Tag: Joe Morton

  • Lone Star (1996, John Sayles)

    Lone Star is Texas Gothic. There’s nowhere else the story plays the same way except a border town, at no time other than when it does; it’s all about the sins of the mothers and fathers playing out. Actual sins, imagined sins, hidden sins. It’s about heroes and villains and how they’re the same thing.…

  • The Brother from Another Planet (1984, John Sayles)

    Despite being about an alien who crash lands on Earth and finds himself stranded in New York City, The Brother from Another Planet takes its time getting to being a fish out of water story. Even when it does, it’s more like a fish being carefully transported in a cup of water to maybe some…

  • Terminator 2: Judgment Day (1991, James Cameron)

    Director James Cameron opens Terminator 2: Judgment Day with a couple things the audience has to think about when watching the film and isn’t going to see or hear again for a while, so they need to have it in mind to recall it later. Because Terminator 2 is an amazing kind of sequel to…

  • Home (2013, Jono Oliver)

    Home is never inspiring or sentimental. Writer-director Oliver lets sentimentality graze the film graze once–and it’s a film about sympathetic mental patients reintegrating so it’s amazing he was able to get away with a sidewalk picnic without sentimentality–but the realities of the characters quickly reign in any loose tender particles. The film concerns Gbenga Akinnagbe…

  • Blues Brothers 2000 (1998, John Landis)

    I found something good to say about Blues Brothers 2000. The end credits are seven minutes. The only good thing about this movie is it ending any sooner. 2000 is truly one of the worst movies I’ve ever seen, particularly because it’s not even amusing in its badness. If it was amusingly bad, it would…

  • Paycheck (2003, John Woo)

    Didn’t John Woo used to have a style? I mean, I know he had birds and he had the guns pointed at each other, but didn’t he have some style? He’s got no style in Paycheck, which ends up being one of the best movies John Badham never made. It’s a complete time waster, the…

  • Between the Lines (1977, Joan Micklin Silver)

    Meandering comedy about the lives and times of the staff of a Boston alternative newspaper. Director Micklin Silver gets a lot of raw, “real” moments but it usually feels like a “very special [and serious] episode” sitcom episode. Some good performances from the recognizable cast help–Jill Eikenberry’s great, Jeff Goldblum’s funny, and how can you…

  • City of Hope (1991, John Sayles)

    City of Hope is a raw John Sayles John Sayles movie. The camera follows the characters until it bumps into other characters, which is a simple, straightforward method, both a little more honest but also a little more amateurish. It introduces a gimmick into the film, which rarely does anything any good. It isn’t always…