Category: Wonderland

  • Wonderland (1999, Michael Winterbottom)

    From a description–not even from a few minutes–Wonderland might appear to fit into (or create again) the British realism movement. It’s shot on video, natural lighting, natural make-up, no visible tripod shots, all hand-held, all very cinema verite. There’s no artificiality to it. Except the artificiality of being a filmed narrative. Wonderland even visibly bucks…