Mike Carey and Peter Gross find a beautiful pace for the first issue of The Highest House. The issue’s full, but never too full–Gross’s pages sometimes have twelve panels, sometimes three, usually eight to ten. A lot of panels, a lot of story. And a lot of exposition.
In some medieval maybe fantasy world, a woman sells her son, Moth, into slavery. He’s off to Highest House, which he doesn’t know much (if anything) about. The guy who buys the slaves is an agent, not royalty. And he might he some kind of wizard (or hypnotist). He bonds with Moth because Moth’s got some perception abilities. Maybe. It’s unclear what they are or even might be.
So there’s the rural village, the trip to the city (with breaks), then the city itself. The palace. It just looks like a city. Anyway. Moth finds himself a roof repairer. He learns all about the tools, in this speedy, thorough page from Gross and Carey. There eighteen panels on the page and lots of text. Because it’s a full book.
Gross’s lines are a little looser than I remember, but he’s got gorgeous composition. And the loose lines usually make the characters emote better.
Carey’s writing is good. It’s interesting, it’s engaging, it’s not too complicated. Lots of panels, lots of text–Highest House could easily overwhelm. Carey doesn’t let it, even when it seems like it may. It’s that pacing. Beauty pacing.
Highest House is off to a strong start.
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