There’s nothing nice to say about Doom Ship’s opening cliffhanger resolution other than it’s short and leads into an energetic fight scene for Frank Coghlan Jr. More than ever, Coghlan’s got the wrong timing for turning into Tom Tyler’s Captain Marvel this chapter. Unlike the times when Coghlan’s been over his head, in Doom Ship he gets to play the hero to good result.
The action quickly moves aboard the titular Doom Ship. The remaining archaeologists discover they need to go back to Thailand and since no one trusts one another, they all head back. They set sail same day. Ocean transport is very convenient, apparently.
The ship sequence is probably the serial’s best lengthy action stuff so far. There’s a storm going and the ship crashes into a reef. Can Coghlan and company get off before it sinks?
Lots of action, lots of tension, lots of good effects. And Louise Currie not just getting to be damsel in distress, but entirely unconscious damsel in distress. Far be it for Doom Ship not to fall into at least one Captain Marvel trope.
The excellent special effects and tight pacing make Doom Ship a fine chapter. Although it does seem to be an aside, an exercise in filmmaking competence, rather than a ambition ramp up for the serial’s finale.
Directed by John English and William Witney; screenplay by Ronald Davidson, Norman S. Hall, Arch Heath, Joseph F. Poland, and Sol Shor, based on the comic book by C.C. Beck and Bill Parker; director of photography, William Nobles; edited by William P. Thompson and Edward Todd; music by Cy Feuer; released by Republic Pictures.
Starring Frank Coghlan Jr. (Billy Batson), Tom Tyler (Captain Marvel), William ‘Billy’ Benedict (Whitey Murphy), Louise Currie (Betty Wallace), Kenne Duncan (Barnett), Robert Strange (John Malcolm), Harry Worth (Prof. Luther Bentley), and John Davidson (Tal Chotali).