Category: Takin’ Over the Asylum

  • Takin’ Over the Asylum (1994) s01e06 – Let It Be

    The last episode takes place over at most a week, but it feels like much longer. There’s this “show don’t tell” backfire where Ken Stott has hit bottom and he’s laying about in a destroyed apartment, on a bender, and then we find out it’s like three hours after the last scene. And we’ve missed…

  • Takin’ Over the Asylum (1994) s01e05 – Rainy Night in Georgia

    I guess it’s Katy Murphy’s spotlight episode now? The question mark because Murphy’s entirely in support of Ken Stott throughout the episode, so even though she’s in it more and we finally find out her backstory, she’s just the love interest. Especially when Stott’s drinking problems come up—he makes a full disclosure about it to…

  • Takin’ Over the Asylum (1994) s01e04 – Fool on the Hill

    With the radio station seemingly on steady ground for the first time the whole show, “Takin’ Over the Asylum” gets going on some more subplots. This episode gives Angus Macfadyen a spotlight, the station’s de facto engineer who’s about to get released and needs help from someone on the outside to get a job. Luckily,…

  • Takin’ Over the Asylum (1994) s01e03 – You Always Hurt the One You Love

    Was there a doctor appearance last episode? I can’t remember. This episode has the first doctor-involved subplot, this time doctor David Robb, who can’t see a reason to keep Ruth McCabe in the hospital anymore since all she needs is medication to keep her OCD in check and her husband, Jon Morrison (incorrectly credited as…

  • Takin’ Over the Asylum (1994) s01e02 – Fly Like an Eagle

    This episode seemingly takes place soon after the first one—Ken Stott is giving David Tennant DJ lessons—but apparently in the meantime Stott’s had a chance to look at the station’s accounting since he took over. There’s a subplot about hospital money person Sandra Voe wanting to see Stott’s books for running the radio station and…

  • Takin’ Over the Asylum (1994) s01e01 – Hey Jude

    From the opening, it’s hard to tell if “Takin’ Over the Asylum” is going to be a comedy or not. Window salesman Ken Stott is rushing out of a customer’s house for some reason, running away from a potential sale apparently—I’m not sure you need to have seen Glengarry Glen Ross or Tin Men to…