Category: Spanish film

  • El Topo (1970, Alejandro Jodorowsky)

    El Topo means “The Mole.” There’s some opening text explaining it, but it’s not until the film's second half where the title really makes sense. There are some earlier nods—the nameless protagonist (played by director Jodorowsky) starts the film telling his son to bury his childhood. Then later, Jodorowsky will magically find just what he…

  • Mondays in the Sun (2002, Fernando León de Aranoa)

    Outstanding, sometimes comedic, often tragic look at the lives of a group of laid off Spanish ship-builders, four years after the yard closes, as they contend with economic depression, alcoholic depression, unemployment, and the resulting martial strife. Truly great script (co-written by director de Aranoa and Ignacio del Moral), excellent performances from principals Javier Bardem,…

  • Even the Rain (2010, Icíar Bollaín)

    Even the Rain has a particular narrative distance as it starts, then changes to another one a little later on. Director Bollaín doesn’t transition gradually between these two vantage points; she keeps the pacing of scenes and how they flow into each other, just from the new distance. The film has an ambitious narrative juxtapositioning…

  • The Devil’s Backbone (2001, Guillermo del Toro)

    The Devil’s Backbone takes place at an orphanage during the Spanish Civil War (in Spain, obviously). The film follows Fernando Tielve as he arrives and has conflicts with the other boys, before everything gets worked out. For about half the film, one of the other boys, Íñigo Garcés, is the antagonist. But everything with the…

  • Tristana (1970, Luis Buñuel)

    Deliberate, somehow endless–it clocks in at ninety-five–Tristana is something of an anti-Buñuel or, at least, I was expecting something a little more uncanny. Tristana is so normal, it’s something of a surprise (the film occasionally seems ready to leap into the surreal, but it remains grounded throughout). But it’s very boring, in that good way…

  • Pan’s Labyrinth (2006, Guillermo del Toro)

    Pan’s Labyrinth is a pretty film. Gorgeous cinematography, great locations, intricate make-up (bad CG, but it’s only really noticeable once). Guillermo del Toro does a decent job directing the film but has these really annoying transitions–the back of someone’s head frequently becomes a tree in the forest in unending pans. His script is competent and,…