Category: Directed by David Anspaugh
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The surprise tragedy of Fresh Horses is Molly Ringwald could’ve been good in it. Even though she’s top-billed, she doesn’t get a scene without Andrew McCarthy until almost halfway through the movie—she’s the white trash object of his working-to-middle class sexual lust—but she’s not good in that scene. Actually, it’s her only scene without McCarthy…
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Hoosiers rouses. It rouses through a perfectly measured combination of narrative, editing, composition and photography, and music. In that order, least to greatest. There’s no way to discount Jerry Goldsmith’s score and the importance of his music during the basketball game montages. They’d be beautifully cut and vividly photographed, but they wouldn’t rouse without that…
The Stop Button 