Category: Comics
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Eat. Bang! Kill. ends better than I was expecting. While the sludge monster, Mephitic, holds Harley prisoner and tries in vain to find a way past her poison immunity, Ivy teams up with Vixen for a rescue mission. Along the way—pretty early on—Ivy meets Vixen’s girlfriend and starts getting insight into how healthy relationships work.…
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This issue’s the first in the first post-Levitz era. While they left it to Jim Starlin to screw up Levitz’s epilogue, wrapping up that epilogue falls on new writer Gerry Conway. The credits promise “a new beginning” for Superboy and the Legion, with Conway writing, Joe Staton penciling, and Dave Hunt inking. They’re off to…
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It’s another fantastic issue. Not quite as good as last time because there was so much more human drama (and fewer hapless white dudes), but fantastic. Writer Marv Wolfman starts the issue with a hunted Dracula and ends with a captured Dracula, but by entirely different foes. The story’s called The Coming of Doctor Sun…
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So, reading this issue—the first of the Joker Laughing Fish two-parter—it’s clear why the comic’s got such an excellent reputation. Even with the utterly banal, fascist narration and Batman talking like a tool, it’s a great comic. Four things happen in the comic, all excellent for one reason or another. First, Batman goes to confront…
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The Lion & the Eagle is oversize; bigger, squarish pages. Artist PJ Holden doesn’t fill the larger canvas with more panels, instead increasing the panels’ sizes, filling those larger pages with bigger content, not more content. Holden also does a lot of top-third double-page spreads; he’s clearly thinking it through. So it’s unfair when the…
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Mike Friedrich writes, adding his name to the list of seventies Marvel writers who tried to make hash out of Werewolf by Night with limited success. The issue credits have some enthusiasm for pairing two Mikes (Friedrich and Ploog), but then Frank Chiaramonte’s the inker, so how much can they really do? The most Ploog…
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Based on the end reveal and what it means for the series-long narration… well, Kill or Be Killed, specifically writer Ed Brubaker’s work on it, goes from disappointing, tedious, and grating to pitiable. He’s even commented on the narration device to the reader before—when this arc started—so promising it’s not something lousy and then it…
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Until the last story, which might be the least impressive entry in an issue of unimpressive entries… I think the most successful art, overall, in the issue is Ernie Chan’s one-pager. It opens the issue, with a Tony Isabella script, all about the various ways of killing vampires. It’s amusing and practical; statements it’s difficult…
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Well, I figured out the secret of X Isle’s seemingly full issues: no transitions. The action cuts ahead minutes, hours, across miles. Writers Andrew Cosby and Michael Alan Nelson do the whole thing in quick summary, which gives the impression of content regardless of their actual success. This issue has the first casualty, a kidnapping,…
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Presumably, the very, very important Communist character would’ve had a more significant part in the movie. However, in the comic adaptation—in Johnnie Christmas’s adaptation, anyway—not so much. Maybe because their story is entirely the Aliens thriller and suspense sections. It’s unfortunate, though, only because the conclusion—where they talk about how we’re supposed to share these…
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Regular artist Max Sarin is back this issue, which strangely doesn’t really matter. I guess when you’re trying to fit an existing animation style, who’s doing it doesn’t make much difference. Though the issue’s also… underwhelming for a penultimate entry. I’d come to terms with Eat. Bang! Kill. not being able to do too much…
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According to tops three minutes of Internet research, the Steve Apollo credit for this issue is actually both Jim Starlin and Joe Staton. Starlin had his name taken off the previous issue and this one because he wanted the story to appear in an over-size special release. Apparently, post-Starlin, they rearranged this half—adding a new…
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I’ve read Tomb of Dracula before, but I have an incredibly vivid memory of this issue, which has Dracula and Rachel Van Helsing stranded in the Carpathian Mountains during a days-long blizzard. Dracula’s keeping her alive as a blood bag insurance. She’s injured and too weak to try to kill him (or so he thinks).…
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When I was eleven, I first read this comic in the Greatest Batman Stories Ever Told hardcover. Then there was the next part in Greatest Joker. It’d be years before I could read the complete Steve Englehart, Marshall Rogers, and Terry Austin arc. But this issue is where it all started. So as I break…
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A Walk Through Hell has a surprisingly affective final issue. Not because anything in it connects, but because everything in it does not, and then it becomes clear writer Garth Ennis isn’t just having a laugh; he put thought into it. And it all comes out bad. For most of the issue, Hell #12 feels…
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I’d like to say there are a few pages where Frank Chiarmonte’s inks don’t mess up Mike Ploog’s pencils. I can’t because there’s probably only a page and a half, and not sequentially. Werewolf by Night versus Tomb of Dracula comes to its conclusion here, a better comic than the first installment, which had writer…
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Writer Ed Brubaker, apparently unknowingly, cracks the Kill or Be Killed conundrum this issue. How could he tell the series and have it work? Individual issues about characters. Without Dylan’s terrible narration, obviously. Got to get rid of the narration. But this issue’s a return to detective Lily Sharpe. Unfortunately, it’s nowhere near as good…
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I may be committing sacrilege, but I’m not a fan of Pablo Marcos’s Dracula. Sure, the outfit looks good, but Dracula himself—with his seventies stash—looks more like a plumber than the prince of darkness. The issue opens with a Marcos pin-up; I’m not just taking the chance to gripe. In other words, I was again…
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X Isle is a mildly interesting remnant of the aughts; when indie comic book companies no longer tried to make it with licenses to genre franchises or old toys, but when they tried to get movie deals, presumably repurposing movie scripts or pitches into comic books. It worked a few times. But no one ever…
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Thirteen or so pages of this issue are the best work Johnnie Christmas has done on William Gibson’s Alien 3. There’s a lot of action at the start of the issue; the company suits finding out there might be an alien onboard, the alien arriving and killing, the crew panicking. It’s a slightly new kind…
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It’s a solid issue. There’s some decent but repetitive character development for Ivy. She realizes Harley’s impetuousness annoys her, gets mad at Harley, sulks, reconciles in time for a superhero fight. This time she’s angry they got busted crashing uninvited at someone’s house. It’s very too impetuous girlfriend stuff, with some extremes. See, they’re crashing…
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Oh, I’m sorry, I was expecting them to finish the story this issue. What was I thinking? I was actually thinking it’s the 250th issue, and they’d do a double-size spectacular, concluding a lengthy story arc involving an evil Legionnaire plotting against the group. The issue’s got a plot and pencils by Jim Starlin (under…
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This issue ought to be good. It’s Marv Wolfman writing, it’s Gene Colan, it’s Tom Palmer. Wolfman’s written Tomb; he’s written Werewolf by Night, so there shouldn’t be any problem doing a crossover. Except Wolfman’s amalgamation of Tomb and Werewolf doesn’t work. Colan and Palmer do a great job illustrating Jack Russell and his psychic…
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Steve Englehart writes Bruce Wayne as a narcissistic asshole who bullies and psychologically abuses ward Dick Grayson. Grayson, for his part, has drunk the Kool-Aid; at one point, he talks about how mental illness is no excuse, and at another, he waxes on about Batman’s such a great man. It’s such weird, bad writing. Though…
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Goran Sudžuka made it until issue eleven to rush the art. Before, when he stopped putting effort into the inks, it was noticeable and unfortunate because Walk Through Hell lost its greatest asset. It wasn’t bad; it just lost the charm. Though, obviously, it’s not clear anything could’ve brought Walk “charm.” Anyway. This issue Sudžuka’s…
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Marv Wolfman writes the h-e-double hockey sticks out of this issue. Unfortunately, it’s got a lousy ending as Wolfman gets stuck resolving Jack’s subplot with his step-father, Phillip, in a resolution seemingly intended to conclude the aged arc as quickly as possible. But there are some real highlights, including Jack’s moody romance narration for him…
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Does writer Ed Brubaker actually not see the possibilities he raises with scenes? It’s fascinating. For the second or third time, Brubaker’s started an issue completely invalidating a possibility the previous one raised. There’s an anecdote about a short story being a room in a house, a novel being a house. Maybe Gordon Lish (but…
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I fear Dracula Lives has reached a turning point and not for the better. While this issue retains the same page count as previous issues, there’s a lot less content. Comics content. There’s still text content, including Tony Isabella finding his voice in his Taste the Blood of Dracula review, but there’s a little bit…
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It’s old home week this issue; not only do Newt and Hicks have (relatively) big scenes this issue, but Bishop is also back in one piece. All of a sudden, it feels more like a sequel to Aliens, but only slightly. This Alien 3 hasn’t got any time for a kid, so Newt’s got to…
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I’m not sure last issue’s protracted Catwoman cameo really put Eat. Bang! Kill. off-track as much as behind, but this issue more than makes up for it. Nightwing’s constant butt shots alone get the series back its goodwill. Harley and Ivy are in Blüdhaven for a date night. It started with a rest stop, which…
The Stop Button 