Tag: Andy Serkis

  • Luther: The Fallen Sun (2023, Jamie Payne)

    “Luther” show creator and Luther: The Fallen Sun writer Neil Cross started talking about him and Idris Elba doing a Luther movie for at least a decade before Fallen Sun. Like everyone else, Cross assumed the singularly charming, extraordinarily talented Elba would be too busy being a movie star to do another “Luther” TV series.…

  • The Batman (2022, Matt Reeves)

    The first rule of the The Batman is the most interesting thing about Batman is Batman, so new Batman Robert Pattinson spends his time in the costume, with only a handful of scenes moping around as Bruce Wayne. The second rule of The Batman is “show, don’t tell,” which is strange since the third is…

  • What If…? (2021) s01e06 – What If… Killmonger Rescued Tony Stark?

    What is it with this show’s abject inability to land the foreboding epilogue? This episode is another series highlight—not just in terms of voice acting, but also budget (they don’t skimp on any of it, including a big battle scene in Wakanda)—but they somehow miss the most obvious ramifications of the change. The episode’s all…

  • Burke & Hare (2010, John Landis)

    I don’t know how Landis could have a more indistinct return to feature directing than Burke & Hare. The film manages to be completely professional in all aspects–though the use of The Proclaimer’s “I’m Gonna Be (500 Miles),” so well identified with Benny & Joon, is questionable. There are occasional Landis touches, but nothing really…

  • The Prestige (2006, Christopher Nolan)

    Oh, good grief. The Prestige is in IMDb’s top 250 movies? It’s so bad, I’m actually going to say something nice about Christopher Nolan in a second here. I’ve never heard of source novelist Christopher Priest and no one I know has ever mentioned him to me, so I’m guessing he’s pretty godawful, which probably…

  • Flushed Away (2006, David Bowers and Sam Fell)

    There’s something a bit off about Flushed Away. There’s some lazy storytelling, but I can forgive it since the rats aren’t physiologically accurate anyway and it is really enjoyable to watch–no, it’s something a lot more base. It’s obvious no one really cares. Aardman productions used to have passion by default–they were stop-motion and stop-motion…