Twister tries very hard to be avant-garde, but ends up just being a quirky family comedy. Worse, director Almereyda changes up the narrative style about fifty minutes into the film. Although Twister is based on a novel, Almereyda’s style is more appropriate for stage. The first half or more takes place on one set–Harry Dean Stanton and family’s house–with very long scenes. One can imagine, for long while, Twister on stage.
And Almereyda gives his actors a lot of leeway. Sadly, Crispin Glover uses that leeway to do his persona thing; his scenes are often exasperating. More detrimentally, Suzy Amis doesn’t create a character–some of the fault belongs to Almereyda, whether the script or the direction–but it’s mostly Amis’s fault. Watching Amis and Glover opposite the rest of the cast is often painful. The disconnect is visible.
Almereyda opens up the film in the last third and makes it into that quirky family comedy. He drains the life out of the film, which was at least an interesting project before.
Still, Stanton is fantastic, as are Charlayne Woodard, Dylan McDermott and, especially, Lois Chiles.
The narrative’s big problem is having two entries into the family. McDermott returns, one entry, then Chiles moves in, another. It’s like Almereyda wasn’t paying enough attention to notice.
As Amis and McDermott’s daughter, Lindsay Christman is quite good. Jenny Wright is okay, until she starts doing a Glover impression.
Great Tim Robbins cameo too.
Twister‘s aggravating, but still somewhat interesting.
Directed by Michael Almereyda; screenplay by Almereyda, based on a novel by Mary Robison; director of photography, Renato Berta; edited by Roberto Silvi; music by Hans Zimmer; production designer, David Wasco; produced by Wieland Schulz-Keil; released by Vestron Pictures.
Starring Dylan McDermott (Chris), Suzy Amis (Maureen), Crispin Glover (Howdy), Lindsay Christman (Violet), Charlayne Woodard (Lola), Harry Dean Stanton (Eugene), Lois Chiles (Virginia), Jenny Wright (Stephanie) and Tim Robbins (Jeff).