Category: 1938
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Room Service appears—well, sounds like—it sounds like it ends with Groucho Marx singing along to a spiritual in a stage play and breaking into occasional mimicry of a Black woman singing. For no reason. Like there was a subplot about a racist parrot they cut from the movie (it runs seventy-eight minutes, so it’s not…
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Charming, beautifully photographed (in luscious color) short looking at pastoral Britain. The stuff with the (adorable) farm animals is more fun than the wheat harvest, but the harvest stuff isn’t at all bad. Lovely, precise direction. DVD (R2), Blu-ray (B).Continue reading →
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The only impressive thing about The Toy Wife (not good, not admirable) is the film’s ability to keep going professionally, no matter how stupid it gets. There are no easy outs in the picture; even when people start dying off to up the tragedy, there’s still a seemingly endless amount of run time remaining. The…
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Given Dramatic School is all about top-billed Luise Rainer’s rise of stage stardom, it might help if she were actually the protagonist of the story, instead of its—occasional—subject. Because Rainer’s got to share the film with a bunch of other characters, none particularly interesting. There’s Rand Brooks, who’s the headmaster’s son and from a long…
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Even if you give The Buccaneer a lot of its historical absurdities and classic Hollywood whitewashing, even if you give it a motley crew of murdering (but not raping, good family men) pirates getting giddy and doing a singalong while they row themselves through the bayou to fight for Andrew Jackson against the British, even…
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Flash Gordon’s Trip to Mars is far from the ultimate trip. It’s not even a very good trip. It’s the kind of trip where you go somewhere, go somewhere else, then somewhere else, then go back to the second place, then go back to the first place, then go back to the third place, then…
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An Eye for an Eye is a disappointing finish for Flash Gordon’s Trip to Mars but maybe not an unexpected one, not given the serial’s trajectory. The cliffhanger resolution is quick–Buster Crabbe gets away from Charles Middleton due to Middleton’s lack of observational prowess. They’re fitting foes. Neither of them pays attention enough. While Middleton…
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An Eye for an Eye is a disappointing finish for Flash Gordon’s Trip to Mars but maybe not an unexpected one, not given the serial’s trajectory. The cliffhanger resolution is quick–Buster Crabbe gets away from Charles Middleton due to Middleton’s lack of observational prowess. They’re fitting foes. Neither of them pays attention enough. While Middleton…
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A Beast at Bay could just as easily be called We Give Up, There’s One More. After a lackluster cliffhanger resolution, Buster Crabbe’s plan to save the Clay kingdom fails because he couldn’t control one unarmed prisoner and then couldn’t beat him in a fistfight. The thirteen chapters of Crabbe kicking Martian ass… well, they…
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A Beast at Bay could just as easily be called We Give Up, There’s One More. After a lackluster cliffhanger resolution, Buster Crabbe’s plan to save the Clay kingdom fails because he couldn’t control one unarmed prisoner and then couldn’t beat him in a fistfight. The thirteen chapters of Crabbe kicking Martian ass… well, they…
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The Miracle of Magic is a funny title for the chapter since nothing really miraculous happens. There’s some anti-miracles. Maybe it refers to the curse of the Clay people getting lifted, which involves magical receptacles, but not really magic itself. It’s a strange sequence where the still suspicious C. Montague Shaw has Buster Crabbe do…
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The Miracle of Magic is a funny title for the chapter since nothing really miraculous happens. There’s some anti-miracles. Maybe it refers to the curse of the Clay people getting lifted, which involves magical receptacles, but not really magic itself. It’s a strange sequence where the still suspicious C. Montague Shaw has Buster Crabbe do…
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It’s a good thing Ming (Charles Middleton) loves to carelessly gloat because if he didn’t, there’s no way Buster Crabbe could’ve got the upper hand this chapter. Ming the Merciless is, sort of, about Martian queen Beatrice Roberts finding out Middleton isn’t really her pal. But she doesn’t have much in the way of recognition…
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It’s a good thing Ming (Charles Middleton) loves to carelessly gloat because if he didn’t, there’s no way Buster Crabbe could’ve got the upper hand this chapter. Ming the Merciless is, sort of, about Martian queen Beatrice Roberts finding out Middleton isn’t really her pal. But she doesn’t have much in the way of recognition…
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And it’s back to the Martian imperial city or whatever it’d be called this chapter. After a surprising cliffhanger resolution–brainwashed Jean Rogers does indeed stab Buster Crabbe in the back–Crabbe and his male sidekicks (Frank Shannon, Donald Kerr, and Richard Alexander) go running around in the forest a bit before they have to go back…
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And it’s back to the Martian imperial city or whatever it’d be called this chapter. After a surprising cliffhanger resolution–brainwashed Jean Rogers does indeed stab Buster Crabbe in the back–Crabbe and his male sidekicks (Frank Shannon, Donald Kerr, and Richard Alexander) go running around in the forest a bit before they have to go back…
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Okay, Incense of Forgetfulness might be where Flash Gordon’s Trip to Mars starts getting into… well, travel trouble. After an exceptionally bad cliffhanger resolution (Buster Crabbe just manages to break free of his bonds, nothing else), there’s about ten minutes of circular narrative. Crabbe, Frank Shannon, and Richard Alexander head back to the Clay kingdom.…
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Okay, Incense of Forgetfulness might be where Flash Gordon’s Trip to Mars starts getting into… well, travel trouble. After an exceptionally bad cliffhanger resolution (Buster Crabbe just manages to break free of his bonds, nothing else), there’s about ten minutes of circular narrative. Crabbe, Frank Shannon, and Richard Alexander head back to the Clay kingdom.…
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Nine chapters in, Flash Gordon’s Trip to Mars hasn’t had any majorly repetitive chapters. The overall story moves along, at least moderately, by the end of the chapter. But not so with Symbol of Death. The chapter opens with Buster Crabbe escaping Charles Middleton’s imprisonment and death ray; it ends with Crabbe imprisoned and Middleton…
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Nine chapters in, Flash Gordon’s Trip to Mars hasn’t had any majorly repetitive chapters. The overall story moves along, at least moderately, by the end of the chapter. But not so with Symbol of Death. The chapter opens with Buster Crabbe escaping Charles Middleton’s imprisonment and death ray; it ends with Crabbe imprisoned and Middleton…
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Poor Flash (Buster Crabbe) and Dale (Jean Rogers), every time it seems like they might actually get a chance to lock lips, something happens. This time it’s Frank Shannon calling attention to Donald Kerr being injured. Flash being Flash, Crabbe has to attend to Kerr, not passionately reunite with Rogers, which is doubly unfair since…
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Poor Flash (Buster Crabbe) and Dale (Jean Rogers), every time it seems like they might actually get a chance to lock lips, something happens. This time it’s Frank Shannon calling attention to Donald Kerr being injured. Flash being Flash, Crabbe has to attend to Kerr, not passionately reunite with Rogers, which is doubly unfair since…
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The Prisoner of Mongo title suggests, well, whoever was titling the chapters wasn’t paying attention to the actual script–much like last chapter’s title, calling the Forest People the Tree-Men–but it does indeed turn out Buster Crabbe and company will end up prisoners of Mongo. At least, of Ming (Charles Middleton). He’s commanding the Tree-Men–sorry, Forest…
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The Prisoner of Mongo title suggests, well, whoever was titling the chapters wasn’t paying attention to the actual script–much like last chapter’s title, calling the Forest People the Tree-Men–but it does indeed turn out Buster Crabbe and company will end up prisoners of Mongo. At least, of Ming (Charles Middleton). He’s commanding the Tree-Men–sorry, Forest…
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Oh sure, the title is Tree-Men of Mars, but they’re actually called the “forest-people (of Mars)” or even the “fire-men (of Mars). They live in a forest (in the trees) and shoot fire at their enemies. Who, by the end of the chapter, are after Crabbe and company. Crabbe and Shannon have just convinced Clay…
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Oh sure, the title is Tree-Men of Mars, but they’re actually called the “forest-people (of Mars)” or even the “fire-men (of Mars). They live in a forest (in the trees) and shoot fire at their enemies. Who, by the end of the chapter, are after Crabbe and company. Crabbe and Shannon have just convinced Clay…
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It’s unclear what the chapter title, The Boomerang, has to do with any of the content. Unless it’s something about Buster Crabbe and Frank Shannon continually returning to Beatrice Roberts’s palace from the Clay Men’s kingdom. Crabbe and Shannon start the chapter saving Jean Rogers and Donald Kerr, who promptly disappear from the action, because…
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It’s unclear what the chapter title, The Boomerang, has to do with any of the content. Unless it’s something about Buster Crabbe and Frank Shannon continually returning to Beatrice Roberts’s palace from the Clay Men’s kingdom. Crabbe and Shannon start the chapter saving Jean Rogers and Donald Kerr, who promptly disappear from the action, because…
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The cliffhanger resolution from last chapter should be this awesome sequence where Buster Crabbe–faced with a collapsing structure–swings down on a line, risking his life to save his prisoner (Beatrice Roberts), in a scene George Lucas would “borrow” for Star Wars. Unfortunately, the whole thing is played on a view screen for Charles B. Middleton…
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The cliffhanger resolution from last chapter should be this awesome sequence where Buster Crabbe–faced with a collapsing structure–swings down on a line, risking his life to save his prisoner (Beatrice Roberts), in a scene George Lucas would “borrow” for Star Wars. Unfortunately, the whole thing is played on a view screen for Charles B. Middleton…
The Stop Button 