Mouse and Garden has some bad animation… shockingly bad. The cartoon’s about Sylvester and his sidekick, Sam, fighting over a mouse. The animation on Sam (an orange cat) and the mouse is awful. Freleng apparently didn’t care about appearing three dimensional.
Actually, a lot of the gags work in two dimensions, as does most of Freleng’s composition. Garden is a bore to watch.
Sylvester looks a little better, like the animators had good reference materials. Not so for the annoying Sam–the character’s weak and a terrible pair for Sylvester.
Maybe if the mouse had any personality the cartoon might work better, but Freleng sort of ignores it until the final gag. Gag might be too strong a word to describe it. Final attempt at humor.
Mel Blanc’s characterization of Sylvester is so strong it’s hard to dislike Garden entirely, but there’s nothing else good about the cartoon at all.
Directed by Friz Freleng; animated by Gerry Chiniquy, Arthur Davis and Virgil Ross; music by Milt Franklyn; edited by Treg Brown; produced by John W. Burton; released by Warner Bros.
Starring Mel Blanc (Sylvester) and Daws Butler (Sam).
I feel like By Word of Mouse should be better. It turns out it’s a Sylvester cartoon–not without good gags–but the concept deserves more.
A German mouse heads to the U.S. to visit a relation; free market capitalism–well, American consumerism, wows him and the two cousins find a professor (also a mouse) to explain it all. The explanations for the viewer too, of course.
But this cartoon takes place in the fifties and it’s unclear if the German mouse is from the West or East (presumably West). German just doesn’t seem the right nationality for the concept to work.
Freleng’s direction is good, the style is charming, and the economics lesson is just right for a younger audience.
Still, Word doesn’t really have an ending… Sylvester ruins the mouse’s trip and he heads back. Or maybe has other adventures, it’s unclear.
It’s likable, but completely doldrum.
Directed by Friz Freleng; written by Warren Foster; animated by Ted Bonnicksen, Gerry Chiniquy, Arthur Davis and Ben Washam; edited by Treg Brown; music by Milt Franklyn; produced by Edward Selzer; released by Warner Bros.
Starring Mel Blanc (Sylvester / Hans / Uncle / Aunt / Elevator Operator / Mice Children).
Once again, the boys at Warner Bros. have some problems with basic gender realities. Not only does Daffy Duck lay eggs (something he strongly infers in Golden Yeggs without getting graphic), neither do ganders.
That incredible plot problem aside, Yeggs is a lot of fun. It starts on Porky Pig’s farm with a gander laying a golden egg. The gander blames it on Daffy, who ends up kidnapped by the mob.
What’s so fun about Yeggs is the lack of gags. There’s a lot of story with a relatively long present action as Daffy gets kidnapped and barters with the mobsters. Then the finish, with the chases and the gags, takes place over five minutes.
The animation is fluid and enthusiastic, even if it’s a little lazy in terms of detail. Actually, Porky and the farm are weak, the mob and the city are strong.
Freleng does a great job.
Directed by Friz Freleng; written by Tedd Pierce; animated by Ken Champin, Gerry Chiniquy, Arthur Davis, Emery Hawkins and Virgil Ross; edited by Treg Brown; music by Carl W. Stalling; produced by Edward Selzer; released by Warner Bros.
Starring Mel Blanc (Daffy Duck / Porky Pig / Rocky / Nick / Hotel Employee / Chickens).