Category: X-Men movies

  • Logan (2017, James Mangold)

    The strangest thing about Logan, at least in terms of the plotting, is how director Mangold is desperate to reference a film classic–one with a plot perfectly suited to what he’s purportedly trying to do with Logan–and he doesn’t follow it through. In any of the neat ways he could. Instead, he goes for obvious…

  • X-Men: Apocalypse (2016, Bryan Singer)

    X-Men: Apocalypse runs over two hours, which is surprising because–while the movie does plod along–I didn’t realize it plodded along for quite so long. I guess the first act is more successful in hindsight than while it plays out. This entry takes place, pointlessly, in the early 1980s. Oscar Isaac is the blue mutant Mummy,…

  • X-Men: Days of Future Past (2014, Bryan Singer)

    There's a fair amount of mess in X-Men: Days of Future Past, but it’s often good mess. It’s also intentional mess because it’s a time travel picture. If you remember any of the previous X-Men movies, lots doesn't make any sense. But it also doesn't matter–director Singer and screenwriter Simon Kinberg rely heavily on a…

  • The Wolverine (2013, James Mangold), the extended edition

    The extended version of The Wolverine adds some twelve minutes to the theatrical version. I can’t quite remember the differences, but mostly it just makes the film seem longer. Mangold hasn’t got a good pace for it; the fault for that problem, however, lies with the screenwriters. The film opens with a flashback, moves on…

  • The Wolverine (2013, James Mangold)

    The Wolverine suffers from too many pots on the stove, a director in Mangold who can’t manage said pots and some really, really silly things. Like giant monsters silly. The film’s at its best during a long chase sequence–both in terms of run time and story time–when Hugh Jackman is protecting Tao Okamoto throughout Japan.…

  • X-Men: First Class (2011, Matthew Vaughn)

    When the best thing in a 132-minute movie is a thirty-second cameo… it’s not a good sign. X-Men: First Class is self-important dreck. The four credited screenwriters do a bad job with everything except the one-liners; they do some of those quite well. There are a lot of goofy sixties details. Bad guy Kevin Bacon…

  • X-Men Origins: Wolverine (2009, Gavin Hood)

    One has to wonder if, had things worked out differently, Harrison Ford would have made a Han Solo prequel in the mid-1980s. I mean, he did reprise Bob Falfa. While the X-Men movies did make Hugh Jackman a star, they didn’t really make him the biggest star in the world. But X-Men Origins: Wolverine does…

  • X-Men: The Last Stand (2006, Brett Ratner)

    Apparently all the X-Men movies needed was the vapidness of Brett Ratner. What’s strangest about his replacing of Singer is the mutation being a metaphor for homosexuality. Singer used it as a metaphor (poorly) for race in the first one. I don’t think there were any metaphors in the second one, but it works perfectly…

  • X2 (2003, Bryan Singer)

    X-Men 2–sorry, X2–is one of the worst movies I’ve ever sat through, if not the worst. Singer does a lousy job on X2. It looks like it was filmed in Canada on a restricted budget; it looks goofy and cheap. The story is idiotic and the script is terrible. There’s no good split between the…

  • X-Men (2000, Bryan Singer)

    My wife wanted me to mention the only reason we watched X-Men was because she wanted to see Hugh Jackman with his shirt off… I watched it to insure she didn’t have a cardiac arrest. Back in the old days, before IMDb edited their trivia section, the X-Men trivia featured defenses of some of the…