Tag Archives: Noomi Rapace

The Girl with the Dragon Tattoo (2009, Niels Arden Oplev), the extended edition

There’s enough story for three really good movies in The Girl with the Dragon Tattoo, maybe even four. The film opens with two of them, a good, old fashioned journalism movie, and then the very serious experiences of Noomi Rapace. There’s some crossover, but it’s all contrived.

Then the film blossoms and has two more plots, one feeding into the other. First of these new plots is practically a Raymond Chandler story of a detective–sorry, investigative reporter (played by Michael Nyqvist)–investigating an old crime. The second plot is a serial killer one.

The tone changes throughout, with Rapace’s harrowing experiences being extremely disquieting, while the journalism thread is light and airy and the old crime investigation somewhat light too. There’s Sven-Bertil Taube as this old man trying to discover the truth. It’s light. Taube’s lovable.

The threads fail to synthesize, maybe because protagonist Nyqvist doesn’t have a character. Rapace’s character’s backstory is hidden (to have dramatic payoff later), but it’s obvious she has one. Nyqvist gets a couple mentions, but there’s nothing to the character.

Director Oplev is okay. He doesn’t compose particularly well, but he never sells Rapace’s character short. Her storyline, no matter how silly, is always handled with great care. Even when it’s an obvious or predictable scene.

Dragon Tattoo is definitely captivating. The two mysteries are compelling–the newspaper story ends terribly, in an inept montage–and Rapace’s story is devastating.

But Dragon Tattoo‘s a melodrama. Its entire purpose is to be devastating.



Directed by Niels Arden Oplev; screenplay by Nikolaj Arcel and Rasmus Heisterberg, based on the novel by Stieg Larsson; director of photography, Eric Kress; edited by Anne Østerud; music by Jacob Groth; production designer, Niels Sejer; produced by Søren Stærmose; released by Nordisk Film.

Starring Michael Nyqvist (Mikael Blomkvist), Noomi Rapace (Lisbeth Salander), Lena Endre (Erika Berger), Sven-Bertil Taube (Henrik Vanger), Peter Haber (Martin Vanger), Peter Andersson (Nils Bjurman), Marika Lagercrantz (Cecilia Vanger), Ingvar Hirdwall (Dirch Frode), Björn Granath (Gustav Morell), Ewa Fröling (Harriet Vanger), Michalis Koutsogiannakis (Dragan Armanskij), Annika Hallin (Annika Giannini), Sofia Ledarp (Malin Eriksson), Gunnel Lindblom (Isabella Vanger), Gösta Bredefeldt (Harald Vanger), Stefan Sauk (Hans-Erik Wennerström), Jacob Ericksson (Christer Malm) and Tomas Köhler (‘Plague’).



Prometheus (2012, Ridley Scott)

Given its $120 million price tag, one might think Prometheus would have a script above Internet fan fiction. It does not. Director Scott is more than happy to run with a dumb script–which often forgets subplots and story threads, not to mention is full of pointless action scenes. Prometheus tries very hard to be smart; it fails miserably. It’s also really boring for a two hour sci-fi action movie.

A lot of its stupidity is forgivable. What isn’t particularly forgivable is how Scott, after distancing the project from Alien in the press, has all sorts of eye roll inducing Alien references in it. He does have quite a few really smart 2001 homages, however. His mishandling of the film is bewildering.

For example, most of his casting is fantastic. Michael Fassbender is amazing as the android; he’s kind of bad (an unoriginal development), but still sympathetic. That sympathy’s partially due to his primary antagonist–one of the film’s protagonists, Logan Marshall-Green–giving a laughably atrocious performance. Marshall-Green is the only weak actor. Top-billed Noomi Rapace barely makes an impression thanks to Scott’s inexplicable emphasis on Marshall-Green.

In major supporting roles, Idris Elba and Charlize Theron are excellent. The rest of the large cast make little impression; Scott can’t handle them.

Dariusz Wolski’s photography is lovely, the special effects are great, Marc Streitenfeld’s music is solid.

Scott decided instead of shooting for a good Alien prequel, Prometheus should be pretentious and stupid. Bully for him.



Directed by Ridley Scott; written by Jon Spaihts and Damon Lindelof; director of photography, Dariusz Wolski; edited by Pietro Scalia; music by Marc Streitenfeld; production designer, Arthur Max; produced by David Giler, Walter Hill and Scott; released by 20th Century Fox.

Starring Noomi Rapace (Elizabeth Shaw), Michael Fassbender (David), Logan Marshall-Green (Charlie Holloway), Charlize Theron (Meredith Vickers), Idris Elba (Janek), Sean Harris (Fifield), Rafe Spall (Millburn), Emun Elliott (Chance), Benedict Wong (Ravel) and Guy Pearce (Peter Weyland).