Category: Film
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While I do not have much if anything nice to say about Time Lapse, including not liking the title, it’s somewhat admirable director and co-writer King and producer and co-writer Bp Cooper were able to keep it going for an hour forty. They sort of faked it past the ninety minute mark, sort of into…
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Most of Concussion is inoffensive Oscar bait. Only for the dudes though. And only for the actors. None of the technicals. Will Smith is the main Oscar bait; he’s a crusading African immigrant coroner who’s a medical super genius who wholesomely communes with his cadavers before respectfully cutting them up. The film shows Smith talking…
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Every once in a while, Jane Fonda will say a line just right and Fun with Dick and Jane will be, well, fun for a moment. Not a long moment. Sometimes it approaches funny, sometimes it’s just fun. But it’s something. Because fun and funny are in short supply in Dick and Jane. Somehow the…
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The Perfect Host is clearly on a budget. It’s one of those carefully constructed on a budget movies, where you see the inside of the police station but never the outside and you can hear the other detectives, but it’s always just talky cops Nathaniel Parker and Joseph Will. They’re working a bank robbery, which…
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Enola Holmes is a solid vehicle for the proposition of lead Millie Bobby Brown as a movie star—she infrequently narrates to great effect, in a manner far more Ferris Bueller than John Watson (more on the infrequently in a bit). But as almost anything else the movie fizzles. Henry Cavill as Sherlock Holmes? He’s not…
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Wind River is almost manipulative enough to be effective. If writer and director Sheridan just could’ve made it through his muted epilogue to the end credits instead of pointing out just where he was manipulative and how what a cheap job he did of it…. But he can’t. Not unless you count Graham Greene basically…
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As Above, So Below is a combination of a Goonies rip-off, a Tomb Raider rip-off, an Indiana Jones spin-off (which might just be the Tomb Raider rip-off), and, I don’t know, either Blair Witch or every other found footage horror movie where the third act just decides it’s time for image overload in lieu of…
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Peninsula is the sequel to Train to Busan but more like it just takes place in the same universe. It’s part of the Train to Busan Extended Universe, much like Land of the Dead would’ve been part of the Night of the Living Dead Extended Universe. And watching Peninsula, you realize just how much it…
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In the third act of Notorious, director Hitchcock and screenwriter Ben Hecht (who had some uncredited and quite exquisite help) figure out a way to get maximal drama out of a rather mundane situation. Well, mundane as far as the possibilities of American agents in Rio de Janeiro (with the permission of the government) trying…
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Valley of the Gods is a cautionary tale. If you’re going to make a combination of Citizen Kane—with either actual footage or a recreated shot—and then a bunch of vague Kubrick nods, including Keir Dullea (arguably in the film’s best performance) as a snippy butler and a HAL while doing a retelling of the Navajo…
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Eun-hee (Park Ji-hu) is an average Seoul eighth grader circa 1994, which would be fine if being average weren’t a one-way ticket to nowhere. Park’s the youngest of three children; while presumably eldest sister Park Soo-yeon has already screwed up and is going to a crappy school across the bridge, son Son Sang-yeon is doing…
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Rock Jocks is full of “it’s not racist because” jokes. There’s even a moment early on when Felicia Day tries explaining to Gerry Bednob how he’s actually a racist even though he says he’s not. When he disagrees, Day gives up, which is a fairly good place to give up on Jocks. You’ve hit the…
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Enter the Fat Dragon is about Hong Kong super-cop Donnie Yen (already in a pound of makeup before he puts on the fat suit, presumably to look more age appropriate for love interest Niki Chow) who goes too far one too many times and finds himself busted down to the evidence room. After Chow dumps…
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The Old Guard is better than any of the Highlander movies (to date, I suppose) but sadly not a success. It gets relatively close to passing at least, but then the epilogue is forced, predictable (screenwriter Greg Rucka’s really obvious, he’s really episodic and he’s really obvious–Old Guard is based on Rucka and Leandro Fernandez’s…
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Backcountry is all about this young couple who need a weekend in the woods to realize why they’re wrong for each other. She’s a lawyer who’s interested in playing on her smartphone with her friends. The movie’s from 2014; maybe it’s supposed to be Candy Crush? Is 2014 too early for Instagram? Missy Peregrym plays…
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I didn’t have much hope for Cabin in the Woods; though, I mean, director and co-writer Drew Goddard… he’s gone on to stuff. Good stuff. Right? But if I’d known it was written in three days—it shows—and cost $30 million—it actually looks pretty darn good for $30 million, saving the money shots until the final…
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Maybe a third of the way into Cool Hand Luke, the film all of a sudden starts getting really good. It’s when Jo Van Fleet makes her appearance, which provides the film both its single best acting—Newman and Van Fleet are exquisite in the scene—and also director Rosenberg showing he’s actually got a handle on…
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One Woman show The Wrong Missy | Directed by Tyler Spindell | Netflix, 2020 Alright, I’ll come clean early and confess a weakness for rom coms. Especially after a few beers, and featuring lively young talents. When I saw the commercial for this one evening while pursing Netflix series, the presence of Lauren Lapkus as…
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My initial impulse as I sat through the droning minutes of Personal Foul was to give the film a pass. Not give it any stars, but a pass. Also, when I say droning, I mean droning. The film’s music is a set of three or four songs by folk singer Greg Brown (and friends) on…
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I don’t know how long it would’ve taken me to see Ashfall if it hadn’t been for a blogathon. Maybe never. While I’m a Ma Dong-seok fan because how can you not be, I’ve always been lukewarm on top-billed Lee Byung-hun. Lee’s not actually the lead; the lead is Ha Jung-woo, who I don’t follow.…
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The Man with Two Brains does not age well. It’s a case study in not aging well, even more so because when the three writers—director Reiner, star Steve Martin, and George Gipe—can’t figure out how to do an ending so they just do an extended fat joke… well, it’s hard to continuing giving the film…
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At no point does Miss Fisher & the Crypt of Tears introduce viewer unfamiliar with star Essie Davis’s television show, to which this film’s a sequel, “Miss Fisher’s Murder Mysteries.” The movie opens with an action sequence setting up Davis as an exquisitely dressed combination of Indiana Jones and James Bond. The action—a title card…
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If you’ve ever started watching To Live and Die in L.A. and turned it off because it’s terrible or just heard of it and thought you should see it, let me say… there’s no reason to see it. Or sit through it. Not even morbid curiosity. Or unless you want to see John Pankow’s butt.…
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For its protracted 106 minute runtime, Vampira and Me is a combination of tragic, frustrating, annoying, and enthralling. The problem with the whole project is writer, producer, editor, director, and narrator Greene. Well, okay, the problem with any project about Vampira (Maila Nurmi) is the lack of extant footage of her television show, “The Vampira…
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There’s not a lot to say about Plan 9 from Outer Space. It’s comically inept on almost every level—the uncredited sound editor (unless it’s also director Wood, who wrote, produced, and edited) does all right. The chirping crickets in the graveyard as the cast mugs their way through an alien zombie invasion give it a…
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Pennies from Heaven is about how being a woman—particularly in the 1930s—is awful because you exist entirely for male consumption. If not sexually, then as production. The film’s supposed to be about how life’s just unfair for dreamers, in this case lead Steve Martin, who’s just trying to make the American Dream work for him;…
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It’s impossible to overstate what a profoundly, risibly bad movie Shyamalan has made with Signs. As the end credits started rolling, after the most disappointing “epilogue” Shyamalan could’ve come up with—it’s not just disappointing, it’s also pointless (pointless is the probably the best adjective to describe scenes in Signs)—my wife joked the movie took two…
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Solo: A Star Wars Story is juvenile, which might be what manages to save it. It’s got nothing but problems—a troubled production (director Howard took over from fired “executive producers” Christopher Miller and Phil Lord and shot seventy-percent of what’s in the film), an uninspired screenplay (by Empire and Jedi screenwriter Lawrence Kasdan and his…
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It’s an hour into The Hustler before the film offers any real information about protagonist Paul Newman. We’ve seen Newman and mentor slash manager Myron McCormick pool hustle their way across the North American continent, getting Newman to New York City so he can play the best pool player in the world, Minnesota Fats (Jackie…
