The art is a wreck. I can’t believe anyone looked at the pages for the first issue and the ones for this issue and thought they were acceptable. On the plus, Remender is less awful. He’s still writing a movie pitch for Mickey Rourke, right down to an intricate heist sequence, but at least he’s…

Wow. Tocchini’s art takes a major dive this issue. Most of it looks like he had some sketches and they colored them and called them good. It’s so bad I forgot the beginning of the issue actually looked good. I don’t think I’ve read Remender before. Going to take a lot to convince me to…

Since I already knew I’d like the Greg Tocchini artwork–I hope the future issues have some more color; this issue is mostly set in dark streets and the brighter stuff is just so lush, I want more of it–The Last Days of American Crime otherwise mostly just showcased the benefits to the sixty-four page format.…