Category: I Hate Fairyland
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Well, Young certainly doesn’t go any predictable route. He’s into new territory in Fairyland now, seventeen issues in, and–frankly–the book has lost its charm. There’s still charm to the art, but the writing has lost its charm. It’s lost Gert, for one thing. She’s MIA this issue (for the first time ever) and not even…
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Well, Young certainly doesn’t go any predictable route. He’s into new territory in Fairyland now, seventeen issues in, and–frankly–the book has lost its charm. There’s still charm to the art, but the writing has lost its charm. It’s lost Gert, for one thing. She’s MIA this issue (for the first time ever) and not even…
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Uh. So Young opens the issue with Gert talking about how the previous issue’s cliffhanger for Fairyland was manipulative and cheap. Which is fine. Kind of funny. But then this entire issue is manipulative and cheap as it undoes that cliffhanger. The issue’s a dream sequence (basically), not just without anything to move the story…
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Uh. So Young opens the issue with Gert talking about how the previous issue’s cliffhanger for Fairyland was manipulative and cheap. Which is fine. Kind of funny. But then this entire issue is manipulative and cheap as it undoes that cliffhanger. The issue’s a dream sequence (basically), not just without anything to move the story…
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Even though Young doesn’t do arcs in Fairyland anymore, he sort of does. And this issue is the end of the arc–i.e. trade–with setup for the next one. It moves all right, but it’s nowhere near as funny as usual. Probably because Gert is being a good girl (not a spoiler, the trade’s out and…
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Even though Young doesn’t do arcs in Fairyland anymore, he sort of does. And this issue is the end of the arc–i.e. trade–with setup for the next one. It moves all right, but it’s nowhere near as funny as usual. Probably because Gert is being a good girl (not a spoiler, the trade’s out and…
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I Hate Fairyland just did something rather unexpected. And it’s hard for Young to do anything rather unexpected because, while everything is somewhat unexpected, that chaos is part of the comic. Gert is reliably chaotic. So for Young to pull off a surprise regarding Gert… it’s a neat move. He also has a phenomenal series…
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I Hate Fairyland just did something rather unexpected. And it’s hard for Young to do anything rather unexpected because, while everything is somewhat unexpected, that chaos is part of the comic. Gert is reliably chaotic. So for Young to pull off a surprise regarding Gert… it’s a neat move. He also has a phenomenal series…
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Larry gets his own issue. I mean, there’s brackets, but Larry gets a flashback. An origin story of sorts. Dean Rankine does the art on the flashback, which takes Larry from his inglorious start as a larvae to his greatest achievements. The writing is fantastic, though it’s sort of unclear what Young wants to do…
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Larry gets his own issue. I mean, there’s brackets, but Larry gets a flashback. An origin story of sorts. Dean Rankine does the art on the flashback, which takes Larry from his inglorious start as a larvae to his greatest achievements. The writing is fantastic, though it’s sort of unclear what Young wants to do…
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Gert has turned over a new leaf and she’s going to be a good guy in Fairyland now. Of course, no one better tell Gert how to go about turning over that leaf; she and Larry are ronin on a mission to save a baby. It gives Young a lot of gags outside the norm,…
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Gert has turned over a new leaf and she’s going to be a good guy in Fairyland now. Of course, no one better tell Gert how to go about turning over that leaf; she and Larry are ronin on a mission to save a baby. It gives Young a lot of gags outside the norm,…
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I Hate Fairyland returns on a high point, with Skottie Young embracing the “done-in-one” narrative while still developing Gert a little. She has to progress towards something now without a question. It’s very interesting to see in comics–the meandering narrative–but Young nails it. The issue itself is fun without getting too gory. Young’s expanding Gert’s…
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I Hate Fairyland returns on a high point, with Skottie Young embracing the “done-in-one” narrative while still developing Gert a little. She has to progress towards something now without a question. It’s very interesting to see in comics–the meandering narrative–but Young nails it. The issue itself is fun without getting too gory. Young’s expanding Gert’s…
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Young wraps up the second arc–which has been loose anyway–with an action-packed finale. There’s a lot of great art as future Gert battles a giant monster and some decent comedic dialogue, but it’s all a little light. Young safely cruises; there’s nothing ambitious here.
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Young wraps up the second arc–which has been loose anyway–with an action-packed finale. There’s a lot of great art as future Gert battles a giant monster and some decent comedic dialogue, but it’s all a little light. Young safely cruises; there’s nothing ambitious here. CREDITS Writer and artist, Skottie Young; colorist, Jean-Francois Bealieu; letterer, Nate…
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I Hate Fairyland continues on its demented way, with Young throwing Gert into her next misadventure. The recap text actually made me think there might be some kind of followup to the previous issue’s events, but no, instead Young’s full steam ahead. This issue has Gert going into Larry’s magic hat to try to find…
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I Hate Fairyland continues on its demented way, with Young throwing Gert into her next misadventure. The recap text actually made me think there might be some kind of followup to the previous issue’s events, but no, instead Young’s full steam ahead. This issue has Gert going into Larry’s magic hat to try to find…
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How much magic is there in I Hate Fairyland? An endless amount. Young’s reinvigorated on the book, with Gert doing a done-in-one where she tries to get out of Fairyland again. Does it work, does it not, doesn’t matter so much as the comic is actually moving. It might not be moving overall, but it’s…
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How much magic is there in I Hate Fairyland? An endless amount. Young’s reinvigorated on the book, with Gert doing a done-in-one where she tries to get out of Fairyland again. Does it work, does it not, doesn’t matter so much as the comic is actually moving. It might not be moving overall, but it’s…
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Funny thing about Young and I Hate Fairyland. It’s even better when it’s toned down a little. This issue isn’t too gross, isn’t too mean, has a handful of really easy jokes, and it’s maybe the most pleasant experience of the series so far. Or maybe Gert is finally just a character. But we’re getting…
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Funny thing about Young and I Hate Fairyland. It’s even better when it’s toned down a little. This issue isn’t too gross, isn’t too mean, has a handful of really easy jokes, and it’s maybe the most pleasant experience of the series so far. Or maybe Gert is finally just a character. But we’re getting…
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Based on this issue, which covers the entirety of the reign of Queen Gertrude the First (and Only?), maybe Young shouldn’t do arcs with I Hate Fairyland. He’s so good at summary storytelling, which fairytales rely heavily upon, he doesn’t really need to drag things out. He does amazing things with repeated visuals, repeated jokes.…
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Based on this issue, which covers the entirety of the reign of Queen Gertrude the First (and Only?), maybe Young shouldn’t do arcs with I Hate Fairyland. He’s so good at summary storytelling, which fairytales rely heavily upon, he doesn’t really need to drag things out. He does amazing things with repeated visuals, repeated jokes.…
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I Hate Fairyland succeeds, in general, because Young is always bringing at least two things to it. He’s bringing the story–the absurdity of a pissed off princess stuck in a fairytale–and he’s bringing the art. Young’s visualizing of Fairyland, which drips with such sticky sugar you’re ready to switch to stevia forever, is a delight.…
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I Hate Fairyland succeeds, in general, because Young is always bringing at least two things to it. He’s bringing the story–the absurdity of a pissed off princess stuck in a fairytale–and he’s bringing the art. Young’s visualizing of Fairyland, which drips with such sticky sugar you’re ready to switch to stevia forever, is a delight.…
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It’s a solid issue. Young doesn’t do anything crazy like he did in the previous one, he just sets Gert out on a quest. She muscles her way through it. Young’s formula for Fairyland is just enough detail to make readers gag on the saccharine nature of it, but not too much to get caught…
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It’s a solid issue. Young doesn’t do anything crazy like he did in the previous one, he just sets Gert out on a quest. She muscles her way through it. Young’s formula for Fairyland is just enough detail to make readers gag on the saccharine nature of it, but not too much to get caught…
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Young’s a bit of a show-off this issue. He works on his subplot–the queen conniving to rid Fairyland of Gert–and gives Gert what seems to be a standard adventure. Until it isn’t. And then Young goes crazy with this lengthy sequence–it seems to take place over decades (or a day). It’s phenomenal. Except it isn’t…
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Young’s a bit of a show-off this issue. He works on his subplot–the queen conniving to rid Fairyland of Gert–and gives Gert what seems to be a standard adventure. Until it isn’t. And then Young goes crazy with this lengthy sequence–it seems to take place over decades (or a day). It’s phenomenal. Except it isn’t…