Tag: Will Eisner

  • The Spirit (April 6, 1941) “Introducing Scarlett Brown”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) If you want to explore the peculiarities of Spirit’s characterization and visualization of Ebony White, Introducing Scarlett Brown is probably the most fodder the strip’s seen to date. Ebony, of course, is the Spirit’s only confidant, best friend, assistant investigator, and occasional savior.…

  • The Spirit (March 30, 1941) “Captured by the Underworld”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The title gives everything away in this strip: the Central City underworld teams up (principally three gangsters) and successfully captures the Spirit. Not a particularly difficult feat, it turns out. They give Spirit some bad intel, and he walks right into a trap.…

  • The Spirit (March 23, 1941) “Dipsy Dooble”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The Dolans—both Commissioner and Ellen—are back this strip after a few weeks off. The Commissioner’s sick of Ellen just going to teas or dances; it’s high time she settles down with a husband or gets herself a job. Ellen’s already ahead of Dolan…

  • The Spirit (March 16, 1941) “Introducing Silk Satin”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Satin is an incredible strip. It’s a mostly action strip, with three master thieves planning a team-up heist in Central City. They’re all displaced from Europe: Cedric’s British, Anton’s French, and Satin’s… Satin. They’ve also got an American sidekick monikered “Asphalt,” who doesn’t…

  • The Spirit (March 9, 1941) “Toy Planes”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Spirit and Ebony are on the job for the G-men, trying to crack a spy ring planning on destroying munitions factories with “robot planes.” The robot planes, as the Spirit will later explain, are really aerial torpedoes. The villains launch them from Europe…

  • The Spirit (March 2, 1941) “Dead Duck Dolan”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Argos is a singular Spirit strip. Not because of its formal artistic qualities, which are strong in places, particularly in the establishing shots, and altogether perfectly fine. Rather, its content and connotations. The strip’s about a regular Joe who encounters a space alien…

  • The Spirit (February 23, 1941) “Invasion from Argos”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Argos is a singular Spirit strip. Not because of its formal artistic qualities, which are strong in places, particularly in the establishing shots, and altogether perfectly fine. Rather, its content and connotations. The strip’s about a regular Joe who encounters a space alien…

  • The Spirit (February 16, 1941) “Radio Station WLXK”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) WLXK is a beautifully plotted strip, with lots happening in a very short amount of time. A rather unlikely amount of time, actually, but considering part of the plot has kids listening to the Spirit kick ass on the radio and cheering along……

  • The Spirit (February 9, 1941) “The Substitute Spirits”

    A week has passed since last strip, and the Spirit still hasn’t let Commissioner Dolan know he’s alive. Ebony points out he’s being unkind to a friend, and Spirit’s surprised to realize he’s got affection for Dolan. Now, despite Dolan constantly trying to pull one over on Spirit, Dolan’s always concerned for him. They’ve been…

  • The Spirit (February 2, 1941) “Davy Jones’ Locker”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Davy Jones’ Locker is a straightforward strip, but only because Eisner doesn’t allow it to get bogged down. There’s plenty of potential for it to drift, and Eisner doesn’t want any of it; any tangents would affect the verisimilitude. The strip opens with…

  • The Spirit (January 26, 1941) “The Conquistadores”

    The strip takes place in Mexico, where the Spirit foils an attempt by some treasonous Mexican army folks to side with foreign powers to overthrow the government. The foreign powers are presumably German, but Eisner’s still not being specific. But Spirit doesn’t show up until page three, with the strip opening instead on a young…

  • The Spirit (January 19, 1941) “Pancho de Bool and Peppi Tamale”

    Eisner wastes no time getting this strip started—the first panel has Commissioner Dolan asking daughter Ellen what ever happened with her former beau, Homer Creep (né Creap). She hasn’t seen him since he was last in the strip, getting some loving attention from a nurse after Ellen threw him over for the Spirit; she never…

  • The Spirit (January 12, 1941) “The Silk District Beat”

    The strip’s a simple outing—Spirit helps young copper Dan Gorman, who runs afoul of the hoods on his new beat. There’s a great action sequence with the Spirit and Dan knocking heads; lots of great movement. Otherwise, the most interesting thing about Silk District is how little the Spirit’s in it. He’s around a bit…

  • The Spirit (January 5, 1941) “The Black Bow”

    Eisner and studio start the new year one big change for the strip—The Spirit now takes place in “Central City,” and has always done so. Then there’s also the approach to the war in Europe; Eisner’s still not using the proper nouns, but this strip’s all about the influx of European refugees fleeing from the…

  • The Spirit (December 29, 1940) “The Leader”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The Spirit gets his first mission as a special government agent: identifying enemy powers’ fuel depots on the Mexican coastline. The military doesn’t want to let the Mexican government know about it because then they’d want to investigate and they don’t want to…

  • The Spirit (December 22, 1940) “Christmas Spirit of 1940: Black Henry and Simple Simon”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) For Christmas, the strip does a story without the Spirit. He shows up in the bookends; at the beginning—with some lovely art—Spirit and Ebony discuss Christmas plans. Ebony had been expecting Spirit to go after some known crooks, but instead, Spirit’s going to…

  • The Spirit (December 15, 1940) “Slim Pickens”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) This strip’s an incredibly (and intentionally) didactic tale. A young prisoner is about to be paroled and plans on joining the Slim Pickens gang. But just before his parole, wouldn’t you know it, he’s got a new cellmate… Slim Pickens. Pickens regrets his…

  • The Spirit (December 8, 1940) “The Haunted House”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) For a relatively simple strip—the Spirit and Ebony go to investigate a supposedly haunted house—there’s a lot of exposition involved. We get a history of the haunted house—owned by a guy who has disappeared, the bank is about to foreclose, and it’ll go…

  • The Spirit (December 1, 1940) “Girls’ Dorm”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The splash page has Spirit with Ellen over his knee, giving her a spanking for some reason. That reason? Only the Spirit knows. Anyway. The strip itself has Ellen luring the Spirit up to her college so she can make him take her…

  • The Spirit (November 24, 1940) “The Kidnapping of Ebony”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) It’s an all-action strip, opening with a thug on the run from the Spirit, desperately clamoring to be let into the hideout. Moments later, the Spirit breaks through the door. The thugs have kidnapped Ebony in order to lure the Spirit away from…

  • The Spirit (November 17, 1940) “Dr. Prince Von Kalm”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) It’s another political intrigue strip, with a European writer arriving in the U.S. after escaping growing fascism in his country. He’s immediately confronted by secret police from his country, who taunt him with the news they’ve captured his daughter and will execute her…

  • The Spirit (November 10, 1940) “The Kiss of Death”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The Black Queen’s back again, this time fully in her supervillain period, wearing a skimpy outfit and a cape. Far cry from when she was a “notorious female mouthpiece.” But also a far cry from her scheming in the shadows to take over…

  • The Spirit (November 3, 1940) “The Manly Art of Self Defense”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The splash page is Ellen Dolan with a black eye, reading The Manly Art of Self Defense. Given Ellen’s last appearance in the strip, it’s a sensational and not unconcerning opener. But it’ll all work out, with Self Defense possibly the best Spirit…

  • The Spirit (October 27, 1940) “Conscription Bill Signed”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) It’s a good thing Spirit cleared his name since he needs Dolan’s official recommendation this strip. FDR has just signed the Selective Training and Service Act—a peacetime draft—and, being a good jingoist, the Spirit wants to sign up. He’s got some conditions, however.…

  • The Spirit (October 20, 1940) “Ogre Goran”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) It’s another slighter strip, with the Spirit rescuing a damsel in distress from her ex (the titular Ogre Goran), a psychopath who’s just escaped prison. The opening is the prison break and it’s relatively solid business. The line work is wanting this strip,…

  • The Spirit (October 13, 1940) “The Spirit! Who Is He?”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The splash page for this strip is a newspaper article about the Daily Press declaring its mission to uncover the Spirit’s identity. The article gives a rundown of (some of) the strip so far, including the Spirit being wanted for murder. That murder…

  • The Spirit (October 6, 1940) “The Mastermind Strikes”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The Spirit tries—very gently—a “whodunit,” with the reader getting as much information as Spirit or the cops; more, actually. The whodunit aspect seems half-baked, similar to the rest of the strip. While The Mastermind avoids any of Spirit’s problematic pitfalls, it’s also barely…

  • The Spirit (September 29, 1940) “Oriental Agents”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Despite the (already) ominous title, Oriental Agents’ main cringe-factor doesn’t involve the titular spies. Instead, wow, does The Spirit think very little of Ellen Dolan, and in general, the female of the species. The strip begins with Ellen dumping Homer Creep (née Creap)…

  • The Spirit (September 22, 1940) “Gang Warfare”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The entire strip seems to be just a way to do a panel of Spirit with a Tommy gun taking out the mob. It’s a striking visual, and the strip itself is solid, but Gang Warfare is more like Gang Meddling. The strip…

  • The Spirit (September 15, 1940) “Ebony’s X-Ray Eyes”

    Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Ebony’s X-Ray Eyes show the problem with caricature, racist and otherwise. At the start of the strip, Ebony gets some of the Spirit’s x-ray juice in his eyes and can see through things. He quickly happens across some crooks who’ve decided to go…