The Stop Button
blogging by Andrew Wickliffe
Category: The Shadow of the Tower
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I really had no idea how far “Shadow” could drop, did I? I mean, The Fledgling manages to be the worst episode of the series (with only one left) and with Richard Warwick in it but nowhere near the worst part. Though, to be fair, Warwick is in a much reduced role compared to the…
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Oh, no, Richard Warwick is back. And now we’re getting the story of his time just imprisoned, because the king (James Maxwell) pities him so won’t just execute him. Executing him means taking him seriously as a threat to the crown and Warwick can’t be seen as a threat. And so on and so forth.…
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I was unprepared for The Man Who Never Was, even acknowledging the anthology nature of the show, which has had great successes, could also have great failures. And the episode is most definitely a failure. But because of casting. It’s a strange episode in general—lots of flashbacks, lots of seventies sly “oh, maybe he likes…
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Continuing the hit streak is this episode, Do the Sheep Sin?, which has King James Maxwell dealing with a protest march. He’s been taxing the hell out of the poor, albeit somewhat unintentionally (he thought he was taxing the rich, they just put it on to the poor), and the poor decide they’re going to…
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I can’t say if this episode, The Princely Gift, is better than the previous episode, which was the comedy. Gift is about a Venetian navigator, played by Londoner Derek Smith with an accent you’d think was a little strong even in 1972. He’s working with these three businessmen from Bristol who want to do an…
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“In the Shadow of the Tower” has been getting really good, but it hasn’t done anything like A Fly in the Ointment in the ointment before. When I grokked the format—different directors, different writers, maybe not everything from King James Maxwell’s perspective (though tellingly zilch so far from Queen Norma West’s perspective), I was kind…
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The episode starts with guys conspiring to overthrow Henry VII (Robert Maxwell) with the help of foreign money and a pretender king… in other words, “In the Shadow of the Tower” feels like itself again. If itself again means it feels more like the first three episodes than the two before this episode. It’s actually…
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This episode is peculiar. It has a new writer, new director, same production design, same King (James Maxwell), but in this episode, Maxwell’s end credit is just as “The King,” not “King Henry VII.” Because it doesn’t matter who he is. He doesn’t need to be the king. He could just as easily be Pontius…
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This episode tells a loser’s story. He played the game of thrones and he lost. The loser in question is Humphrey Stafford; real guy, wikipedia page and everything, played by Maurice Roëves. Roëves is awesome. He also gets to give more personality to Stafford than anyone else in the episode gets near. Sure, it’s not…
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In 2019, some forty-seven years since its first airing, “The Shadow of the Tower” feels like “Game of Thrones” without blood, booze, boobs, rape, battle scenes, dragons, prominent female characters, butts, zombies, and CGI. Oh, but it does have historical accuracy. There’s something really interesting seeing this “game of thrones,” specifically King Henry VII’s game…


