Tag: Alan Tudyk
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I remember opining “Doom Patrol” might give Matt Bomer a great part, but it was the pilot (I think) and they managed to simultaneously ignore his character development while also doing the peculiar flashbacks to the 1950s and Bomer’s closeted affair with Kyle Clements. Then it got better a few episodes ago, then Bomer took…
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Does Matt Bomer get an episode with the electric demon next or what, because he’s really left out of this one, which is the secret origin of Timothy Dalton—including explaining, or at least implying, why he looks so good for one hundred and fifty plus years old. No explanation for Diane Guerrero still but doesn’t…
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Holy shit, they didn’t get a female writer for this episode. Holy shit. Marcus Dalzine. Holy shit. I thought it was…. Wow. Okay. So this episode is about Brendan Fraser—guest starring in person and turning out to not be anywhere near as occasionally amusing in person as when he’s voicing and they’re filtering his voice—but…
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I just ran a find on this episode’s cast list because I couldn’t remember who did the voice of the new character, Danny the Street. Only to remember Danny only ever talks in text messages. Not, like, SMS messages, but text they’re able to arrange on the… well, not on the street because they’re the…
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For “Doom Patrol,” there’s before Therapy Patrol and after Therapy Patrol. It doesn’t just have an exceptional reveal at the end, which informs the entire episode–Therapy is fragmented, following each character as they prepare for a morning’s team briefing—and the reveal doesn’t just explain the whole thing, director Rob Hardy and writer Neil Reynolds manage…
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I failed to appreciate how nice it was to have Diane Guerrero not playing her regular character, Jane. Or Hammerhead. Hammerhead is the tough one. Guerrero’s not good at either of them. She’s also not good as the Babydoll one. She’s good as the blue-eyed one, nothing else. Especially not when everyone else in “Doom…
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Is Diane Guerrero’s core identity—“Doctor Harrison,” who’s got ice-blue eyes like she’s from the “Star Trek: TOS” Shatner pilot or maybe someone in X-Men—supposed to be the far and away best performance Guerrero gives on the show or is it unintentional? But also the best character for her to play? Because Dr. Harrison doesn’t play…
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No way, Willoughby Kipling (Mark Sheppard) is a real comic book “Doom Patrol” character. Is he a desperate Constantine rip-off in the comic or just in the show? I seriously thought they had to really quick come up with a character when they couldn’t make the Constantine cameo work. Like I thought it was seriously…
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Try as it might, this episode doesn’t lose all the second episode gains over the pilot. It does seemingly revolt against them—facing off team mom April Bowlby with serious superhero Joivan Wade but have it be all about how she’s just too negative and, like, needs to get with the team spirit stuff. Maybe do…
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So presumably someone at Warner Bros. watched the “Doom Patrol” pilot and thought it lacked a certain something. Whoever realized what it needed was Jovian Wade’s Cyborg deserves a bonus. Who even thought to ask if the character was available given the Justice League movie. And it’s not like Wade’s great—he’s fine and amiable—or even…
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Alan Tudyk is “Doom Patrol”’s red herring. So far, anyway. He’s in the prologue, which has him getting powers from a Nazi scientist in the forties, and then he narrates. There’s always narration. Some of it’s good, some of it’s bad. When it’s good, when Tudyk’s not being to snide, it nears Jean Shepherd. When…
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Sadly, the Writers Guild of America does not publish their arbitrations for writing credits, because the one on Rogue One has got to be a doozy; I desperately want to know how they go to this script. Did it actually start as a video game or did director Edwards really have no idea how to…
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Ah, the socially responsible children’s movie, or: the progressive soulless capitalism of the Walt Disney Corporation, twenty-first century iteration. I went into Zootopia waiting for it to be great–I assumed the filmmakers would take responsibility for the big questions they imply–then I waited for it to be good, then I waited for it to be…
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Justice League: War raises the “interesting” question of whether or not superheroes are any fun to watch when they’re vain, selfish bullies. It sort of leaves the answer unresolved, though it’s definitely a lot more entertaining when Alan Tudyk’s Superman leaves for a while. Tudyk’s performance isn’t any good but it’s probably not his fault.…
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I’ve always found A Knight’s Tale’s lack of popular (or critical) success surprising. Besides the obvious–Heath Ledger when he was still doing the young Mel Gibson thing, only mixed with a more mature Gibson’s consciousness of his charm–it’s absolutely hilarious. Helgeland had a problematic relationship with Gibson, but certainly knew how to write for him…
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Another remake where they credit the original screenwriter as a contributing writer in order not to call it a remake. Halsted Welles wrote the original 3:10 to Yuma’s screenplay… not sure why Mangold and the producers thought Michael Brandt and Derek Haas, writers of some vapid action movies, would match him. I assume Brandt and…
The Stop Button 