The Stop Button


The Mating Season (1951, Mitchell Leisen)


The Mating Season is an awkward social comedy of errors. I say awkward because to make the plot work, Gene Tierney has to act selfishly every time she’s supposed to be garnering sympathy. Thinking about it now, the film never even resolves her flirtations with the guy out to ruin her husband (and their marriage).

If Tierney’s unsuccessful navigating the film, leading man John Lund doesn’t do much better. His character remains sympathetic throughout (even taking the blame for Tierney’s shortcomings), but Lund can’t bring believability to it. It’s never believable he wouldn’t have punched out his gold digging mother-in-law (Miriam Hopkins, who creates an impressively evil character).

The whole plot of the thing reminds me a little of “Jerry,” the show in a show on “Seinfeld” with the court appointed butler. The writers of Mating Season clearly thought they were on to something, but they can’t pull it off. The plot requires supposedly likable characters to be far too disagreeable far too often.

However, there is a bright spot. Thelma Ritter. Ritter’s wondrous as Lund’s mother (who Tierney, being upper crust, mistakes for a cook). The film’s a disjointed pairing of Ritter’s compelling story and Lund and Tierney’s contrived one.

There are a couple nice supporting performances from Larry Keating and James Lorimer.

Leisen’s direction is uninspired. He seems to understand there’s only so much he can do with the script and relies heavily on a scantily clad Tierney.

It’s definitely worth seeing for Ritter, but it’s a disappointment.


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