Jon Lovitz and Charles Grodin star in LAST RESORT, directed by Zane Buzby for Concorde.

Last Resort (1986, Zane Buzby)

Last Resort is not a bad movie in any traditional way. It’s incompetent to the degree I don’t understand–nor can I imagine–how Charles Grodin ended up starring in it. Julie Corman–Roger’s wife–produced the film and, maybe, her attention to detail is why it looks like the film shot in Southern California for most of its scenes (it’s set on a tropical island). The water shots, however, appear to have been shot a public beach somewhere. While I’m far from an expert on judging film stock from bad DVD transfers… it looks like Last Resort shot on video (maybe better than half-inch, maybe not) and then got transferred over to film. It looks identical to an episode of “WKRP”–no knocks to the mighty ‘KRP, but it is a famous shot-on-video example. It’s Charles Grodin… maybe he made some bad investments or needed a new house, but I can’t imagine they were paying much….

And then the rest of the cast is interesting both in placing the movie’s “artistic” movement. It’s from the writers of Revenge of the Nerds, which–I’m fairly sure–shot on film, but the cast isn’t quite as first-rate as Nerds. While it was interesting to see Brenda Bakke again (Bakke disappeared in the mid-1990s, never recognized for her outstanding performance on “American Gothic”), I mostly noticed Mario Van Peebles. Bakke’s barely in it and it is funny to wonder if Clint Eastwood screened Last Resort when considering Van Peebles for Heartbreak Ridge, but Jon Lovitz and Phil Hartman are in it too. Hartman’s got a lousy restrained role, but Lovitz is actually really funny.

When the movie started, the terrible production quality screamed, but it seemed like a really cheap Charles Grodin vehicle. He had some funny lines, some funny Charles Grodin rants, but then they got to the island and the script stopped making any sense at all. It’s an eighty-four minute movie (the last forty move super fast thank goodness) but I was constantly confused. It’s an exceptional example of incoherent storytelling and general terribleness. It’s the kind of thing “USA Up All Night” played when they ran out of money.

But I do think I’ll read Grodin’s autobiography now, because I need to understand this film… how it was made, how someone got a bank to lend someone else money for this film… I’m perplexed. I mean, I couldn’t turn it off–I had to see it to believe it. It’d have been unimaginable otherwise. It’s a unicorn or something.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Zane Buzby; written by Steve Zacharias and Jeff Buhai; directors of photography, Stephen Katz and Alex Nepomniaschy; edited by Gregory Scherick; music by Steve Nelson and Thom Sharp; produced by Julie Corman; released by Concorde.

Starring Charles Grodin (George Lollar), Robin Pearson Rose (Sheila Lollar), John Ashton (Phil Cocoran), Megan Mullally (Jessica Lollar), Christopher Ames (Brad Lollar), Scott Nemes (Bobby Lollar), Mario Van Peebles (Pino), Jon Lovitz (Bartender), Phil Hartman (Jean-Michel), David Mirkin (Walter Ambrose) and Brenda Bakke (Veroneeka).


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