The Stop Button
blogging by Andrew Wickliffe
Category: 1950
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Young Man with a Horn has a third act problem. It’s got too many of them as it tries to find a way not to end on a down note. As a result, each third act gets more depressing, more dire, and correspondingly adjusts the expected bounce-back. But Horn’s got a bookending device with co-star…
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Given its problems, The Capture’s better than it should be. It’s also never quite as good as it could be—director Sturges starts doing a fantastic chase scene in the third act, but then it quickly peters out, which is too bad because the third act needs something. But the film manages to overcome its weird…
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All About Eve is incredibly ambitious work from writer and director Mankiewicz. From the first scene, from the epic Alfred Newman score over the opening titles (which are just the standard late forties, early fifties Fox title cards), it’s clear All About Eve is going for something. But it takes over an hour to even…
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We don’t see John Dall court Peggy Cummins in Gun Crazy. We get to see them meet cute when Dall—back home after the Army (and reform school before the service)—and his pals go to carnival and see Cummins’s shootist act. Dall was in reform school for breaking into a store to steal a pistol and…
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What’s so frustrating about Champagne for Caesar is how little the film really would’ve need to do to be a success. It just needed a rewrite. Someone to come in and fix Hans Jacoby and Frederick Brady’s script, which is usually fine but they really can’t figure out what to do with Celeste Holm. And…
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Overall disappointing noir about down-on-his-luck screenwriter Humphrey Bogart getting his mojo back thanks to fetching neighbor Gloria Grahame taking an interest. Unfortunately they’ve just met because Bogart’s a murder suspect and, despite falling for him, Grahame isn’t exactly sure he didn’t do it. The leads are far better than the script, just never at the…
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Lyle Talbot is the best thing about Atom Man vs. Superman. Overall, he might even give the best performance–he flubs some material, but it’s better material than his only serious competitor, Noel Neill, ever gets. There aren’t great performances in Atom Man vs. Superman. The serial wouldn’t know what to do with them. Talbot is…
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There’s more Lyle Talbot dealing with bad employees than anything approaching universe-saving in Superman Saves the Universe. There’s another earthquake sequence, with Kirk Alyn actually on a disaster set saving people, but it’s midway through the chapter and the finale doesn’t top that sequence. Talbot has decided to destroy the planet Earth from his space…
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There’s more Lyle Talbot dealing with bad employees than anything approaching universe-saving in Superman Saves the Universe. There’s another earthquake sequence, with Kirk Alyn actually on a disaster set saving people, but it’s midway through the chapter and the finale doesn’t top that sequence. Talbot has decided to destroy the planet Earth from his space…
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Rocket of Vengeance is all filler. It opens with Kirk Alyn and Noel Neill trying to find Lyle Talbot’s base. Talbot’s trying to stop the intruding cops and reporters–though he never attacks the (off-screen) coppers–with his various bits of technological terror. One such terror hits Alyn and Neill’s airplane…. After the resolution, which is just…
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All throughout Atom Man’s Flying Saucers, I was waiting for the flying saucers. Why would Atom Man–Lex Luthor (Lyle Talbot)–have flying saucers? Because, as Talbot explains at one point, the final phase of his plan is to go up in his spaceship and attack Earth. He’ll be taking some of his goons with him on…
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Most of Atom Man Strikes! is Noel Neill’s. After an awesome cliffhanger resolution–awesome in terms of the Superman special effects (easily the best in the serial thus far)–Neill starts secretly investigating her coworkers. Kirk Alyn finds the secret compartment in the TV van, where the bad guys spy on everyone and get safe combinations. Because…
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Most of Atom Man Strikes! is Noel Neill’s. After an awesome cliffhanger resolution–awesome in terms of the Superman special effects (easily the best in the serial thus far)–Neill starts secretly investigating her coworkers. Kirk Alyn finds the secret compartment in the TV van, where the bad guys spy on everyone and get safe combinations. Because…
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About the last third of Luthor’s Strategy is Superman trying to save people during a big flood. The sequence is a mix of composite shots, flying shots, newsreel footage of actual floods, and then some connective shots. Kirk Alyn and Noel Neill, separately, driving to the flood location. They just happen to be in an…
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About the last third of Luthor’s Strategy is Superman trying to save people during a big flood. The sequence is a mix of composite shots, flying shots, newsreel footage of actual floods, and then some connective shots. Kirk Alyn and Noel Neill, separately, driving to the flood location. They just happen to be in an…
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Atom Man’s Heat Ray does not feature a heat ray. Unless it’s the machine Luthor (Lyle Talbot) uses the pump smoke into the room where he’s trapped Noel Neill, Kirk Alyn, and Tommy Bond. Now, it turns out Neill is only working for Talbot’s TV station to get the goods on him for Superman (and…
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Atom Man’s Heat Ray does not feature a heat ray. Unless it’s the machine Luthor (Lyle Talbot) uses the pump smoke into the room where he’s trapped Noel Neill, Kirk Alyn, and Tommy Bond. Now, it turns out Neill is only working for Talbot’s TV station to get the goods on him for Superman (and…
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There’s a lot going on in Superman Crashes Through, starting with some power company guys beating up on the Atom Man’s thugs. The power company guys are out on a call about an explosion in the cave base. But when the cops get there (again), it’s empty (again). It seems like another of the serial’s…
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Maybe I was wrong about the desk swapping in the earlier chapters. Into the Empty Doom! is mostly a Daily Planet chapter–mostly Noel Neill’s chapter too–and she looks very comfortable at the desk I was sure used to be Kirk Alyn’s. Both Clark Kent and Superman have disappeared–though Superman pops up occasionally as an immaterial…
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At the Mercy of Atom Man! has one of the serial’s laziest cliffhanger resolutions so far. And Atom Man vs. Superman, now seven chapters in, has had some really lazy resolutions. This one has the added bonus of Kirk Alyn not using his superspeed to catch the bad guy. Because of course not. Later it…
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The third act of Sunset Boulevard just gets darker and darker. The film digs down into one level, then finds another, then another, then maybe even another. Director Wilder and co-writers Charles Brackett and D.M. Marshman Jr. find a way to fully condemn the film’s setting–Hollywood, with Paramount Pictures (Sunset’s producer) being the generalized stand-in–while…
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Wait a minute, why does Lex Luthor (Lyle Talbot) still have a secret base? The cops found it last chapter and Talbot and company had cleared out. Does he keep remaking the same evil laboratory in a different cave? Atom Man’s Challenge does not answer this question. Sadly, I don’t think it’ll ever be addressed.…
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Wait a minute, why does Lex Luthor (Lyle Talbot) still have a secret base? The cops found it last chapter and Talbot and company had cleared out. Does he keep remaking the same evil laboratory in a different cave? Atom Man’s Challenge does not answer this question. Sadly, I don’t think it’ll ever be addressed.…
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Atom Man Tricks Superman disappoints in just about every possible way. It doesn’t have a good cliffhanger resolution–it might even be a cheat from the footage shown last chapter–and no one is at all surprised Kirk Alyn didn’t vaporize. Well, almost no one. Noel Neill is surprised until Alyn gives her his lame explanation. But…
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Atom Man Tricks Superman disappoints in just about every possible way. It doesn’t have a good cliffhanger resolution–it might even be a cheat from the footage shown last chapter–and no one is at all surprised Kirk Alyn didn’t vaporize. Well, almost no one. Noel Neill is surprised until Alyn gives her his lame explanation. But…
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Superman Meets Atom Man! has what ought to be a big scene–Lyle Talbot’s Lex Luthor (in his Atom Man disguise) vanquishing Kirk Alyn to oblivion. Only it’s not a big scene, not even in the moment. Obviously Superman’s not going to be vanquished in the fourth chapter, but still. They could have at least tried…
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Ablaze in the Sky! has got a bunch of action. Kirk Alyn is in his tights for some of it, but not all of it. Not even most of it. Instead, he gets to duke it out–twice–as Clark Kent. Alyn’s willingness to put himself in danger makes Noel Neill’s accusations of cowardice incongruous. Especially since…
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Atom Man, complete with his sparkling bucket helmet, does indeed appear in Atom Man Appears!. He and his goons kidnap Tommy Bond (pretty much by accident) and Atom Man gives Bond a villain speech before sending him back to the Daily Planet. The Daily Planet where boss Pierre Watkin doesn’t believe Bond’s story–or he believes…
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Atom Man, complete with his sparkling bucket helmet, does indeed appear in Atom Man Appears!. He and his goons kidnap Tommy Bond (pretty much by accident) and Atom Man gives Bond a villain speech before sending him back to the Daily Planet. The Daily Planet where boss Pierre Watkin doesn’t believe Bond’s story–or he believes…
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Superman Flies Again establishes a few things I’m very curious to see if Atom Man vs. Superman keeps going with over the course of the serial. Firstly, is Pierre Watkin always completely wrong about everything. Playing newspaper editor Perry White, Watkin calls his staff–Kirk Alyn, Noel Neill, Tommy Bond–into the office (they can all hear…
The Stop Button 