The Stop Button


2 Fast 2 Furious (2003, John Singleton)


At some early point during 2 Fast 2 Furious–probably soon after the first car race, it becomes clear the film has two major influences for director Singleton. First, Star Wars. The car races often feel like Singleton is shooting an X-Wing sequence. Second, dumb white cop/black cop eighties movies. In this one, Paul Walker is serious white cop while Tyrese Gibson is funny black cop.

They’re not actually cops, they’re undercover ex-cons trying to clear their records. It doesn’t matter. For a movie about two childhood friends reconnecting in their adulthood, there’s no character development in 2 Fast. Singleton doesn’t just have superficial banter and car races, there’s Mr. Big too!

Cole Hauser, apparently in make-up as a Cuban-American but playing a German Miami villain (did they change their minds last minute and give him a new name?), is an evil Mr. Big. He tortures people and he menacingly cuts his cigars.

The torture scene is actually rather disturbing. Singleton manages not to take much seriously but even he apparently has limits.

Walker’s not any good, but he’s somewhat likable; his Keanu Reeves impression is improving. And while Gibson struts instead of acts, some of his lines work out well. As the girl, Eva Mendes is harmless. Hauser’s silly, James Remar’s atrocious, but otherwise, the supporting cast is fine.

Except Devon Aoki; she’s bad.

Good photography from Matthew F. Leonetti, bad editing from Bruce Cannon and Dallas Puett.

Decent car races.

Pretty dumb movie.


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