Author: Andrew Wickliffe
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In the way it has come for so many British television shows, movies, radio plays, and so on, war has come to “All Creatures Great and Small,” specifically the beginning of World War II. Or at least the King’s Speech beginning of World War II. The family gathers around the radio and everyone gets their…
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It’s an absurdly good issue, starting with Dan Dare having a showdown with the little shitheels currently calling themselves British officers. He and companion Digby are on a desert planet, trying to evacuate the civilians before they and the garrison have to shoot it out with literal monsters, and some officers are whining about their…
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New writer Doug Moench continues to put his mark (of the Werewolf) on Night. By soft-booting the thing back to issue three or four. This issue starts with Jack going to see forty or fifty-something best friend Buck Cowan, who’s known Jack’s been a werewolf for a while now, but they never, ever talked about…
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Forty Guns occupies that rare position of simultaneously playing like a parody of itself without being any campy fun. It’s a perfect storm of budget, cast, story, era, technology, earnestness, and director Fuller. Oh, and it’s a singing cowboy Western. Well, singing bathhouse owner. Men’s only, which leads to a couple weird scenes where Fuller…
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I’ve meant to go back and reread Brubaker’s Catwoman for literal decades now. The last time I tried, I started the post about Catwoman #1 pointing out it proves Ebert’s “no masks in noir” rule from his Batman Returns review wrong. I’ll never be able to top that one, though it’s impossible not to think…
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Essentially, The Favourite gives each of its three stars an act to shine. Rachel Weisz gets the first act, Emma Stone the second, Olivia Colman the third. They all appear throughout, but the script’s surprisingly segmented with its narrative perspective. Surprisingly because it means the first-act protagonists (Weisz and Stone) are accessories in the third…
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Stoker’s Dracula collects and then continues Roy Thomas and Dick Giordano’s seventies novel adaptation, which ran in the black and white horror magazines, Dracula Lives! and Legion of Monsters. Thomas and Giordano only did six entries back then, and since they’ve only got one chapter of new material in this issue… they stopped before they…
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And now Shadows on the Grave is doing the very bizarre thing where the subsequent issue does what I said it should do; only it’s years later. In this case, creator Richard Corben does differing page lengths on the horror stories and lets the Greek story be the feature with the most pages. It’s twelve…
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Technically, this issue’s outstanding. Creator Ed Piskor takes Trigger Warnings somewhere unpredictable and incredibly thoroughly realizes it. But as a story, it’s all about the punchline, and it’s a long, long time to get to the punchline, going through an entirely unnecessary flashback to a supporting character. Now, the supporting character’s essential, the comic opens…
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Dollars to sourdough loaves (it’ll make sense), I think this episode of “My Life Is Murder” is the best-plotted mystery of the season. So far, obviously, but I think it’ll go the distance. It’s an outstanding whodunit, plus Lucy Lawless gets to be petty about her baking. The episode opens with Ebony Vagulans and Joseph…
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CBS didn’t air Potato Boy during “American Gothic”’s original run. It started the network shuffling the show order in earnest, presumably to make the show more accessible to new viewers. Since it’s television—network television—they somehow managed to skip a literal onboarding episode. Gary Cole narrates Potato Boy’s first act, clueing the viewers in on the…
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A Fistful of Dollars opens with a long, primarily dialogue-free sequence introducing the star—Clint Eastwood—and the setting, the desolate near-border Mexican town of San Miguel. The sequence introduces the town to Eastwood and Eastwood to the viewer. He quietly watches the goings on, principally Marianne Koch’s family troubles. She’s living in a little house under…
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Well, I remembered the twist ending of Beware the Creeper, but without the problematic, reductive, low-key, passive misogynist, ableist context. For a while, it’s a surprisingly good issue. Writer Jason Hall has finally gotten his bland white guy police detective narration down. Not for the resolution epilogue, of course; there’s nothing to be done with…
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A Fish Called Wanda introduces each of its main characters during the opening titles, cutting from one actor to another, starting with screenwriter John Cleese. He’s a barrister. Then it’s Jamie Lee Curtis; she’s a vivacious American. Then Kevin Kline is a deadly but dim-witted American. Finally, Michael Palin. He loves animals, including his fish…
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If it weren’t for the backup, which pairs writer Gerry Conway with Steve Ditko (penciling, with Dan Adkins inking), this issue would give the impression Conway doesn’t like the Legion. Or, if he does, he thinks their positive traits are being smug asswipes. In addition to the charming, sexy (really) backup story about Bouncing Boy…
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While I had some expectations about Halloween Ends’s plot going in, based on the previous entry, the franchise, and behind-the-scenes scuttlebutt, nothing prepared me for a soft remake of Nightmare on Elm Street II. Halloween Ends is not about Jamie Lee Curtis getting out the butcher knife granddaughter Andi Matichak gave her in the last…
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Clerks III starts as a series of vignettes reintroducing the characters. It’s been fifteen years since the previous entry; since then, spoiler alert, one of them has become a widower, and neither has done anything with their lives. For the first time, Jeff Anderson gets a little more to do than Brian O’Halloran, though only…
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The issue opens with original series protagonist Frank Drake whining about being an unexceptional white man to his extraordinary vampire-hunting girlfriend, Rachel Van Helsing. The only thing the scene is missing is Rachel telling Frank she needs him because no one else will love her with her Dracula-inflicted face scars. It’s a beautiful scene—art-wise—with penciller…
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“She-Hulk” does not end with a second season announcement, which is—possibly reasonably, possibly not—heartbreaking. Especially since the mid-credit sequence erases one of the episode’s “wins.” Because even though “She-Hulk” is a Marvel show in an MCU, the show and its star—Tatiana Maslany (She-Hulk gets significantly less to do this episode)—would rather be a superhero legal…
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Writer Garth Ennis starts distinguishing what makes Dan Dare different this issue as Dan and Digby get underway with their mission to save the galaxy. Or at least the human colonists. Though the humans and some of the alien race, the Treens, live together on some planets. The issue opens with Dan and Digby reunited,…
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It’s a great episode; easily the best of season three. The show takes a big bite into a challenging, oft-avoided subject—Anna Madeley’s character’s estranged son (Edward)—she called the cops on him when he robbed her previous employer. I think these are season one details, then in season two or maybe a Christmas special, the son…
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Initially, this issue feels like newish writer Doug Moench taking Werewolf out and kicking its tires. He brings back Buck Cowan—who hasn’t been around since he was low-key living with seventeen-year-old Lissa Russell—as Jack’s best friend but only for a couple panels. There’s a lengthy flashback to the destruction of the Darkhold, sadly without the…
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It’s impossible to say how Little Woods would play if Lily James weren’t terrible. As is, the film’s a waiting game to see if James will ever have a good scene. Spoiler alert: she doesn’t. She’s so bad I was expecting the production company to be “Lily James Productions.” She lets down writer and director…
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The whole issue doesn’t rest on the action sequences, but it’d still have been nice if penciller Michael Lark had broken them out differently. There’s this very anti-climatic car chase, foot chase, car chase, shoot-out sequence, and it should have been better. Though it also doesn’t matter because it’s just the red herring ending. Scene…
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Legion of Monsters opens with a defensive letter from editor Tony Isabella, responding to the Marvel faithful who were mad at the inglorious cancellation of the other black and white magazines. Isabella explains the books weren’t ever losing money; it’s just not in Marvel’s best interest not to make money. If readers really want black-and-white…
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Last episode, we found out Lucy Lawless’s fashionable curmudgeon (her costumes are phenomenal this season) hated Christmas. This episode, we open with her hating on summer. To cheer her up—after a muted flirtation about being on an ice cream date—copper Rawiri Jobe gives her a case: a bride dying at her own wedding, allergic to…
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Shadows on the Grave #2 is not a bad comic, but it does show how far down I’ll follow creator Richard Corben without batting an eye. Once again, Corbin’s got multiple done-in-ones, then a chapter in his Greek epic. If it weren’t for the Greek epic featuring a cyclops eating a bunch of soldiers, it’d…
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I don’t think I’ve cringed as much during a Red Room since the first issue. Maybe it should’ve come with a Trigger Warning–wokka wokka. But, no, it’s more just the relentlessness of the Red Room footage. Creator Ed Piskor once again splits up the pages; in the top left, he’s got a suicide note from…
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Symbolic Guerilla is my favorite Infinity 8 so far. I’ve read this one before, but not while going through the series, so I couldn’t really compare. Now, I can. It’s for two obvious reasons: protagonist Patty Stardust is the best agent so far, and Martin Trystram’s art is fascinating. Unlike the previous stories, there are…
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It’s not going to seem like it in a few paragraphs, but I am a fan of director Giacchino. Or, more accurately, I am a fan of Giacchino’s directing. Werewolf by Night is easily the most interesting MCU project in the brand’s fourteen years. Most of the credit goes to director Giacchino, who does a…
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