Category: Directed by Peter Yates
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Bullitt is from the period when Hollywood wasn’t calling the Mafia the Mafia yet—it’s “The Organization” here—and none of the mobsters had Italian names, but they are mostly Italian (heritage) actors. It’s especially funny because part of Bullitt’s conceit hangs on WASPs like up-and-coming senator Robert Vaughn not being able to tell Italians apart. But…
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The Friends of Eddie Coyle is an amusing, intentionally misleading title. Eddie Coyle (Robert Mitchum) doesn’t have any friends. He has various criminal contacts he sees on a regular basis, but he doesn’t consider any of them friends. Mitchum’s a down-on-luck small-time crook who’s about to go away for a couple years. He didn’t rat,…
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Dustin Hoffman and Mia Farrow are John and Mary, respectively, and they’ve just woken up after spending the night together. They met at a singles bar. Is it going to be a one night stand or is it going to be something more? Both come with some baggage, though of different varieties. Farrow’s last serious…
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For a “traditional” underdog story, Breaking Away is exceeding complex. It opens with Dennis Christopher, Dennis Quaid, Daniel Stern and Jackie Earle Haley; neither Steve Tesich’s script nor Yates’s direction emphasizes any over another. Actually, Quaid’s loudmouth gets the most emphasis. Then the film introduces Barbara Barrie and Paul Dooley as Christopher’s parents and it…
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From the director of Breaking Away and one of the many fine writers of the Adam West “Batman” TV show…. Krull is just as unwatchable now as it was the last time I tried to watch it, some eleven years ago. As a kid—assuming kids are the best audience for the film—Krull never registered as…
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I’m a little surprised Donna Summer did the theme song for The Deep, seeing as how she’s black and, according to The Deep, every black person is a villain of some kind or another. Even with his blond locks, I’ve never thought of Nick Nolte as particularly aryan (maybe because his eyes are so brown),…
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As far as I know, Year of the Comet completes the Louis Jordan as a mad scientist in search of eternal youth (continuing from his two Swamp Thing movies). There’s something so perfect about Jordan pursuing eternal youth, it’s not even questioned. William Goldman uses the device to complicate things in Year of the Comet,…
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Gentle, deliberate dramatic mystery/thriller (reuniting director Yates with BREAKING AWAY writer Steve Tesich) has custodian William Hurt lying about witnessing a crime so he can cozy up with TV reporter Sigourney Weaver, who he’s got a major crush on. Excellent performance from Hurt, sometimes excellent, sometimes not performance from Weaver. Not quite successful but a…
The Stop Button 