The Terror is not camp, which is bewildering, not just because it’d be better if it were camp, but because, based on its vitals, it seems like it can’t not be camp. The film stars Jack Nicholson as a Napoleonic officer—he does not attempt an accent, thank goodness—who gets involved with some supernatural goings-on involving…

It might be too easy just to call The Terror terrible or to go into the various puns one could make with “terrible” and the title. It’s not a surprisingly bad film at all. It’s an expectedly bad film, given it opens with a pointless scare attempt. Boris Karloff shows up in the first scene-walking…