Category: Directed by William Wyler

  • Dead End (1937, William Wyler)

    If you tilt to just the right angle, for a while you can see Dead End as the tale of three people from a poor neighborhood and how life has worked out for them as they got closer to their thirties. Humphrey Bogart grew from a “not too bad” young punk to a public enemy…

  • The Heiress (1949, William Wyler)

    Outstanding period drama about unmarried heiress Olivia de Havilland’s courtship by charming but poor Montgomery Clift and the repercussions for de Havilland’s relationship with her father, Ralph Richardson. Small story grandly told; Ruth and Augustus Goetz adapted their own play (which was adapted from Henry James’s Washington Square). Fantastic performances from everyone involved, stellar direction…

  • The Best Years of Our Lives (1946, William Wyler)

    If it weren’t for the first half of the film, The Best Years of Our Lives would be a series of vingettes. The film runs almost three hours. Almost exactly the first half is set over two days. The remainder is set over a couple months. Director Wyler and screenwriter Robert E. Sherwood don’t really…

  • The Little Foxes (1941, William Wyler)

    The most impressive things about The Little Foxes are, in no particular order, Bette Davis’s performance (specifically her micro expressions), Patricia Collinge’s supporting performance, director Wyler’s composition, director Wyler’s staging of the narrative (adapted by Lillian Hellman from her play and set in a constrained area but a living one), Herbert Marshall’s performance, and Gregg…

  • Detective Story (1951, William Wyler)

    Detective Story, the film, is William Wyler’s “production” of Sidney Kingsley’s play of the same title. Philip Yordan and Robert Wyler adapted the play. Wyler directed and produced the film. It is a stage adaptation and proud of it. The phrasing above is directly adapted from how the film opens and credits Wyler and Kingsley…

  • How to Steal a Million (1966, William Wyler)

    Mildly charming caper movie about one of art forger Hugh Griffith’s fakes ending up in a museum and daughter Audrey Hepburn needing to rob the museum so no one finds out the piece is a fake. To pull off the heist, she needs the help of cat burglar Peter O’Toole. Hepburn’s fine, O’Toole makes little…