Category: Directed by Park Hoon-jung

  • For the first half or so, The Childe ostensibly has three lead characters. The protagonist is Kang Tae-ju; he’s a half-Korean, half-Filipino illegitimate son of a Korean rich guy. Life has sucked, leading to Kang becoming an underground boxing champ (which has so shockingly little to do with the movie it’s like they forgot it…

  • The Witch: Part 2. The Other One (2022, Park Hoon-jung)

    The Witch: Part 2. The Other One starts with a flashback to the very late nineties or very early aughts—someone’s still got a cassette walkman, but MP3 players do exist. Now, The Other One is a sequel, but it’s a “start from scratch” sequel, so for a while, it seems like this story will be…

  • The Witch: Subversion (2018, Park Hoon-jung)

    About halfway through The Witch: Subversion, I wondered why they’d opened with a flashback showing presumably chid witch Kim Ha-na escaping from her government “doctors.” The prologue introduces evil scientist lady Jo Min-soo and her chief fixer Park Hee-soon, it introduces the secret castle-like laboratory fortress, it has a lot of blood. The opening titles…

  • The Witch: Part 1. Subversion (2018, Park Hoon-jung)

    About halfway through The Witch: Part 1. Subversion, I wondered why they’d opened with a flashback showing presumably chid witch Kim Ha-na escaping from her government “doctors.” The prologue introduces evil scientist lady Jo Min-soo and her chief fixer Park Hee-soon, it introduces the secret castle-like laboratory fortress, it has a lot of blood. The…

  • The Tiger: An Old Hunter’s Tale (2015, Park Hoon-jung)

    The Tiger: An Old Hunter’s Tale is a rather ambitious piece of work from director Park. Maybe too ambitious. It’s not just about juxtaposing old aged hunter Choi Min-sik against the last tiger in Korea (the film’s set during Japanese occupation when the Japanese were having all the tigers exterminated), it’s also about juxtaposing almost…

  • New World (2013, Park Hoon-jung)

    It never occurred to me there might still be significant mileage in the undercover cop melodrama. Or, for that matter, in the gangster melodrama. New World proves me uninformed on both points. Writer-director Park mixes both genres, somewhat unequally, and creates this unbelievably good film. I use the adjective “unbelievably” because, for the most part,…