Category: Howard the Duck
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What a bad comic. Whether it’s Mantlo’s rhyming of adjectives and nouns, the lamebrain fight scene, Bev’s silly way of resolving her situation–it’s all bad. It’s all bewilderingly disconnected, not just from the series, but from the other elements of the comic. It’s like Mantlo can’t even figure out how to move these characters in…
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Al Milgrom inking Gene Colan. And it’s not bad. It looks like Milgrom does a lot of work on Howard’s face–his lines are smoother than everything else–but otherwise, it’s not a bad job inking at all. Milgrom’s not the only change. Steve Gerber’s gone and Bill Mantlo’s scripting. He changes some details about Howard’s current…
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Gerber writes the script from a Mark Evanier plot. It starts with Howard in Cleveland again, though it doesn’t look like Howard. Will Meugniot and Ricardo Villamonte’s art is strange; Howard’s reality is gone. It’s a comic strip. Meugniot’s got fine enough composition, but zero detail. The story doesn’t have much Cleveland–Howard almost immediately ends…
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Gerber writes the script from a Mark Evanier plot. It starts with Howard in Cleveland again, though it doesn’t look like Howard. Will Meugniot and Ricardo Villamonte’s art is strange; Howard’s reality is gone. It’s a comic strip. Meugniot’s got fine enough composition, but zero detail. The story doesn’t have much Cleveland–Howard almost immediately ends…
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Carmine Infantino on Howard the Duck. It works out rather well. He’s got Frank Giacoia on inks. They have fun. It helps the story is fun too–these people who run into Howard go to the same psychiatrist, which wraps the flashbacks. Howard’s story has him breaking in to an army base. The army is experimenting…
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Carmine Infantino on Howard the Duck. It works out rather well. He’s got Frank Giacoia on inks. They have fun. It helps the story is fun too–these people who run into Howard go to the same psychiatrist, which wraps the flashbacks. Howard’s story has him breaking in to an army base. The army is experimenting…
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Howard is mad as hell and he’s not going to take it anymore. So what does he do? He stops the Circus of Crime. Why? See the first sentence. Is he mad at the Circus of Crime? Not so much. Is he worried about his friends being hospitalized? Not so much. Does Howard finally admit…
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Well… last things first. Winda gets assaulted and Gerber shucks it off page. After her startling–and entirely unnecessary–attack, Gerber just mentions her in Howard’s summing up of the issue’s misadventures. Most of the comic involves him running around with the Circus of Crime and how he gets away from them. Gerber, Colan and Janson do…
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Well… last things first. Winda gets assaulted and Gerber shucks it off page. After her startling–and entirely unnecessary–attack, Gerber just mentions her in Howard’s summing up of the issue’s misadventures. Most of the comic involves him running around with the Circus of Crime and how he gets away from them. Gerber, Colan and Janson do…
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Well, Bev’s back this issue and… Gerber has her and her new husband getting it on. He plays it for laughs, starting with Bev complaining about being stuck in a square marriage like her mother’s and ending with the creatures of Bong’s island peeping on them. So it’s kind of like if Sue married Doom…
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I have a lot of fundamental problems with this issue of Howard the Duck. I don’t mind it being great, but I don’t like how Gerber’s not just able to get away with finally addressing the Bev situation he’s also able to get sympathy from it. The effectiveness of Howard walking the streets sad is…
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Leave it to Steve Gerber to do the impossible here. Wow. He takes this peculiar story arc (which ties back to Howard’s first appearance and ignores everything else in the series so far) and throws in these (intentionally) painfully obvious Star Wars references and then goes loose with it all. The result is a good…
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I’m not sure Howard is back on track so much as Gerber has found someplace to take it. The existing narrative of the series is on hold; this issue continues Howard’s first appearance (and death) over in Man-Thing. Now he’s back with Man-Thing, Jennifer Kale (Man-Thing’s blondie girlfriend), a blond Conan and an old wizard.…
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It’s a better issue than the recent norm, but Gerber still doesn’t have Howard on much of a path. At one point, Howard all of a sudden seemed like the perfect cultural relic from the Carter presidency, but it’s not. Instead, it’s like Gerber is showing how much he can abuse the reader as far…
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I’m seeing the problem with Howard. Gerber is refusing to get Howard into a comfortable situation at all. Bev is still out of the picture, but so is the new girl. Bong is even out of the picture. Howard just happens into an entirely new situation with a new supporting cast. The problem isn’t the…
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Howard’s adventures as a human continue, but Gerber sets him down a particular path. Howard ends up at the Port Authority Bus Terminal, which puts him in contact with a particular set of humans and maybe not the most interesting ones. After a certain point–Howard is back in a hippy girl’s apartment–one has to wonder…
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Bong’s still a dumb villain, but the rest of the issue is strange enough to get it through. While Bev is off getting married to Bong, Howard has been changed into a human and is escaping Bong’s castle in the company of a duck-girl, one of Bong’s other experiments. The early highpoint of the issue…
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Bong’s still a dumb villain, but the rest of the issue is strange enough to get it through. While Bev is off getting married to Bong, Howard has been changed into a human and is escaping Bong’s castle in the company of a duck-girl, one of Bong’s other experiments. The early highpoint of the issue…
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I don’t like Dr. Bong. It’s a strange misstep for Gerber on Howard. He creates a supervillain who seems like a cross between a Bond villain (he has all sorts of technology and a private island) and Dr. Moreau (he uses said technology to create animal mutations to populate the island). But this guy doesn’t…
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I don’t want to call this comic book strange. Instead of a regular, strange issue of Howard the Duck, it turns out Gerber was just too busy to break out an actual plot for Gene Colan so instead he did an issue in prose. Howard the Duck #16. It’s Gerber making fun of himself well,…
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It’s a strangely gentle issue. So gentle I almost went back to check to see if Gerber wrote the thing. Instead, I waited until I finished the issue. Howard is chill. This issue has a chill Howard the Duck. Gerber takes all the previous events–like Howard’s mental health issues–into account as he lets the cast…
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The Howard the Duck Annual is a fantastic comic. Writers Mary Skrenes and Steve Gerber wisely go for an extended story as opposed to some special, annual-like one. Unless there’s something to Howard being in Arabia. Did Donald Duck ever have an Arabian adventure? With Howard–especially with Val Mayerik on the art–there’s frequently a strange…
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And Gerber is back on with Howard. After being possessed by the Son of Satan’s demon, Howard heads to Cleveland to get revenge on Beverly for not loving him. It’s a lengthy trip, however, with Howard having little moments on the way. Gerber also cuts back to Daimon Hellstrom (the guy who’s supposed to be…
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Maybe Colan drawing Ace Frehley just got me off on the wrong foot with this issue of Howard but it does seem like Gerber’s got way too much going on. He splits the issue between Howard and his new lady friend, Howard’s insanity, Howard’s doctor and guest starring Son of Satan, the evil German nurse…
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It’s another great issue of Howard the Duck. I’m even willing to give Gerber a chance to make the hard cliffhanger’s unfortunate corporate synergy guest stars worthwhile next issue. He does such a good job with the comic–this issue has Howard tried and committed–I’m willing to give him a lot of leeway. Gerber balances the…
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It’s Howard without Beverly–in a delirious state he assumes she has run out on him with one of the hairless apes but it’s really innocent (or so we hope)–and that change in balance would be enough to get the issue done. It’s Howard fending for himself and all. Gerber could easily fill the pages with…
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Steve Gerber tears down comics and rebuilds them in this issue of Howard the Duck. Well, maybe just in the first ten pages of the issue. He hangs out in the rebuilt part for the rest of the story. Real quick–Gerber’s Duck is an idea of where mainstream comics should go. And it’s a rejected…
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The cover promises the action of Howard the Duck battling a giant beaver at Niagara Falls. The comic doesn’t disappoint; that sequence, beautifully rendered by Colan and Leialoha, ends the issue. But it comes after an extremely goofy and sort of sad adventure for Howard and Bev. He’s lost the election, which is unfortunate, and…
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This comic is difficult to believe. Not the content of the issue, where Gerber just goes wild with a look at American presidential candidacy, but its very existence. Marvel Comics published a comic about the American public rabidly anticipating the assassination of political candidates. They let Gerber get away with it, they even paid Gene…
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It’s an amazing issue. Primarily because it ends with Howard the Duck being made a Presidential candidate, but also because Gerber hits every right note throughout the issue. He introduces politics into the comic after finishing up the previous issue’s cliffhanger. It involved a giant gingerbread man attacking Howard and Bev after being brought to…
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