whole, in scenes, art, dialogue; it’s awesome.

CREDITS

Lo, There Shall Be an Epilogue!; writer and artist, Evan Dorkin; colorist, Sarah Dyer; editors, Daniel Chabon and Scott Allie; publisher, Dark Horse Comics.

The Eltingville Club 1 (April 2014)

The Eltingville Club #1Evan Dorkin’s sense of humor on The Eltingville Club is nowhere near as peculiar as his plotting on the comic. There’s some peculiarities to it since Dorkin mocks every single character to some degree or another and his protagonist is one of the more reprehensible characters in there comic.

The constant comedic assault both kills the momentum and gives the book a significant reading time. Since Dorkin’s mocking his characters once every couple panels, and he’s got the situational comedy and sight gags, the issue is always on. If you don’t like one joke, there’s another one in just a moment.

Until the ending. Dorkin goes a somewhat unexpected route, turning a workplace situational into gently absurdist. It reminds a little of “The Simpsons”, just for how the cause and effect work. I guess it’s hard to plot for unlikable characters.

Still, Dorkin builds anticipation for the next one.

B 

CREDITS

Writer and artist, Evan Dorkin; colorist, Sarah Dyer; editors, Daniel Chabon and Scott Allie; publisher, Dark Horse Comics.