For a film called Tarzan and His Mate, Johnny Weissmuller’s Tarzan doesn’t get much to do. He spends the film rescuing Maureen O’Sullivan (which is one of the more frustrating aspects of the film–she doesn’t exhibit any jungle survival skills until the finale) from a variety of animals. These sequences are often exciting, especially since the film doesn’t have any music. It’s just the sound of the jungle battle, expertly cut together by editor Tom Held.
The film opens with Neil Hamilton and Paul Cavanagh as ivory hunters mounting an expedition. Hamilton’s O’Sullivan’s ex, Cavanagh is his blue blood gone poor best friend. Cavanagh’s delightfully scummy, though director Gibbons makes the audience sorry for enjoying it once they meet up with Weissmuller and O’Sullivan.
O’Sullivan’s been living in wild Africa for a year (since the previous film) and she’s left the world of high society and so on. She runs around the jungle in skimpy (but functional) attire and, after spending at least twenty minutes objectifying O’Sullivan (from Cavanagh and Hamilton’s perspective, the film’s actually rather complex in how it presents her), Gibbons is able to get over it to some degree. He and O’Sullivan (and Weissmuller) sell it. Maybe the nude swimming scene just overwhelms enough.
Except then O’Sullivan (and Weissmuller) fall out of the plot and the excellent wildlife effects take over.
Neither the finish (or her scripted helplessness) do justice to O’Sullivan’s performance. Its handling of the extant sexuality, however, is as impressive as its action.
This post is part of the Sex! (now that I have your attention) Blogathon hosted by Steve of Movie Movie Blog Blog.
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